one
It hurts to say the wrong thing, but the spring mountain is low and the eyebrows are long.
E-jun embroidery is covered by the gathering of virtues (3), and the incense burner is cold and fragrant (4).
Do you hate Yan Feng? It is better to die when you are silent.
Albizia julibrissin didn't check the lilac knot, so she had to go to the candle room sadly.
(1) Untitled: Untitled. Untitled poetry began with Li Shangyin in the Tang Dynasty.
⑵ Chunshan: refers to eyebrows.
⑶ Hubei Army: According to "Talking about Yuanshan Mountain", in the river boating in Jun Zi, Hubei Province, Vietnamese paddlers expressed their love for the Hubei Army with songs. The Hubei Army was moved by the songs and raised long sleeves with embroidery on them.
(4) Xun Ling sentence: According to historical records, Yu Xun was a great and beautiful man, with good looks and incense, and over time he also had a fragrance on his body. "Xiangyang Ji" contains "Xun went to sit with others for three days." Since then, "Liu Xiang Xun Ling" has become synonymous with "Pan Lang throwing fruit".
⑸ and Hou: generally refers to past lovers.
The first poem in this series is actually about a woman's love entanglement.
According to one of Yang Yi's original works, "When I say something wrong, it turns into doubt, which hurts me", and "When I finish singing, the clouds turn into a dream rain, and I fight back and laugh and thunder." It can be seen that this woman was in love with her lover at that time. But because I accidentally said something wrong, it aroused suspicion, and the laughter suddenly turned into thunderous anger. Shi Yang also said, "Don't wait for Su Xuan to get angry, the sparrow has left feathers", which means her lover is angry. Although there are forgotten day lilies, they cannot be alleviated. So, this woman wants to be sad alone. "The spring mountain is low and the eyebrows are long." She lowered her head and frowned. The eyebrows painted with Cui Dai are as beautiful as mountains in spring, but now they are covered with mist and melancholy. According to legend, Zhuo Wenjun has a charming face, "the eyebrows are like a distant mountain, and the face is often like a hibiscus" (Miscellanies of Xijing). It is also said that Shi often suffers from heartache, holding his heart in his hands and frowning his eyebrows. The two sentences share two code names, depicting a beautiful woman's delicate and touching modality with sorrow.
In "Talking about the Garden Mountain", a gentleman from Hubei, Yue Nv, was rowing in the middle reaches. He sang, "How about this evening? Let's go to the middle reaches of the mainland; What day is it today? I have to ask the prince about the boat ... there are trees on the mountain and branches on the wood. I'm glad you don't know. " Therefore, E Jun "holds it in the cover and covers it with embroidery." Yu Xun was a famous handsome man in the Eastern Han Dynasty. He used to be an official, named Xun. "Xiangyang Ji" records its clothing fragrance, "giving people the fragrance of sitting for three days." With this second code, in terms of continuity, the future is still a rainy day, and love is like the relationship between Hubei and Yue Nv. Once upon a time, when he laughed back, he roared and left in a rage, leaving only the lingering fragrance in his lavender incense burner every day to evoke endless memories.
The words "limited" and "speechless" continued the woman's meditation and blurred the reason for this entanglement. The Biography of Flying Swallows records that after the Han Dynasty became emperor, Zhao and his sister had an affair with Yan Chifeng, an official slave, and they fought with each other and were discovered by the first emperor. Zuo Zhuan records that Chu destroyed the country and sent his wife back. She hasn't spoken for three years. When the king of Chu asked her, she replied, "I am a woman, but I am a husband. Even if my husband can die, it is ridiculous!" " In this poem, "Yan Feng" and "Xi Hou" both refer to women's ex-lovers. These two words mean that I am very sad now, not because I fell in love with my past lover, but because I was silent, not because I missed my past feelings. So, that "slip of the tongue" turned out to be a joke on her old lover. The so-called "slip" may not be a real person, but it is probably an thoughtless joke.
However, a moment's mistake caused serious consequences. "Ancient and Modern Notes" said: "If you want to provoke people's anger, you must clear the pond. I forgot about the lovesickness in Qingtang. " There is also "the lilacs are weak and the branches are messy" (Du Fu's Four Lilacs on the River Head), so it has always been a symbol of inexplicable knots. Li Shangyin said in his poem that "the banana does not show lilacs, but the spring breeze is sad in the same direction" ("Gift from generation to generation"). At the moment, this woman can't get rid of her lover's anger even if she has a request, but her heart is full of sadness and resentment that she can't get rid of. As Yang Yiyuan said in her second poem, "I don't want to talk about my demands, my dream butterfly is dancing and chasing my soul", so she had to be alone in an empty room with tears in her eyes.
Although this poem has no profound sustenance, it has gained the charm of Li Shangyin's untitled poem in terms of expression. Zhang Caitian commented on Li Shangyin's poem, saying that "sadness is heavy, feelings turn" ("Li Yishan's Poems are Untitled"). Qian's poems perfectly reflect this feature from two aspects: modeling and layout.
This poem is flexible, ingenious, concise, long and intriguing by using allusions and syntax. For example, the sentence "Spring Mountain" combines two classics of Zhuo Wenjun and Shi, combines beauty and sadness, and uses "long eyebrows" as a cushion to show the delicate and touching expression of women incisively and vividly. In the middle of the couplet, the upper and lower sentences are all in a dictionary. The first sentence is used in the couplet, and the second sentence is used in reverse. Through the connection between Jude and Xiangzi in Chao Jude and Leng, women's infinite sigh mood is expressed. The word "tide" changes rapidly, and the love that is "cold" but still "fragrant" lasts for a long time, which is even more difficult. Triple grammar is different from couplets. Sentence and antithesis are consistent, but neither is clear. But they used "why" and "Ning Wei" to ask two questions in a row, which made the euphemistic and tortuous feelings appear a hundred times.
In terms of layout, the first four sentences are quoted but not sent, and only the state of grief and indignation is repeatedly written until the triple side turns around, echoing the "wrong words" in the first sentence, pointing out the reason for the end, closing the quadruple, reflecting that "the meaning has been hurt" and starting to open and close; Bao Yun's leisurely return to nature is especially suitable for the undercurrent thoughts of the parties concerned. Because frustrated people always witness the things around them (such as embroidered quilts and smoking stoves), which leads to associations and then reflects on the causes of events (such as harmony). If sum is written directly after "error", the whole poem will be straightforward and boring. These are the artistic achievements of this poem.
Three Untitled Poems is a group of poems by Qian, a poet in Song Dynasty. These three poems are all about women's love entanglements, and the first one is the most famous. This poem is flexible, ingenious, concise, long and intriguing by using allusions and syntax. In terms of layout, it first arouses suspense, and the first four sentences are cited but not sent, until the neck joints turn around, echoing the first sentence, pointing out the reasons for the ending and the ending, giving consideration to both the front and the back. The whole poem is full of mystery and relaxation, which is especially suitable for the undercurrent thoughts of the parties.