Appreciation of Xie Tiao Villa in Xuanzhou "Farewell to Minister Shu Yun"

Appreciation of Xie Tiao Villa in Xuanzhou "Farewell to Minister Shu Yun"

The poem "Farewell to Minister at Xie Tiao Villa in Xuanzhou" is a miscellaneous poem and also a famous work by Li Bai. The content in the poem expresses resentment against the poet's talent, accusation against the dark society at that time and expectation for the bright world. The following is the original translation and appreciation of this poem. Welcome to refer to it ~!

Appreciate the original "Farewell to Secretary of State Shu Yun at Xie Tiao Villa in Xuanzhou";

Since yesterday, I have to leave Bolt and me behind. It hurts my heart even more today.

Autumn geese are escorted by Changfeng, and I treat them in this villa and drink my wine.

The bones of great writers are all your brushes. In Tianyuan, I grew up beside you, Xiao Xie.

We all yearn for the distance and want to go to the blue sky to embrace the bright moon.

But since the water is still flowing, although we cut it with a sword, sadness will come back, even though we drown them with wine.

Since the world can't satisfy our desire, I will loosen my hair and get on a fishing boat tomorrow.

Theme of Farewell to Secretary Shu Yun at Xie Tiao Villa in Xuanzhou;

The whole poem is full of generous and heroic feelings, expressing fierce resentment against the poet's talent, expressing strong dissatisfaction with the dark society and persistent pursuit of the bright world. Although he is extremely anxious and depressed, he is not gloomy. The poem contains strong thoughts and feelings, such as the rapid change of the river, repeated waves, the perfect combination of ups and downs of artistic structure and leap-forward development, which has reached the realm of harmony and unity between unrestrained and nature.

Farewell to Secretary of State Shu Yun at Xie Tiao Villa in Xuanzhou;

Leaving my yesterday, I can't stay;

Today, this disturbed my mood and made me very worried.

The swan flies south,

Facing this scene, you can climb the tall building and have a good drink.

Your article is as vigorous and fresh as the literary works of the Han Dynasty.

My poetic style is as fresh and beautiful as Xie Tiao's.

We are all full of lofty sentiments and exultation, and our jumping thoughts are like flying high in the blue sky to pick the bright moon.

It's like drawing a treasure knife to cut running water. The water was not cut off, but flowed faster.

I raised my glass and drank heavily. I wanted to drown my sorrows in wine, but it turned out to be even more worrying.

Ah! In this world, life is so unsatisfactory,

It's better to have long hair tomorrow and float freely in the rivers and lakes in a boat (retire from the rivers and lakes).

In Xuanzhou Xie Tiao Villa, farewell minister Shu Yun explained:

(1) The poem "Wen Yuan" is entitled "Song of Accompanying to the Building", and the rest are (official secretary, provincial school book lang) and Li Hua (writer). Shu Yun, another five-character poem written by Li Bai, was written in a spring and has nothing to do with this poem. Xuanzhou: Today, Xuancheng, Anhui Province. Xie Tiao (TiO) Building: Also known as North Building and Xiegong Building, Xie Tiao was built on Lingyang Mountain when he was the magistrate of Xuancheng, and later renamed Zhang Die Building. Farewell: See you off with wine and food. School (Ji? O) Books: the official name, namely secretary, provincial school bookkeeper, is responsible for sorting out books in the imperial court. Shu Yun: Li Bai's uncle Li Yun.

(2) Changfeng: far wind, strong wind.

(3) this refers to the scenery of Changfeng autumn geese in the previous sentence. High-rise (hān): Drinking in high-rise buildings.

⑷ Penglai: This refers to the view of oriental book collection in the Eastern Han Dynasty. Book of the Later Han Dynasty, Volume XXIII, Biography, Attached Biography: At that time, scholars called Dongguan the old Tibetan room, while Taoist called Penglai Mountain. Li Xian's Note: Yan Dongguan has many classics. Penglai, the sacred mountain in the sea, the fairy house, the secrets are all there. Penglai article: Borrow Liu Yun's article. Jian 'an Bone: Poems written by writers such as San Cao and Qi Zi during the Jian 'an period at the end of Han Dynasty (Emperor Xian of Han Dynasty, 196220) were of high style and were later called Jian 'an Bone.

5. Xiao Xie: Xie Tiao, named Xuanhui, was a poet in the Southern Dynasties. Later generations called him and Xie Lingyun Daxie and Xiao Xie. It is used as a metaphor here. Clear hair (fā): refers to the poetic style of fresh hair. Hair: hair, poetic and elegant.

