Langtaosha, the name of the Ci brand, was originally the name of Tang Jiaofang's song, also known as "The Sound of Selling Flowers". In the middle Tang Dynasty, Liu Yuxi and Bai Juyi sang and harmonized the minor tune "Lang Tao Sha" and created the first Yuefu song "Lang Tao Sha". Later master Li Yuyan of the Southern Tang Dynasty composed a minor tune "Lang Tao Sha". In the Northern Song Dynasty, Liu Yong created the long tune "Lang Tao Sha". 》. "Collection of Movements" is named "Lang Tao Sha Ling", which is included in "Xie Zhidiao", while "Collection of Qingzhen" is classified into "Shang Diao", the charm becomes denser, and the sentence readings are also different from "Collection of Movements". Representative works include Li Yu's "Lang Tao Sha·Rain Gurgling Outside the Curtain" and so on. Basic introduction Chinese name: Lang Tao Sha Alias: Hua Sheng Originated in: Tang Dynasty Popular era: Song Dynasty Regular style structure: double tone 56 characters Regular style rhyme: evolution of flat rhyme word cards, metrical explanation, metrical comparison, pattern one (seven words) Quatrain style), Ge 2 (double-tone Xiao Ling style), Ge 3 (Shang Tiao slow ci style), typical ci works, evolution of Ci Pai Lang Tao Sha, originally the name of Tang Jiaofang's song, later used as the name of Ci Pai. Yanle flourished in the Sui and Tang Dynasties, and literati were good at taking pleasure in poetry. In the middle Tang Dynasty, Liu Yuxi and Bai Juyi sang and harmonized the minor tune "Lang Tao Sha" and created the first Yuefu song "Lang Tao Sha", which is in the style of seven character quatrains; in the Five Dynasties, Empress Li developed the Xiao Ling "Lang Tao Sha", which became popular in double tune Xiao Ling with long and short sentences. ; Liu Yong of the Northern Song Dynasty created the long slow tune "Lang Tao Sha". "Complete Tang Poetry" says in the lyrics section that "the Yuefu of the Tang Dynasty originally used rhyme and other poems mixed with harmony to sing, and the harmony was used as the real word, and the long and short sentences were filled with lyrics based on the rhythm of the music." In the era of combining poetry and music, Liu and Bai were good at folk songs and created the seven-character quatrain style song "Lang Tao Sha" based on the popular ballad tunes at the time. It was included in the "Modern Songs" in the "Yuefu Poetry Collection". It was originally Some scattered or damaged miscellaneous folk music tunes were compiled and preserved by Yuefu institutions. The content of these poems is mostly the poet's narration of his feelings. Metric Explanation Langtaosha Cipai has multiple styles. Liu Yuxi and Bai Juyi were the first to create the Yuefu song "Langtaosha", written in a seven-character quatrain style. There are two formats, one is the Qi Qi style and the other is the Ping Qi style, with four sentences and twenty-eight characters, which are exactly the same as the Qi Jue Qi Qi Ping Qi style. In the Five Dynasties, the long and short sentence double-tone short order "Langtaosha" became popular. It has fifty-four characters, with four flat rhymes in the front and back parts, and mostly exciting and solemn sounds. The "Movement Collection" is called "Lang Tao Sha Ling". Entering "Xie Zhidiao", the first sentences of the front and back pieces each lack one word. The "Xie Zhi Tune" is transformed into a long slow tune, with a total of 134 characters, divided into three sections. The first and second sections each have four oblique rhymes, and the third section has two oblique rhymes, which must be rhymed ( In Tang and Song dynasties, if the same melody was originally written in flat tone rhyme, if it was changed to oblique rhyme, for example, Ru tone rhyme would be used, and if the original rhyme tone was used in Ru tone rhyme, it would also be changed to plain rhyme.) "Qingzhen Collection" enters "Shang Diao", the charm becomes denser, and the sentences are also different from "Movement Collection". It has 133 characters, the first paragraph has six oblique rhymes, and the second and third paragraphs have five rhymes each. Oblique rhyme, and leaves into the rhyme. Rhythmic comparison Ge 1 (seven-character quatrain style) Zeqi style Liu Yuxi's "Nine Poems on Langtaosha (Sixth)" (廄)廄 平平仄仄平, (平)平 (仄)廄仄平平. The fog opens on the Chengzhou River in Rizhao, and the gold-mining girls are all over the river. (平)平 (仄)廄平平廄, (仄)廄平廄廄平. The beauties' jewelry and their royal seals all come out of the waves in the sand. Pingqi style Huangfu Song's "Langtaosha·Beach beach meets sparse forest with fine grass" (Ping) Ping (Ping) Ping Ping Ping Ping, (Ping) Ping Ping Ping Ping Ping Ping. On the beach, thin grass meets sparse forest, and the waves are so bad that the boat is about to sink. (仄)仄(平)平平任仄, (平)平(仄)仄仄平平. Su Lu and sleeping gulls fly to Jiupu. Last year, sand scorpions were in the middle of the river. Ge 2 (double-tone Xiaoling style) Xiaoling fixed frame Fifty-four characters in double tone, five sentences each in the front and back paragraphs, four flat rhymes Li Yu's "Lang Tao Sha Ling·The Gurgling Rain Outside the Curtain" The middle level is flat, the middle level is flat. Zhongping, Zhongping, Zhongping, Zhongping. Zhongqi, Zhongqi, Zhongqi, Zhongqi, Zhongqi. The rain is gurgling outside the curtain, and the mood of spring is fading. Luo quilt can't bear the cold at midnight. In the dream, I didn't know that I was a guest, and I was greedy for pleasure for a while. The middle level is flat, the middle level is flat. Zhongping, Zhongping, Zhongping, Zhongping. Zhongqi, Zhongqi, Zhongqi, Zhongqi, Zhongqi. Alone, there is no limit to the world. It's easy to say goodbye but hard to see. The flowing water and falling flowers are gone in spring, and the world is in heaven and earth. Xiaoling Biege, fifty-two characters in double tone, five sentences each in the front and back paragraphs, and four flat rhymes. Liu Yong's "Langtaosha·There is a Person" 廄廄平平, 平廄平平. 廄平平廄廄平平. 廄仄仄平平仄仄, 平仄平平. There is a person with the spirit of Feiyan. The urgent ring is worn with Huayin. The rush to shoot is done with the red sleeves raised, the wind willow waist. 廄廄平平, 廄廄平平. Flat, flat, flat. Flat, flat, flat, flat, flat. The rustling light skirt is exquisite and new. At the end of the song, the fragrance collects independently. It should be that the limbs are delicate and sleepy, and the eyebrows are dark and frowning. Ge 3 (Shang Diao Slow Ci Style) One hundred and thirty-three characters in double tone, with nine sentences in the first paragraph and four oblique rhymes, and sixteen sentences in the second paragraph with five oblique rhymes. This kind of slow music must use the rhyme part. All oblique sentences and leading characters must not only adhere to the level and tones, but also pay attention to the four tones in order to conform to the style of the music. Liu Yong's "Langtaoshamang Mengjue" Ping Ping. Flat, flat, flat, flat. Flat, flat, flat, flat, flat. Flat flat flat flat flat flat flat flat. Dream sleep. There is a ray of wind through the window, and the cold light blows. When I woke up from the drunkenness, I heard that the stairs were empty and it was raining frequently at night. Sorry, I have been a guest from far away for a long time. 廄平平, 仄仄平平, 仄仄仄, 平平平仄, 仄仄平平仄. Bearing a beautiful woman, how many promises of alliance are made, and how much more forbearance there is. What used to be a happy meeting suddenly turned into sorrow. Flat. 廄平平平, 仄平平仄, 仄仄仄仄平平, 仄仄平仄, 仄仄平仄, 仄平平仄. Extremely sad. I thought about it again and again, deep in the bridal chamber, I drank and sang songs several times, and the fragrant and warm mandarin duck quilts, how could they be temporarily evacuated, it took Fei's effort. 廄廄平平, 廄廄平廄平平廄.
Flat, flat, flat, flat, flat. There are thousands of ways to pity each other in the rain and clouds. Until now, the sky has always been open, and we have been separated from each other for no reason. Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat. I don't know when, but I embrace Qin Yun's posture, and I would like to lower my curtains and sleep on my pillow, and talk to him softly. Every night in Jiangxiang, I think about it more and more in the cold weather.
Model lyrics (Tang Dynasty) Liu Yuxi's "Lang Tao Sha·Nine Bends of Ten Thousand Miles of Sand in the Yellow River" (Tang Dynasty) Bai Juyi "Lang Tao Sha·White Waves Connected to the Sea" (Southern Tang Dynasty) Li Yu "Lang Tao Sha Ling·Gurgling Rain Outside the Curtain" (Tang) Southern Tang Dynasty) Li Yu's "Lang Tao Sha·The past is only sad" (Northern Song Dynasty) Ouyang Xiu "Lang Tao Sha·Wish the wine to the east wind" (Northern Song Dynasty) Wang Anshi's "Lang Tao Sha Ling·Ilu's Two Faint Old Men" (Northern Song Dynasty) Yan Jidao "Lang Tao" "The sand grows red among the small greens" (Northern Song Dynasty) Cai Shen "Langtaosha·The gurgling water downstairs" (Southern Song Dynasty) Li Qingzhao "Langtaosha·The wind outside the curtain" (Southern Song Dynasty) Xin Qiji "Langtaosha·The mountain temple hears the bell at midnight" 》