02. Poetry is the eruption of emotion, and more importantly, it shows emotion to people. In other words, a poet is a person with temperament. Only when he has feelings can he write poems, and only when he has deep feelings can he have good poems.
03. The most precious thing for a poet is sincerity. Once a poet loses his sincerity and true feelings, he loses his qualification as a poet.
04. Poetic taste is the crystallization of the poet's deep and fiery thoughts and feelings and the vivid artistic image of poetry. It is the refreshing artistic charm of the poet's yearning, pursuit and aesthetic ideal, and it is a kind of aesthetic feeling reflected in the content and form of poetry. Therefore, poetic flavor has a distinct personality color, which is the most full display of the poet's personality.
05. For a group of poems, each poem is a shining star, and a group of poems is a dazzling galaxy; Every poem is a fragrant flower, and a group of poems is a fragrant garden.
06, a successful poem must be unique, always with a novel perspective, novel expression, fresh content and refreshing. Without freshness, strangeness and originality, it naturally loses its vitality. However, novelty is not a trick, not a blind trick.
07. What is poetry? It is the touch of reality, the refraction of life, the fleeting meteor in the poet's ideological sky, short and dazzling. Of course, the ever-changing nature will bring us inexhaustible creative inspiration, but the complex and diverse real life will always be our most important creative source. If poetry does not pay attention to reality, it will be submerged by reality.
08. Poetry is an ingenious work, a stroke of genius, and a lucky visit of the poet. It can be said that "however, I feel the harmonious heartbeat of the sacred unicorn" and "it is easy to get it". Its appearance is very natural, it is the smoothness of "tap water", not the dystocia of "squeezing toothpaste". In other words, poetry is not the result of hard thinking, it is the beautiful spark of generate in an instant, the poet's timely and keen capture of fleeting subtle perception, and it is like a wonderful shot captured by a photographer.
09. The content of poetry always needs to be expressed through appropriate forms with the help of the shell of language; Forms other than poetry, like human bones, carry rich connotations and thoughts.
10, the most taboo in poetry is to kill energetic poetry with dogmatic language.
1 1. Writing is a kind of "creation" rather than "manufacturing". I always thought that poetry was "picked up" inadvertently, rather than "written" with heart; In other words, it can't help but "spray" it out instead of scratching its head and squeezing it out. Because of the instantaneity of poetry, it is decided that writing poetry depends on epiphany, inspiration and beauty. Of course, only when there is accumulation will there be an outbreak.
12. In the creative practice, the poet does not create and combine images at will, but is dominated by "meaning" and restricted by subjective and aesthetic feelings. Therefore, the use of images has played a directional role in the thoughts and feelings of quilts. Only by directional suggestion and directional guidance of this image can readers be stimulated to think and explore directionally, so as to grasp its connotation more accurately. Only in the process of understanding the meaning of images can readers grasp the content of poetry, understand the theme of poetry, enter the artistic conception of poetry and perceive the poet's emotions. Only in this way can the subjective feelings of a poem be truly expressed, and readers can understand the poet's profound experience and subjective feelings, thus producing a "singing effect".
13, the so-called "image" is the perfect combination of subjective "meaning" and objective "image". Poets often create images to express their feelings implicitly. In a poem, different images should have internal unity, that is, through the organic combination of images, the internal cohesion is formed, so that readers can distinguish themes by grasping the internal relations between images, and make clear the theme contained in images, the emotional appeal embodied in images, and the social significance and appeal of images.
14, the image of poetry needs to change and jump, but this jump is not unusual or sudden. The change of image must have a clear context and internal inevitable connection. If you jump too fast and too wide, it will destroy this coherence and make people confused.
15. Poetry is the concentrated wisdom and the most refined expression in the literary family. It expands the most infinite space with the most limited poems; In the shortest form, it carries the widest connotation.
16. Poetry creation is the free expression of individual mind and the active release without any external constraints. Don't fantasize about using too many prohibitions, rules, systems and so on to imprison the poet's passion.
17, poetry is a clever work, so you should "write at will and be careful to change it". I have always thought that poetry is a kind of "smart art". It is a sudden thought of the poet, a sudden feeling, a touch in life, a fleeting discovery, and an ideological spark that suddenly blooms poetically, so you should "write at will". Of course, just because we emphasize that poetry is a spark of inspiration, we can't think that poetry creation doesn't need too much thinking and sorting, or even special filtering. In fact, all works with real weight, regardless of the length and form of the poem, must be honed and scrutinized, so they must be "seriously corrected"
18. A good poem title is often the "eye" of God who conveys the theme, content and meaning of the poem. Have a pair of moving eyes and charming eyes, leaving room for imagination and aftertaste.
19. Poetry criticism without pertinent and original criticism is like a plow without a sharp share. Even if the land is fertile, it is impossible to cultivate fruitful results.
20. Poetry criticism should not be a vassal of a work, nor is it just a cold technical analysis. It should be a language activity related to the critic's theme. In any critical practice, a critic must be a companion, a person with a warm heart, an interlocutor with a deep understanding of writers and works, and a person with values and beliefs.
2 1. Poetry criticism is not only an interpretation, but also a re-creation, an innovation, a creation that can "bring life to a work, a book, a sentence and an idea".
22. There is no doubt that networks need benign interaction. Posting and commenting on posts is a kind of communication and learning, and it is to improve the comprehensive quality of all poets in the forum in the spark of wisdom. Here, there is no need for narcissism, what is needed is modesty; There is no need to be condescending, what is needed is equality and peace; No need to blame, what is needed is insight; What is especially unnecessary is any mountainism that takes oneself as the boss. What is needed is an ideological confrontation with the development of poetry as its own responsibility.
23. In the poet's works, the unique beauty of nature is inherent: every grass, flower and tree exudes vitality, every leaf swings beautifully, every river gurgles beautifully, and every bird sings beautifully.
24. Poetry is one of the poorest and richest consumer goods. It is "poor" because it is unprofitable. After all, few people get rich by writing poems. Therefore, it is very difficult to be a poet in this utilitarian era. And it is "rich" because poetry is a spiritual benchmark.
There is no doubt that poetry is the alchemy of language, but this is not the case.