Clear lock: clear lock, the name of allusions, from Hanshu (biographies after Yuan Dynasty) Volume 98. It originally refers to the blue chain pattern that decorates the doors and windows of the palace, and later refers to the palace, which generally refers to the luxurious and rich housing construction. Also refers to carved windows.
The green car follows Di Zi, and the green car follows Chen Ji. I used to ride a song for nothing, but now I worship Wei for nothing.
The green car followed the emperor's son, the imperial court. I used to ride a song for nothing, but now I work hard for the imperial examination at night.
Source: Tang Dynasty and Song Dynasty "Two Forms Made by Zhao Wang for Shangguan Gong, Assistant Minister of Huangmen".
Extended data:
The Poetic Achievements of Song Wenzhi in Tang Dynasty;
His main achievements are the same as those in Shen period. In his creative practice, he refined the metrical pattern, perfected the five-character metrical poem system and created a new style of seven-character metrical poem. He is also one of the founders of metrical poetry.
As a poet, Song Wenzhi was famous when he was young. "He was especially good at five-character poems, but he was second to none at that time." Judging from the works included in Song Wenzhi Collection and Complete Tang Poetry, he had a good grasp of the genre at that time and was familiar with the use of famous articles and sentences.
Song dynasty made great contributions to the melody of poetry by emphasizing comparison and preciseness.
On the basis of the creative development of Qi, Liang Shenfang, Yu Xin and the early Tang Dynasty, he and Shen Qi worked hard to practice and summarize, so that all the systems of metrical poetry reached a mature and stereotyped level, and the boundary between classical poetry and modern poetry was drawn. Using this form, they created excellent works such as Jiang, Overnight in Xiangjiang River, The Wall of Dayu North Inn, Du the Tomb of Dayu, etc.
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