1. Silhouette poems under the setting sun by the water
There are many such poems in five-character poems, such as:
The sunset remains on the ferry, and the lonely smoke rises in the ruins< /p>
The lonely smoke is straight in the desert, and the sun is setting in the long river
The rivers and lakes are white at sunset, and the sky and the earth are green when the tide comes
The sky is blue and the autumn water is blue, and the clouds are red with the sunset
The sky is long and the sun is setting far away, and the water is pure and cold.
There are also seven-character poems, such as:
Fishing for thousands of years sings about the bright moon, and thousands of miles of sand gulls play with the setting sun.
A ray of setting sun spreads over the water, half of the river is rustling and half of the river is red
There are also literary works, such as:
The setting sun and the solitary swan fly together, the autumn water** *The sky is always the same color.
There are also words, such as:
The mountains reflect the setting sun and the sky meets the water, and the fragrant grass is ruthless, even outside the setting sun. 2. Backlit Silhouette Poetry
"To the Sun" Author/Duoduo Give us family, give us motto You let all the children ride on the shoulders of the father Give us light, give us shame You let the dog follow the sun Wandering, give us time, give us labor, you sleep long in the night, baptize us with our hope, let us believe, we are born and die with your blessing, look at your peaceful dreams and smiling face, you are the minister of God. Greed and jealousy in the world, you are the king of the soul, love fame, you encourage us to touch everyone’s head bravely, you respect the ordinary, you create, rise from the east, you are not free, like a universal currency, Qian Duoduo’s poetry style: Imagery It is concise, fast-paced, accurate in language, sharp and full of tension, has deep sensitivity and painful experience to the details of the soul, and has a clear artistic commitment to the human spiritual realm! "Sunflower in the Sunshine" Author/Mang Ke Have you seen that sunflower in the sunshine? Look at it, it did not lower its head but turned its head behind it, as if to bite off the sunflower on it. Do you see the rope around the neck that is held by the sun? Do you see the sunflower with its head raised and glaring at the sun? Its head has almost covered the sun, even when there is no sun. It's still shining brightly. Have you seen that sunflower? You should get closer to it. When you get closer to it, you will find that the soil under its feet will bleed every time you grab a handful. "Sunrise". 3. Ancient poems expressing strangers
1. "Mulan Ci·Naigu Juejue Ci Cambodian Friends" by Nalan Rongruo of the Qing Dynasty
If life is just like the first meeting, what's the matter with the autumn wind? Sad painting fan. It is easy to change people's hearts, but they say that people's hearts are easy to change. The words of Lishan are half past midnight, and the rain and bells are full of tears and no regrets. How unlucky is the man in brocade to wish for the same day with wings and branches.
2. "Huanxisha·Who misses the west wind and the cold alone" by Nalan Xingde of the Qing Dynasty
Who misses the west wind and the coolness alone? Don't be frightened by the wine and fall into a deep sleep. Gambling on books will make the fragrance of tea disappear. At that time, I just thought it was ordinary.
3. "Magnolia" by Ouyang Xiu of the Song Dynasty
After I say goodbye, I don’t know whether you are far or near, and I feel desolate and depressing. As we go further and further away, there are no more books. I wonder where the fish will sink in the vast water. Late at night, the wind blows on the bamboos, and the sound of autumn leaves is filled with hatred. Therefore, I look for it in my dream while lying on my pillow, but the dream is not a lamp and burns out.
4. Xie Tiao of the Southern Qi Dynasty's "Poem of Resentment with the King's Master Ji Zhe"
Ye Ting was defeated by the country, and Changmen lost his feast. When we meet, we sing praises of Wu, and when we say goodbye to favors, we are sad to have fans. There are countless butterflies in the flowers, and two swallows are blown into the wind curtain. The disciples bring spring money on credit, and sit back and cherish the change of red makeup. A person who cares about everything in his life is worth a lot of money. Therefore, people's hearts are still open to you, so people's hearts are missing.
5. "Poppy Poppy Listening to the Rain" by Jiang Jie of the Song Dynasty
A young man listens to the rain song upstairs. The red candle dims the tent. A young man listens to the rain and is a guest in the boat. The clouds in the river are low and the wild geese are calling the west wind. Now I am listening to the rain at the foot of the monk's house. There are stars on the temples. Joys and sorrows are always ruthless. A little bit before dawn until dawn. 4. Poems about Gao Ziqian
Since then, laughter and laughter can often be heard in the gardens of the Ming Dynasty, and a pair of carefree people can be seen strolling side by side. The smart and delicate Hui'er would always be quiet in the sunset, picking the newly emerged catkins and making a sachet embroidered with lotus flowers for her cousin Rong Ruo; and the delicate Rong Ruo would always be quiet in the sunset. At night, I moved the lamp under the moon and wrote on the red paper my deep love for Hui'er, feeling very lovesick.
