In the poet's feeling, he heard frogs clamoring in unison in the rice fields and quarreling over the harvest. It is the poet's own creation and feeling to say that frogs are full in the harvest year.
Said by Xin Qiji in Song Dynasty: Walking along Huangsha Road in Xijiang Moonlight Night
The moon on the horizon rose to the top of the tree, scaring away the magpies perched on the branches. The cool evening breeze seems to have spread to cicadas in the distance. ?
In the fragrance of rice and flowers, people talk about the harvest of a year, and frogs croak in their ears, as if in a bumper harvest year. In the old days, Maodian was near the forest, and the road turned to the stream bridge.
Translation:
The bright moonlight swept the branches, scaring the magpies away from them, and the cool evening breeze seemed to hear cicadas chirping in the distance. In the fragrance of rice flowers, there were waves of frogs' cries in my ears, as if discussing that this year is a bumper harvest year.
The sky is cloudy and starry, flickering, and there is a light rain in front of the mountain. The old thatched cottage is still next to the Woods of the earth temple. When the road turns the source of the stream, it suddenly appears in front of you.
According to the expanded data AD 1 18 1 (eight years of Song Xiaozong Xichun), Xin Qiji returned to Shangrao to live with the lake because of being dismissed from office as a traitor and lived in this life for nearly fifteen years. During this period, although he also had a short official experience, most of him lived in Shangrao and left many poems. This word was written when passing Huangshaling Road in Shangrao, Jiangxi Province in the Middle Ages.
The first four sentences of the poem simply describe the scenery of the mountain road and the poet's mood at that time, full of bumper summer nights, and tell the happiness that summer scenery will bring to people. Xia Kun used antithesis at the beginning, which not only reflected the poet's sudden joy because he was close to his old house, but also expressed his ecstasy that he forgot the distance because he was immersed in rice and flowers, bringing out the best in each other.
On the surface, the theme of this word is nothing more than some seemingly ordinary scenery, the language is not carved, there is no allusion, and the hierarchical arrangement is completely dull. However, it seems dull, but it has the poet's concentrated artistic conception and sincere feelings. Here, readers can also appreciate another realm of Jia Xuan's ci beyond the majestic and heroic.