[6] All pregnant: all pregnant. Yixing (x? Ng): The elegant and chic interest refers to the pleasure of traveling in the mountains and playing in the water, far away from the horizon. Wang Bo's Preface to Wang Tengting: Far away, easy to fly. Li Bai's "seeing the guests off to Vietnam": Jinghu Lake overflows with clear waves, and fanatics return to the boat. Think strong and fly: Lu Sidao's "Lu Ji Shi Ji": Good words gush, think strong and fly. Strong thinking: ambitious and heroic.

(7) Browse: collect and extract. Looking at the bright moon: The Tang Poetry Appreciation Dictionary (Shanghai Dictionary Publishing House, 1983 edition) is used to look at the bright moon. The other version is Lan.

⑻ Elimination: The other version is pin. See the notes for details.

Levies said (ch? N) meaning: satisfied.

⑽ Ming Dynasty (zhāo): Tomorrow. Distribute (f? ): If you don't wear a crown, you are not an official. What is described here is wild and uninhibited. The ancients wore a crown in their hair, which meant leisure. Piān boat: Take a boat and hide in the rivers and lakes. Boat: A boat, a boat. At the end of the Spring and Autumn Period, Fan Li bid farewell to Gou Jian, the King of Yue, and took a boat trip to the Jianghu (Historical Records? Biography of Huo Zhi ").

Xie Tiao Villa in Xuanzhou Farewell Secretary of State Shu Yun Background:

This poem was written shortly before the An Shi Rebellion. In 742 (the first year of Tianbao), Li Bai came to Chang 'an with lofty political ideals and worked in imperial academy. Two years later, he left the imperial court because of the slander, and resumed his wandering life with indignation. In the autumn of 753 AD (Tianbao 12th year), Li Bai came to Xuanzhou and soon lived in Xuanzhou. An old friend of his, Li Yunxing, came here and left soon. Li Bai accompanied him to Xie Tiao Building and gave a banquet to see him off. Xie Tiao Building in Xuanzhou was built by Xie Tiao, a poet of Southern Qi Dynasty, when he was the magistrate of Xuancheng. Li Bai has visited this place many times, and has a poem "Autumn Climbing the North Building of Xie Tiao in Xuancheng".

It was the famous ancient prose writer who was about to see Bai off. He is the secretary of the provincial school and is responsible for proofreading books. Li Bai called him an uncle, but he had no clan relationship. Li Yun, also known as Li Hua, was a famous essayist at that time. He used to be the secretary of provincial studies, and in 752 (the eleventh year of Tianbao) he served as the censor. Dugu and "Preface to the Collection of Zhao Jun and Gong Li, the Official Department of Inspection and Correction" record that (Tianbao) worshiped the Imperial History for eleven years. The powerful minister stole the handle, was greedy and cunning, entered the company's prescription book, crushed two thousand stones, held an axe and listed the county as a grave. It can be seen that Liu Yun is upright, upright and not afraid of powerful people. This poem was written by Li Bai, as Li Yun went to Xuancheng to pay a visit to Li Bai, and went to Xie Tiao Building together for a farewell dinner.

Appreciation of Farewell to Secretary of State Shu Yun in Xuanzhou Xie Tiao Villa;

This is a farewell poem. In the poem, the poet is full of feelings, full of lofty sentiments and exultation, but he can never restrain his inner depression and grievances, and his feelings are ups and downs, full of twists and turns, expressing his heroic feelings of inheriting the world.

At the beginning of this poem, I don't write about the building, let alone say goodbye, but stand on the wall and express my feelings directly. Yesterday's day and today's day refer to many yesterday and the following today that left me. In other words, every day I feel that the sun and the moon are dim, time is hard to stay, I am upset and depressed. This place not only contains helpless mental depression, but also melts the poet's feeling of dirty political reality. His worries didn't start today, and his worries didn't stop there. Perhaps it can be said that this is an artistic summary of his long-term political experience and feelings. The depth, breadth and intensity of anxiety and anger reflect the increasingly corrupt political affairs since Tianbao and Li Bai's increasingly embarrassing personal experience. The intense mental pain caused by the sharp contradiction between ideal and reality has found a suitable expression here. The origin of surprise, overlapping language (both those who abandoned me and those who couldn't stay; Not only disturbing my thoughts, but also annoying), there are eleven-word-long sentence patterns, which vividly show the poet's deep depression, strong anxiety and anger, chaotic mood, explosive and uncontrollable emotional state.

