The poem Good Li Xing recorded the facts at that time and was directly expressed by the poet. Therefore, the whole poem adopts a simple and clear line drawing technique, without the intention of carving and whitewashing, but written in vivid and powerful language, such as "there are righteous people in Kanto, and soldiers will fight for the fierce group." In the early days, they will be in Jin Meng, but their hearts will be in Xianyang. ". If you understand it, you will be anxious, and the momentum and justice of the Kanto division will be completely portrayed. Words like "hesitating and flying" can describe the selfishness of allied generals, which can be said to be incisive. With the development of the situation, the ridicule and attack on Yuan Shao and other warlords gradually emerged. At first, they were called "righteous men" and pointed out that "the heart is in Xianyang", which was intended to restore the Han Dynasty. However, their fighting spirit and timidity have been aroused since they were "full of ambition and flying wildly". It can be said that bamboo shoots are peeled off step by step, but they are all written in direct and clear language, which makes people feel that poets can't hold back their true feelings, while warlords are weak and ugly. As for the poet's strong feelings, they are all blurted out in plain language. For example, writing about bones covering the wild, thousands of miles away, all in the way of telling the truth about Chen Qi, and finally saying that "everything is left in the people, and reading it breaks people's intestines" is straightforward.
Cao Cao himself really entered the political arena when he and Yuan Shao attacked Dong Zhuo, so the facts written in the poem were all his own personal experiences. Compared with the things described in Lu Luxing, the poet has a more direct and emotional understanding, so the reality reflected in the poem is more real and the feelings are stronger. For example, the last two sentences were witnessed by the poet and the people were in dire straits. Liu Xie commented on Cao Zhi's father and son's poems: "Ambition does not come from deep swing, and words do not leave sadness." (Wen Xin Diao Long Yue Fu) Zhong Rong also commented on Cao Cao's poems, saying, "Cao Gong is very sad to go straight ahead." (Shi Pin Xia) However, his pathos led to the tragic momentum of his poems. This poem by Hao is a typical example. Therefore, Chen Zuoming said: "Although Meng De's essays are imitations of the past, they are all based on his own nostalgia, and then he is worried about poverty, and then he is sad and chaotic. He has to choose the terrain, thinking that he is free and fails to do so."