If fate is ruthless, it clearly brings warmth and attachment to those souls walking alone; if fate is sentimental, it always brings about huge disasters in the stable years. , leaving happy people confused and at a loss.
Who would have thought that lovers who were still cuddling with each other yesterday would be so close together today and never see each other again? Is the fate too shallow, or is it too difficult to stay together, or are all causes and effects already doomed? Looking back, Hui'er has become a selected show girl and will stay in the complicated palace forever. She can no longer share her concerns with Cousin Nalan. And the Mingfu garden that was once full of affection and sweetness is now nothing but withering melancholy and a skinny silhouette.
A life without Hui'er means no heart. Nalan Rongruo remembered those warm days as his "previous life", because only he at that time was the most real.
After that, he fell seriously ill due to the long-term cold wind and uncontrolled drinking. On the hospital bed, his whole body was as cold as if he had fallen into an ice cave for thousands of years. He had difficulty breathing and could not move. For a moment, he thought about committing suicide, so let's do it, sleep deeply, stay away from the troubles of right and wrong. 5. I feel haggard for Yi.
From "Die Lianhua·Liu Yong" Standing in a dangerous building, the wind is gentle Carefully, I look forward to the extremely sad spring, and the sky becomes gloomy.
In the lingering light of the grass-colored smoke, it is speechless who can rely on it. I plan to get drunk and sing to the wine, but the strong music is still tasteless.
The clothes are getting wider and wider, but I don’t regret it at all. I feel haggard because of the beauty. Notes (1) This word was originally a Tang Jiaofang song, and the tune is named after Emperor Jian Wen's sentence "A butterfly falls in love with a flower over the steps".
Also known as "Magpie Stepping on the Branch", "Feng Qiwu", etc. Double tone, sixty-six words, oblique rhyme.
(2) Dangerous building: high building. (3) An An: Misty and unclear.
(4) Plan: plan. Crazy: rough and wild, inappropriate.
(5) Drinking and singing: the words come from Cao Cao's "Dan Ge Xing". Dang: Same as "pair".
(6) Qiang: reluctantly. Qiang Le: Force a smile.
(7) The belt gradually becomes wider: refers to a person gradually losing weight. The Chinese version of "Ancient Poems" says: "We are far away from each other, and the clothes are fastening."
Brief analysis: This is a sentimental poem. The first film is about climbing high and looking far away, and the sorrow of separation arises spontaneously.
"Standing against the dangerous building, the wind blows softly" and "dangerous building" imply that the lyrical protagonist has a high foothold and must travel far. "Standing" shows that the protagonist has been leaning on the railing for a long time and has deep thoughts.
But unexpectedly, the result of "standing still" is "looking at the extreme spring sorrow, and the sky is gloomy." "Spring Sorrow" refers to the sorrow of leaving and looking forward to returning home.
Instead of saying that "Spring Melancholy" grows secretly in the heart, it is said that it arises from the distant horizon. On the one hand, it tries to avoid the ordinary, trying to turn the intangible into tangible, abstract into concrete, and increase the visual quality of the picture. and a sense of flow; on the other hand, it is also because its "spring sorrow" is triggered by the skyline scenery. Then, the sentence "Grass color and smoke light" shows what the protagonist sees when he looks across the horizon.
And the sentence "Speechless, who will" is not only a sigh of relying on the fence and having empty hopes, but also a sigh of not seeing the beloved and having difficulty expressing the heartache. The word "speechless" means there are thousands of thoughts.
In the second film, the protagonist decides to drink and sing wildly to relieve his sorrow of separation: "I plan to get drunk with the madness." But if you force yourself to look good for pleasure, you will end up feeling "tasteless".
From "intended" to "tasteless", the writing style is turbulent and full of waves. The two sentences "The belt is getting wider" at the knot point are written with tenderness in a strong pen, vowing that he is willing to become thinner and haggard because of missing his beloved.
"No regrets in the end", that is, "no regrets even after death", expresses the protagonist's perseverance and persistent attitude, and the lyrics are sublimated. He Sang's "Wrinkle Water Xuan Ci Quan" believes that in Wei Zhuang's "Sidi Xiang", "There is a young and romantic family on the road, and I suspect that I will marry and die for the rest of my life.