Three or four sentences turn sharply: but facing the vast clear autumn sky and looking at the magnificent scenery of the red rock, I can't help but evoke the pride of drinking poison to quench my thirst. These two sentences show a magnificent and clear picture of Wan Li's autumn sky in front of readers, and also show the poet's heroic and broad mind. Suddenly, from extreme depression to magnificent realm, it seems that the changes are endless and incredible. But this is why Li Bai is Li Bai. It is precisely because of his lofty ideals and long-term depression by the dark and dirty environment that he has been longing for a vast space where he can gallop freely. Seeing that the autumn geese are escorted by Changfeng, I feel refreshed and my worries are swept away. Feel the comfortable fit between the heart and the environment, and the pride of drinking tall buildings arises spontaneously.

Write five or six sentences to the host and guest respectively. In the Eastern Han Dynasty, scholars called Dongguan (the government library) the Penglai Mountain of Taoism, and in the Tang Dynasty, Penglai Mountain was mostly used. Peng Ge refers to the secretary province, and Liu Yun is the school bookkeeper of the secretary province. So here we use Penglai articles to refer to Liu Yun's articles. Jian 'an bone refers to the vigorous Jian 'an character. The first sentence praises Liu Yun's vigorous style, and the second sentence refers to Xiao Xie (that is, Xie Tiao), saying that his poems, like Xie Tiao, have the style of fresh hair. Li Bai admires Xie Tiao very much. Compared with Xiao Xie here, he is full of confidence in his talents. These two sentences naturally fit the title of Xie Tiao Building and School Book.

Seven or eight sentences further exaggerated the interest of both sides in high-rise buildings, saying that each other has lofty sentiments and ambitions, and the wine is hot and the ears are hot, and it is even more smug, and they want to reach the sky and capture the bright moon. It says sunny days in front and clear skies in autumn, but it says bright moon here, which shows that the latter is not true. It also shows that this is the poet's rhetoric when he is drunk and prosperous. Boldness and naivety have been harmoniously unified here. This is Li Bai's character. It is true that the bright moon is embraced by the sky, which is a temporary word and may not be entrusted, but this flying and vigorous image makes readers clearly feel the poet's yearning for the lofty ideal realm. These two sentences are eloquent and incisive, pushing the high-spirited mood aroused by the realm of autumn geese being escorted by Changfeng to a climax, as if all the darkness and filth in reality were swept away, and all my troubles were thrown out of the clouds.

However, although the poet's spirit can roam in fantasy, the poet's body is always bound to the dirty reality. In reality, there is no autumn geese escorted by Changfeng, who can fly freely. What he saw was a bad situation in which the sheep were full of fields and the hall was thriving. Therefore, when he returned to reality from fantasy, he felt more strongly that the contradiction between ideal and reality was irreconcilable, which aggravated his inner anxiety and depression. But since the water is still flowing, although we cut it with a sword, sadness has come back, although we drown it with wine, another major turning point is that it is inevitable under such circumstances. But since the water is still flowing, although we cut it with a knife, this metaphor is strange and novel, and at the same time it is natural, appropriate and full of life. In front of Xie Tiao Building, there is a stream that flows all the year round. It is easy to associate endless running water with endless troubles, so starting from a strong desire to get rid of troubles, it is natural to draw a sword and cut off water. Because of the close relationship between metaphor and eye view, it is more or less interesting and natural to read. Although the inner anguish can't be eliminated, the details of drawing out a knife and cutting off water vividly show the poet's desire to get rid of mental anguish, which is obviously different from those who are addicted to depression and can't extricate themselves.

Since the world can't satisfy our desire, I will loosen my hair and get on a fishing boat tomorrow. The contradiction between Li Bai's progressive ideal and the dark reality could not be solved under the historical conditions at that time. Therefore, he always falls into an indifferent depression, from which he can only find a way out. This conclusion is of course somewhat negative and even contains elements of escapism. However, history and the social class he represents stipulate that he can't find a better way out.

The value of Li Bai lies in that although he is mentally under the pressure of depression, he has not given up his pursuit of progressive ideals. This poem is still full of heroic and generous feelings. Changfeng has two words, both of them are pregnant. It is more like playing a high-pitched and optimistic tone in sad music, and revealing bright light in dark clouds. Painting a knife is also an expression of strong repression and a stubborn character. Therefore, the feeling of the whole poem is not gloomy and desperate, but heroic and heroic in anxiety and depression. This shows that the poet has neither succumbed to the oppression of the environment nor to the inner pressure.

