Seek the appreciation of three obscure poems with 80 words each.

Worry-Dai Wangshu said that it was the sadness of lonely autumn, and it was acacia in the distant sea. If someone asks me what's on my mind, I dare not say your name. If someone asks me about my troubles, I dare not say your name. Say it's acacia in the far sea, say it's lonely autumn sorrow. China's famous modernist works are an organic combination of classical rhythm and modern sadness. In the history of China literature, the poet Dai Wangshu is undoubtedly a unique existence. He wrote a small number of poems (but more than 100), but he occupied an important position in the poetry world; He has no systematic poetics, but his Zero Zagreb Poetics and Wang Shu Poetics compiled by his friend Du Heng are very valuable. He appeared as a modernist in poetry, but at the end of his life, he wrote a real chapter soaked with blood and tears. In the history of new poetry, Dai Wangshu has his own position, but his position is not very high. Around the May 4th Movement, the torrent of science and democracy awakened generations of intellectuals. The fierce contradiction between the beautiful ideal and the dark reality hangs over their sensitive hearts. The sense of social mission of "knowing what you can't do" has enveloped a huge "worry" group. From the real world to poetry, Dai Wangshu is one of the most loyal worriers in the world. He wrote many poems that bothered people. This outstanding poem "Worry" made a concentrated observation and description of the mentality and spirit of this group. This poem comes from Dai Wangshu's collection of poems, Wang Shucao. As an important poet of Modernism, an important school of China poetry in 1930s, Dai Wangshu's poems focus on describing the spiritual track of modern people's life perception and emotional experience. In the journey of life, there are sunny euphoria and excitement, as well as rainy distress and worry. So, what are the worries that are smouldering in the poet's mind at the moment? The poet didn't show it directly. Clear autumn is a season that people yearn for, and the sea is full of endless lovesickness, which makes people sad to read. Coupled with "loneliness" and "remoteness", the poet's lonely and helpless lovesickness is more profound and detailed, and a feeling of "heartbroken people in the end of the world" arises spontaneously. However, in this sad and lonely time, it occurred to the author that someone came to ask you about your troubles and your worries. What would you say at this moment? Do you want to come clean, tell each other all your worries, or keep it a secret? Although you have the freedom to choose, but you are asked by a caring friend, can you play dumb? So, how to express this embarrassing psychology? "I dare not say your name." The word "dare not" really expresses the author's contradictory mentality and leads readers to endless reverie. The above four sentences, just 36 words, vividly describe the author's deep nostalgia, fierce struggle, the taste of "wanting to talk" and the unforgettable acacia, which is both meaningful and intense. The following four sentences, the above four sentences are reversed. They are rough and seemingly palindrome poems, but when you think about it, they are not simple repetitions, nor are they mysterious as postures. Instead, it is the author's endless and increasingly surging yearning, which is the catharsis of addiction. The first sentence is like repetition and truth, and contact and concern are impenetrable. Although it is a fierce and contradictory "dare not say". But the hope of expressing feelings is so urgent. Here, the author provides us with a broad imagination space, and you might as well have a perceptual fugue here. The whole poem ends with "clearing one's worries", but it appropriately expresses the unusual way of the complex mentality of mature thinkers with the proverb "Good autumn and cool air". The whole poem has two groups of eight sentences, which are symmetrically arranged, neat in form and harmonious in syllables. This is the result that the author is deeply influenced by China's traditional cultural metrical poems. The rhyme of the first four sentences sets an opportunity for the repetition of the last four sentences, so it is catchy to read and gives people a pleasant feeling of leaving fragrance on their teeth and cheeks. Well, my code word is too slow, so I will give you less praise, Shu Ting's wish. May the wind not roar like tonight, may the night not be so far away, may your trip not be so dangerous, may danger not devour your courage, may the cliff tree shake your arm for me, and may the stars give you a look for me. May every bougainvillea give you a free ride. May your footsteps not be held back by tears in your hometown. May you not give up your soft heart because of cruelty. I hope you don't be immersed in love and can't show your will. Bao Dao, I hope you are still deeply in love and single-minded. I hope your hate will not be trampled by love, and it will hide in your body like a grave or cradle wind, drowning your footprints. My heart is split in two, half worried about you and half proud of you. In the first section, she wrote down her "wishes" for the environment, and "wind" and "night" suggested the dangers in traveling. The lyric hero "I wish you" and I also hope that "you" will keep your courage and move forward smoothly. This concern poured into the poet's ardent "desire". In the second part, I wrote her "wish" to see her off. "Tears in my hometown" is the poet's self-reference. Sending you thousands of miles, there is always a difference. Lyric heroes "Mei" and "Shu Ya" waved their hands. "May the stars" send her relatives to ..........., who is afraid that feelings will block "your footsteps"-contradictory "wishes" include the ups and downs of the sea of love ... The third section writes the poet's "wishes" for "you". This is the most sincere charge when saying goodbye ... her heart is half worried about you and half for you. There must be a silver dream tonight, such as the wings bathed by pigeons, the lotus petals falling from Shui Ying, and the autumn sound of buttonwood leaves flowing from glazed tiles to frosted tiles. But Meimei, do you have this kind of silver moon wave there? Even if there is, I'm afraid it will form delicate ice. Dreams are like a boat with a downwind, can they sail to the frozen night? The night scenes and dreams in this poem overlap. The first sentence is "dream", but it describes the night scene. The last two poems are about "night", but they express the feelings in dreams. "Silver dream" comes from the beauty of the night, and "frozen night" comes from the coolness of the dream. The metaphor of juxtaposition of beauty and coolness is ambiguous and appropriate, because the poet wants to express a harmonious and contradictory artistic conception. .........., the landlord, appreciates it first. If you have any questions, please ask.