Due to the need of ideology, poetry is required to serve political ideology! Seventeen-year-old poetry began to mobilize people for socialist revolution and construction with the help of national classical poetry and folk songs, which had nationalist characteristics. The lyric style of poetry in this period is consistent with social ideology, which expresses the bright future after the founding of the People's Republic of China, emphasizes the social function of poetry and is not allowed to express personal feelings.
The optimistic and cheerful style of poetry reflects the writer's confidence in historical progress. The style of poetry is political, optimistic and clear, without ambiguity and obscurity. Seventeen-year poems reflect a certain essence of reality, which can be summarized by "battle songs" and "carols". Poetry usually refers to horns, gongs and drums, flags and so on.
Political lyric poetry is very prosperous, with bold, clear, cheerful and radical style. However, the seventeen-year-old poetry lacks rich and colorful poetry flow, and its personalization is seriously declining. Folk song style is regarded as the development direction of new poetry, and its poetic style is abnormal. Strive to praise the so-called sublime beauty and the social function of poetry, and the connotation of poetic beauty is poor and single.
The art of poetry
The example of Mr. Su Jinsan. The indifference of literary history to him not only did not affect his creation in his later years, on the contrary, the rash ruling of literary history proved the correctness of his writing direction: loyalty to the soul rather than the ethos of the times.
At the so-called "turning point" in history, he did not leave his own "masterpiece" like other famous poets, but he is one of the few poets who can stand the test of time. His writing is obviously effective. Unlike many poets, when history turns a new page, their poems are immediately turned off by the pages of history and disappear.
In this sense, the so-called poetry in the 1990s is by no means equivalent to a poetic aesthetic of bringing forth the old and bringing forth the new, but an extremely strict artistic standard. This is a moral problem in poetry creation.
This will inevitably lead to the next question: Where is the effectiveness of poetry writing in the 1990s? If it is not impeccable, what is its own problem? Since 1950s, ideology has exercised the right of dual thinking in poetry. This mode of thinking forms a causal link.