Gone forever are the spring of translation of the six generations of translation notes in Hongjingling, Manjiang. The scenic spots in Jinling are not what they used to be. At that time, my dear Wang and Xie family, I met them in Wuyi Lane. How are they now? It's late at night, and the spring tide beats Jinling City, stirring the lonely voice. The past is unbearable, and only a little remains remain in Jinling. Now it's nothing more than wild smoke. Birds are singing and flying in the sunset, and the autumn dew is cold. Chen Houzhu's Yushu * * * has not been sung by many people, and the rouge well, which has been hiding in Chen Houzhu, is also deserted. Cicada sings bleakly. Ray, what else? Only Zhongshan is still green, and Qinhuai River is still dripping with clear water.
Note: 1 1332 (from Yuan Wenzong to Shunsan), Sadula was transferred to Yushitai of Jiangnan Travel Agency and moved to Jinling (now Nanjing). This word was written around this time. 2 Past events: Once upon a time. 3 "Xie Wang" sentence: Wuyi Lane, on the Qinhuai River in the southeast of Nanjing today, is the residence of Wang Dao and Xie 'an in the Eastern Jin Dynasty. These two sentences are very poetic in Liu Yuxi's Wuyi Lane. Lonely city: an empty city. Song Yushu: Yushu * * *, a song written by Chen Houzhu for concubines, is called the voice of national subjugation. There is a saying in Xu Hun's "Jinling Nostalgia" in the Tang Dynasty that "the jade tree will destroy your soul". Rouge Well: Also known as Jingyang Well and Shame Well, it is located in Taicheng near Jiming Mountain in Nanjing today. Sui Jun attacked Jinling and escaped into the well with his concubine, but was finally captured by Sui Jun. Jiāng: chilling.
The first part of the word "Appreciation of Red Jinling in Manjiang" begins with the description of the bustling scene disappearing silently like spring, with a strong nostalgia color, which sets the sentimental tone of the whole article. Three sentences of "emptiness", comparing the present and the past, express the feelings after the above. The mountains and rivers of that year are still in front of us, but the personnel changes are not as prosperous as in the past, which can be described as "the sea changes, the mountains are high and cold." This situation is very touching. Next, we used "Shuang Yanzi and Wuyi Lane knew each other before Wang Xietang" and Liu Yuxi's "Wild grass flowers on Suzaku Bridge and sunset on Wuyi Lane". In the old society, Wang thanked Yan and flew into the homes of ordinary people. The "Wuyi Lane" here and the swallows I have met have brought the author's thoughts to the prosperity of the Xie Wang family, and further compared the scarcity with the prosperity. "Listening to the dead of night, lonely city, spring tide is urgent" is also a sentence in Liu Yuxi's "The tide hits the empty city and returns to the lonely", which not only writes the real scene in front of him, but also casts the artistic conception of Liu Yuxi's poems, which is melancholy and lonely. The scenery written is hazy, and the word "urgent" not only sets off the atmosphere of the dead of night, but also vividly depicts the loneliness of ebb and flow but not wanting to be lonely.
The next one is "Thinking about the past and worrying about the future". On the basis of emotional accumulation in the last film, the author's emotional generation, straightforward language and short sentences all show emotional agitation. The ups and downs of the author's mood have reached * * * here. Next, the poet used images such as barren smoke, rotten grass, crows, setting sun and autumn dew to render the atmosphere, pinning his feelings and forming a picture of the last autumn with far-reaching artistic conception and sadness. The phrase "well-proportioned trees are cold in the autumn" is not only a description of the scenery, but also an eulogy of things. Chen Houzhu's colorful song "Yushu * * *" in the guide to Yushu has always been regarded as the voice of national subjugation; Rouge Well is the Jingyang Palace Well of the Chen Dynasty. When Sui Jun captured Jiankang, Chen Houzhu, his favorite concubines, Zhang Lihua and Kong, hid in this well and were captured alive by Sui Jun. Here, the story from prosperity to decline is used to illustrate the impermanence of personnel, and the prosperous times will not last long. The last three sentences, "Up to now, only Jiang and Qinhuai Bi have survived! Combined with the above, it reveals a strong nothingness and sadness.
The whole poem expresses the author's deep homesickness through the contrast between mountains and rivers and the scenery, but the prosperity of the Six Dynasties. The whole article was written from the "Six Dynasties", but it covers not only a period, but also a region. The author's original intention is to lament that prosperity is fleeting, which contains the author's deep and strong feelings about life and history. It is a sigh for the impermanence of life, and it is also a summary of the ups and downs of the times and the vicissitudes of ancient and modern times. This work makes people feel a sadness of past glory and present decline, which transcends their own sadness and temporary lament, making the theme of the work bear eternal significance beyond time and space.
The outstanding feature of artistic technique is that the author is good at using the poems and allusions of predecessors, but he touches nature without showing traces. For example, "Before Wang Xietang, After Shuang Yanzi, After Wuyi Lane Meet", it seems that it is not mechanically copied and divorced from the text, but can be integrated with the artistic conception of the whole word, which is natural and full of new ideas. The same is true of the sentence "listening to the night". In the process of putting it into practice, the true feelings of generate make the homesickness of the works deeper and longer in the accumulated history. Autumn in Song Yushu is cold, which uses the story of Chen Houzhu's ups and downs, and is connected with the emotion of the whole poem, that is, forgetting the past and recalling the past. Used in works, natural and meaningful.
The whole article blends with the scenery, forming a deep and desolate artistic conception. The author sometimes expresses his feelings directly, such as "thinking about the past and thinking about the future, worrying about it." More often, he skillfully projected his feelings into the scenery, such as "listening to the night, feeling lonely and anxious", and wrote about the lonely city of Jinling, which was slapped by the Yangtze River tide in the night sky, which contained the author's feelings of loneliness, melancholy and anxiety. In the next film, the author pinned his feelings on the desolate image, where the fusion of emotion and scenery constitutes a low artistic conception, which gives people a strong emotional infection.
Poetry: Ancient Poems of Red Jinling in Manjiang Author: Classification of Sadulla's Poems in Yuan Dynasty: Writing Scenery and Nostalgia