The ever-changing thoughts and feelings, the ups and downs of the artistic structure and the leap-forward development have been perfectly unified in this poem. At the beginning of the poem, the waves on the ground are rough, showing a long-standing strong mental depression; Then, I completely put aside my troubles and looked at the autumn sky thousands of miles away, from the tall building to the feat of embracing the bright moon, soaring into the sky, and then quickly falling into the abyss of depression from high altitude. Straight up and down, open and close freely, without any trace of transition. This ups and downs structure is most suitable for expressing the poet's ever-changing feelings caused by the sharp contradiction between ideal and reality.

The language style of harmonious combination of nature and boldness is also quite prominent in this poem. You must have Li Bai's broad-minded ambition, bold and frank personality, and a high degree of ability to control language, in order to achieve the realm of harmony and unity between bold and natural. The first two sentences of this poem are almost like the language of prose, but there is a bold and vigorous momentum in it. Changfeng said, the realm is magnificent, the spirit is bold and unrestrained, and the language is bright and clear, as if it were blurted out. This natural and bold language style is also a reason why this poem is not gloomy although it is extremely worried and depressed.

The whole poem is like a song, with ups and downs of emotion, profound charm, twists and turns, ups and downs of composition, ups and downs for no reason, no interruption, clear and simple language and high tone, which has reached the realm of harmony and unity between boldness and nature.

Posterity evaluation:

Yan Canglang and Liu Huimeng commented on Li Taibai's Collection, stating people's comments: the sky is unconstrained and the dragon enters the sea.

Wang Fuzhi's Selected Poems of the Tang Dynasty Volume I: Extraordinary Rise.

Lu Shiyong's Mirror of Tang Poetry Volume 19: Heroic Emotions and Relaxed Tunes.

"Poetry of Tang and Song Dynasties" Volume Seven Clouds: Far-reaching feelings soar, Yi Xing Yun Fei, what does Du Fu mean? Floating in the clouds? Who? This Yi. Thousands of years later, I can still see the difference between wine and shore. It's a genius.

Author information:

Li Bai (70 1 ~ 762), whose name is Taibai, is a violet layman. He claimed that his ancestral home was Ji Cheng in Longxi (now southwest of Jingning, Gansu), and his ancestral home was Suiyeju in the Western Regions at the end of Sui Dynasty (it was the capital of Anxi in the Tang Dynasty, near tokmak in northern Kyrgyzstan). When I was young, I moved to Qinglian Township, Changlong, Mianzhou (now Jiangyou, Sichuan) with my father. Teenagers show their talents, write poems, read widely and are good at chivalry. From the age of 25, I have been wandering for a long time and experienced a lot of social life. In 742 AD (the first year of Tianbao), he was called to visit the Hanlin in Chang 'an. The style of the article was famous for a while, which was appreciated by Emperor Xuanzong of Tang Dynasty, but it was not taken seriously politically and was destroyed by powerful people. Only one year later, he left Chang 'an. In 744 AD (Tianbao three years), he made friends with Du Fu in Luoyang. After the An Shi Rebellion broke out, he joined the Wang Yong shogunate Lilin in 756 AD, hoping to quell the rebellion. Due to the failure of Wang Yong Zheng Duo, Yelang was exiled (now Guizhou), but he was pardoned and returned to the East on his way. In his later years, he drifted to the southeast and died in Dangtu (now Anhui). His poems are mainly lyrical, showing the arrogant spirit of contempt for powerful people, expressing sympathy for people's sufferings, being good at depicting natural scenery and expressing his love for the mountains and rivers of the motherland. The poetic style is bold and unconstrained, the imagination is rich, the language flows naturally and the melody is harmonious and changeable. He is good at absorbing nutrients and materials from folk literature, myths and legends, which constitutes his unique magnificent and gorgeous colors. Li Bai is the most unique and greatest romantic poet after Qu Yuan, and reached the peak of poetic art in the prosperous Tang Dynasty. He has a good reputation as a poet, and is also called Du Li with Du Fu. There are more than 1000 poems, including 30 volumes of Li Taibai's Collection.

Xie Tiao Villa in Xuanzhou bid farewell to Secretary Shu Yun. Thank you here. I hope it helps you. If you like this article, you might as well share it with your friends. More ancient poems are in:!

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