Even if you are ruthlessly abandoned, you can't The "shy" sentences are "wonderful as they are decisive"; and the last two sentences of this poem are based on Wei's poems, but they are "qi and graceful". In fact, Feng Yanji's "Magpies Stepping on the Branches" "I often get sick and drink in front of the flowers every day, and I am always beautiful and thin in the mirror". Although the language is more decadent, it still belongs to this category.
Later, Wang Guowei said in "Words in the World" that "those who have achieved great things and great scholars in ancient and modern times must pass through three realms." The word he borrowed to describe the "second realm" is "The belt is getting wider and wider, but I don't regret it anymore. I feel haggard because of Yi." This is probably what Liu Yong's two sentences summarized as a perseverance and perseverance in character and attitude.
Appreciation 1 This poem uses the expression method of "winding paths leading to secluded places" to describe the scenery lyrically and with sincere feelings. It cleverly combines the feeling of being in a foreign land with the lingering feelings of being in love with the person you love.
"Standing in a dangerous building, the breeze is gentle." It is said that climbing the stairs caused "spring sorrow".
With only one sentence in the whole poem, the protagonist's external image is highlighted like a paper-cut. "The wind is gentle", with a stroke of scenery, adds a little background to the silhouette, making the picture lively immediately.
"Looking to the extreme, spring sorrow arises, and darkness arises in the sky." Looking to the far end of the world, a kind of dejected "spring sorrow" arises spontaneously. "Spring Sorrow" also highlights the season.
Regarding the specific content of "sorrow", the poet only said "born in the sky", which shows that something in the sky touched his sadness. Judging from the next sentence "the color of grass is smoke and light", it is spring grass.
The green grass is luxuriant, and it is easy to think of the endless sorrow and hatred. Liu Yong borrowed spring grass to express that he was tired of traveling and longing for home, and that he missed his dear ones.
What kind of "spring sorrow" does the poet feel about the spring grass on the horizon? The poet stopped here and said no more. "Who would be speechless in the lingering light of the grass and smoke" describes the loneliness and desolation of the protagonist.
The previous sentence uses a description of the scenery to indicate the time. It can be known that he stood at the top of the building for a long time and looked at it. It was already dusk and he couldn't bear to leave. "The color of grass and the light of smoke" describe the spring scenery very vividly and realistically.
Spring grass covers the ground like a carpet. Looking down from a high place, under the afterglow of the setting sun, there is a layer of misty light like smoke.
An extremely beautiful scenery, coupled with the word "afterglow", adds a layer of sentimentality, setting the tone for the next lyrical line.
"Who can be silent if he is speechless?" Because no one understood his mood when he climbed high and looked far away, he was silent. There is "spring sorrow" but nothing to express. Although this is not the content of "spring sorrow" itself, it aggravates the sad taste of "spring sorrow".
The author did not say what his "spring sorrow" was, but he turned around and complained that others did not understand his mood. The author opened his pen and wrote about how he sought happiness from hardship.
"Sorrow" is naturally painful, so forget about it and find happiness! "I plan to get drunk on the madness", he wrote about his plan. He has deeply realized the depth of "spring sorrow", which cannot be relieved by his own strength alone, so he has to drink to drown his sorrow.
The poet made it very clear that the purpose is to "make people drunk". In order to pursue this "drunkness", he was "wild" and did not stick to any shape, as long as he was drunk.
Not only must he drink heavily, but he must also "sing to the wine" and express his sorrow by singing loudly. But the result turned out to be that "the strong music is still tasteless", and he did not suppress the "spring sorrow".
Pretending to be happy but "tasteless" further illustrates the lingering persistence of "spring sorrow". At this point, the author reveals that this "spring sorrow" is an unswerving feeling.
The reason why his melancholy persists is precisely because he not only does not want to get rid of the entanglement of "spring sorrow", but is even willing to be tortured by "spring sorrow", even if he gradually becomes haggard and emaciated. Never regret it. "It makes people feel haggard because of Yi" is a clear statement: the poet's so-called "spring sorrow" is nothing more than the word "lovesickness".
The beauty of this poem is that it closely expands on "spring sorrow" or "lovesickness", but refuses to reveal it. It just reveals some information to the readers from between the lines. It is about to be written, but it stops. The words and ink are turned around, so shadowy, confusing, and full of twists and turns. It is not until the last sentence that the truth becomes clear. The words reach a high point in lovesickness feelings.