Year: Tang Dynasty
Author: Wang Wei-Pastoral Music (6)
content
Hearts also contain fresh rain overnight, green willows and a touch of spring smoke.
The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping.
Appreciate:
The writer lived in seclusion in Wangchuan Villa and was close to nature, so he wrote Six Words of Wangchuan. This is one of them. The poem "Sleeping", "Singing", "Falling Flowers" and "Sleeping Rain" in spring is easily reminiscent of Meng Haoran's five-line poem "Spring Dawn". There are so many similarities in the life content of the two poems, but the artistic conception is quite different. Comparing with each other, it is easiest to see two remarkable characteristics of Wang Wei's poems.
The first feature is vivid and colorful, and there are pictures in poetry. This is not to say that there are no paintings in Meng's poems, but that Meng's poems focus on freehand brushwork. Although the wind and rain of flowers and birds are also mentioned, there is no detailed description, but readers can indirectly understand it from poetry. Wang Wei's poems can be completely different. Not only the composition is large, but also the colors are concrete and vivid, and the description is meticulous, so that readers can draw first and then understand. Write peach blossoms and leaf warblers to capture the characteristic scenery of spring. Here, peaches, willows and warblers all refer to flowers and birds, which is more specific than Meng's general reference to flowers and birds, and it is easier to evoke intuitive impressions. It is also obvious that the artistic effect of writing Rain at Night through Stay in the Rain and Facing the Smoke is the same. On the basis of goujing, the use of words such as color, "red" and "green" makes the scenery bright and pleasing to the eye. Readers will see a bright future. "Peach flies away, burning its glory", plus "Liu is Yi Yi", the scenery is pleasant. After coloring, there is a layer of rendering: deep red and light red petals are slightly raindrops overnight, and the colors are softer and more lovely. After the rain, the air is clear and fresh, and the flowers in Ran Ran are overflowing, which makes people enchanted; The green wicker cage is more charming in a hookah. The poetic scene has become a detailed and colorful picture after layers of rendering and careful description; In contrast, Meng's poems are freehand and not colored. One is colored and the other is colorless. Meng's poem begins with "I woke up in this beautiful spring morning" and saw people before entering China. On the other hand, Wang Shi didn't meet anyone before entering this country. Because of the "constant rain", there is a "falling flower". Flowers should be cleaned up when they fall, but "children haven't cleaned up yet." Don't sweep, don't sweep, because people haven't got up in the morning. Isn't this scene of flowers falling all over the place a quiet and interesting scene? This is exactly what Wang Wei likes better. The word "not swept" was obtained intentionally or unintentionally, with no effort and no trace. Finally, I wrote "Yingying crow". Yingying crows without dreaming, and Shanke falls asleep. This is a fascinating picture of "I wake up easily in the early morning of spring". But there are subtle differences with Meng's poems. Meng's poem begins with "I wake up in the spring", but in fact, people are already awake, so there are suspense of "birds singing around" and "I don't know how many flowers have been folded", and its artistic conception can be summarized by two words: "Spring is noisy" and "noisy". This poem was written at the end of spring sleep, when people slept soundly and safely and knew nothing about the outside world. Although the flowers are falling and the birds are singing, it only makes the "mountain guest" live more peacefully, so its artistic conception is mainly based on the word "quiet", and Wang Weizhi's "music" is also here. People say that his poems have Zen flavor, which is not wrong at all. Advocating silence is itself negative. But Wang Wei's poetry is commendable because it is different from silence. He can write interesting things in silence through dynamic and static interaction, giving people a fresh, clear and beautiful feeling. Tang poetry is characterized by vague artistic conception, but there are still two specific manifestations. One kind of bias makes people feel indirectly, such as Meng's poem "Spring Dawn". The other is biased towards the environment, which makes people realize the author's meaning from the environment, so poetry is. And from the environment, there are pictures in the poem. Is that most remarkable advantage of this poem.
The second feature is to work hard on the battle and rhyme loudly. Meng's "Spring Dawn" is an archaic five-character quatrain, which is free in meter and melody. Because Meng's poems are scattered, the meaning and pulse are consistent, and they are wonderful. This poem is another work, because it belongs to six-character quatrains, and its meter is extremely strict. From the perspective of parallel couples, not only the notional words such as "Peach Blossom", "Liu Qing", "Su Yu" and "Chao Yan" are prudent, but even the function words are cautious. For example, "Fu" and "Geng" are opposites, and they have progressive poetic functions in sentences; "Wei" and "You" have the poetic function of turning point in the sentence. The verbs "contain" and "take" have positive meanings, which make the objective scenery subjective and vivid. And against Seiko, watching a scene, but echoing each other, muddy as one. Peach, willow green, staying in the rain and welcoming smoke are interrelated, while the phrase "falling flowers" comes from peach and the phrase "singing birds" comes from willow, and "children at home have not been swept" and "mountain guests are still sleeping" also echo each other. What is shown here is the artistic ingenuity of hand cutting and the perfection of the painter's composition. The antithesis and beautiful melody make this poem catchy. Ancient Chinese poetry is dominated by five or seven words, and six-character quatrains are underdeveloped in all previous dynasties, especially famous works, and Wang Wei's poems are rare.