Read the poem below and then answer the questions. (8 points) Spring grasses, poplars, tender greens, and tender greens are more fragrant. Spring is everywhere. The old hatred of the Six Dynasties i

Read the poem below and then answer the questions. (8 points) Spring grasses, poplars, tender greens, and tender greens are more fragrant. Spring is everywhere. The old hatred of the Six Dynasties in the setting sun, Nanpu

Small question 1: (Seven words) Rhymed Poetry

Small question 2: The first couplet depicts the vitality of spring grass, echoing the title of the poem. It brings out the feelings of "hate" and "sorrow" in the second couplet, and forms a contrast (using music to contrast sorrow). (No point, 1 point)

Small question 3: The last couplet expresses the poet's slight leisurely sorrow. The last couplet depicts a picture full of pastoral atmosphere of a shepherd returning home at night through scenes such as ten miles of plains, slowly moving cattle and sheep, the gentle evening breeze, and the melodious sound of the flute. The poet's previous "old hatred" and "new sorrow" are reflected in this tranquil scene. The pastoral melody gradually melts away, but in the leisurely mood gradually gained, the melancholy of the past cannot be completely dissipated. (Total answer: 2 points for emotion, 2 points for analysis, as long as the meaning is similar)

Small question 1:

Test question analysis: Understand the classification of poetry genres . Ancient poetry includes poems, lyrics and music. 1. From the form of poetry, it can be divided into: ① Ancient poetry, including ancient poetry (poetry before the Tang Dynasty), Chu Ci, and Yuefu poetry. Note that poems in ancient poetry genres such as "ge", "gexing", "yin", "qu", and "穿" also belong to ancient poetry. Ancient poetry does not focus on antithesis and rhymes more freely. The development trajectory of ancient poetry: The Book of Songs → Songs of the Chu → Han Fu → Han Yuefu → Folk Songs of the Wei, Jin, Southern and Northern Dynasties → Jian’an Poetry → Tao Shi and other literati’s five-character poems → the ancient style and new Yuefu of the Tang Dynasty. ② Modern poetry, including verses and quatrains. ③Ci, also known as poetry, long and short sentences, tunes, tune lyrics, Yuefu, etc. Its characteristics: The tune has a definite pattern, the sentences have a definite number, and the words have a definite tone. Depending on the number of words, it can be divided into long tune (more than 91 words), middle tune (59-90 words), and small tune (within 58 words). Words can be divided into monotonic and bimodal. Bimodal is divided into two paragraphs. The two paragraphs are equal or roughly equal in number of words. Monotonal only has one paragraph. A section of a word is called a que or a piece. The first section is called the front que, the upper que, and the upper piece. The second section is called the back que, the lower que, and the lower piece. ④Qu, also known as Ciyu and Yuefu. Yuan opera includes Sanqu and Zaju. Sanqu originated in the Jin Dynasty and flourished in the Yuan Dynasty, and its style is similar to the lyrics. Features: You can add lining words to the fixed number of words, and mostly use spoken language. Sanqu includes two types: Xiaoling and Taoshu (set of songs). A set is a continuous set of tunes, at least two tunes, and at most dozens of tunes. Each set uses the tune of the first song as the name of the complete set, and the whole set must be of the same tune. It has no guest introduction and is only for a cappella singing.

Small question 2:

Test question analysis: The first couplet is written based on reality. Spring is here, and there are tender green grasses everywhere, emitting waves of fragrance. As far as the eye can see, "the farther you go, the longer you stay". Seeing the spring grass immediately aroused the poet's endless thoughts: "The old hatred of the Six Dynasties is in the setting sun, and the new sorrow of Nanpu is in the drizzle." What is he worried about? It turns out that it is the old hatred of the Six Dynasties and the new sorrow of Nanpu, one sentence is a reminder of the past, the other is sad. Different, the worries are different but the reason is the same. The first couplet depicts the vitality of spring grass, echoing the title of the poem. It brings out the feelings of "hate" and "sorrow" in the second couplet, and forms a contrast (using music to contrast sorrow).

Small question 3:

Test question analysis: The third couplet returns to the spring scene in front of you. In the blurred grass color, spring grass and wild flowers transformed into the singing fans and dancing skirts of the old days. . "Dancing low in the heart of the willow tower, singing to the wind under the peach blossom fan," where has the prosperity of that year gone? "People ten miles away from Pingchuan return late, and countless cattle and sheep play the wind of a flute." The old dream of the Six Dynasties has completely passed away, replaced by a picture The pastoral scenery is like "fishing boats singing at night": ten miles of flat plains, cattle and sheep returning at dusk, leisurely shepherds, melodious flutes, "how many things happened in the Six Dynasties, all filled with the gossip of fishermen and woodcutter" fits this scene perfectly. All kinds of old hatreds and new sorrows also disappeared. Spring grass is the messenger of spring, and it is also the poet's expression of nostalgia and farewell. Spring grass poems are purely based on objects. Even if there is some lyricism in the poem, what it expresses is a faint trace of leisurely sorrow. The last couplet expresses the poet's slight leisurely sorrow. The last couplet depicts a picture full of pastoral atmosphere of a shepherd returning home at night through scenes such as ten miles of plains, slowly moving cattle and sheep, the gentle evening breeze, and the melodious sound of the flute. The poet's previous "old hatreds" and "new sorrows" are reflected in this tranquil scene. The pastoral melody gradually melts away, but in the leisurely mood gradually gained, the melancholy of the past cannot be completely dissipated.