The unique image group in Li Bai's poems is the most creative and romantic poet himself. From his numerous poems, we can easily find that most of Li Bai's poems are devoted to shaping and highlighting the poet's self-image. Unlike Wang Wei, he is not so concerned about and careful to perceive the world, nor is he as concerned about how to express delicate feelings as Wang Changling. What Li Bai wants to express is an elected "I"-how, how, what to say and what to do, which also forms a special expression of the poet, which is true, clear and hearty.
The so-called truth comes out, that is, it is not concealed and straightforward. Li Bai's poems will always be "free and unfettered", with no scruples or obstacles. He drove away and rebuked the supreme ruler, despised the hot dignitaries, publicly expressed his dissatisfaction with reality and made it clear that he would not go along with the world. When he was proud, he laughed: "Laugh wildly and go out. Are we Artemisia people? " When he was depressed, he shouted, "The road is clear, but there is no way out before my eyes!" " When he cried, he cried out in pain; When he sings, he sings crazily ... In short, what Li Bai thinks, remembers, feels and sends is open to the world and can be seen clearly. Reading his poems, such as the clear autumn moon, is crystal clear. On the surface, it is too straightforward, but in fact it is straight and fragrant, which is exciting.
And the so-called hearty, is surging, venting. Li Bao's poems often come suddenly, such as waterfall rapids: "Oh, but it is very high and very dangerous! ! Such a trip is harder than climbing the blue sky! " "Have you seen how the water of the Yellow River flows from the sky to the sea and never returns? If you don't see how cute Gao Tingming's mirror lock is, the sun will turn blue and snow. " The sound gives people great shock and infection. And then, it is often a torrent that never stops: "Those who abandoned me yesterday can't stay, and those who disturb my heart today are more worried ... but since the water is still flowing, although we cut it with our swords and raise our glasses to eliminate their worries."
"Since the world can't satisfy our desire, I will let go of my hair tomorrow and take a fishing boat." Poems such as "Near Wine" and "Shu Dao Xing" are famous for their boldness and hearty. These poems, with ups and downs and abrupt changes, present an unconstrained style, which best represents the individual characteristics of Goethe and Li Bai's poems.
Du Fu's poetic groups are all saturated with the patriotic feelings and compassion for life when the poet cares about the country and the people, hurting the country and the people, with a strong melancholy color. It is also about the phoenix, but the phoenix in his works is completely different from that in Li Bai's poems, which is aloof, lofty and self-sufficient. For example, Zhu Feng, who is in a difficult situation and lonely, but cares about birds, and Zhu Feng, who is kind-hearted, and "Prospering in the light again, washing away sadness" in Phoenix Terrace. Deeply wrapped in this reason, the "long-staying" tragedy Phoenix is full of hatred for the dark reality, care and sympathy for the country and the whole world. The phoenix that cares about the country and the people is the embodiment of the poet, which fully shows Du Fu's gloomy style. In addition, citrus reticulata, Thin Horse, Autumn Wind, Gusai, Sick Orange and even Gao Jiang, Xia Ji and Cheng Wei are also Du Fu's image group. Poems such as "Thunder in the steep gorge of Gao Jiang, the sun and the moon faint the old trees and vines" and "There are rustling in ancient times, and the clouds are at the bottom of the desert in cold autumn" strongly show Du Fu's deep and melancholy feelings. Although Du Fu is different from Li Bai in truth, he is clear and bright, but he has a different flavor when reading.
The combination of images in Du Fu's poems is also different from Li Bai's poems, but several images are compressed into one poem. High density. Look dignified, mature and profound. For example, Ascending the Mountain is a poem with well-organized images, especially in the first couplet and "Wan Li is a frequent visitor in autumn, and I have climbed this mountain alone", where the images of "the apes in the sky whimper and the birds return to the white sand in clear lake" are endless, and the words are very accurate and appropriate. Thus, it describes the scene of the riverside in late autumn in a gloomy way, expressing the poet's hard life, family and country, and is praised by later generations as the first of the seven laws in ancient and modern times. In addition, the poems such as "The window contains the autumn snow in Xiling, the gate of Wu Dong Wan Li boating" and "The grass is on the dangerous wall and the breeze is on the rock, and the boat is sailing alone at night" are all sentences with good image density. At the same time, the context of many images in Du Fu's poems is quite clear. The rules are very strict. Such as "Climbing the Building": "Flowers are as high as my window, which hurts the wanderer's heart, because I look from this height and feel sad everywhere. The spring scenery of Jinjiang flooded in, and the clouds on the mountain, ancient, varied and changeable. The imperial court, like the North Star, will not change in the end, and the Western Hills of Kohl will not invade Tibet. However, I feel sorry for the sorrow of a long-lost emperor at dusk and talk to Fu Liang at sunset. " . The first couplet is a happy scene about sad feelings. Flowers hurt the guest's heart, and couplets tell the magnificent mountains and rivers, with infinite feelings; Ties talk about world affairs, and the word Yan Yizheng; Tail couplet satirizes the dynasty's bad king and sighs. The whole poem has dense images and distinct rules, which combines natural scenery, national tragedy and poet's feelings, strongly and profoundly, and vividly embodies Du Fu's depressed and frustrated style.