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Last night, it rained suddenly and the wind blew, so I slept soundly and didn't consume wine. Ask the shutter man, Haitang is still there. Do you know that?/You know what? Do you know that?/You know what? It should be green, fat, red and thin.
The tune of Ru Meng Ling originated from Yi Xian Zi, which was sung by Li in the Tang Dynasty in the Five Dynasties, and was later renamed Ru Meng Ling by Su Shi. The best of Dream is undoubtedly this one by Li Qingzhao. Especially the sentence "Do you know? Do you know that?/You know what? It should be green, fat, red and thin. I don't know how much praise I have gained, even to the point where the world calls it. It not only shows Li Qingzhao's extraordinary imagination, but also keeps her natural and fresh style. It's really original and ingenious.
Get up in the morning, because I ate wine last night and my head is still a little dizzy. The poet lounged on the bed and watched the maid roll up the curtains. It suddenly occurred to her that it was windy and rainy before going to bed. I don't know what happened to the begonia in the yard. Will it be destroyed by wind and rain? So she asked. The maid poked her head out to have a look, and then answered, fortunately, the begonia flower is still in bloom! After listening to the maid's answer, the poet sighed and said, alas! Do you think it is strange that after a night of wind and rain, begonia flowers must be "green, fat and thin"!
This "green, fat, red and thin" of course means that the leaves of begonia flowers are more green and dense under the moisture and erosion of rain, while the red begonia flowers are almost withered.
The poet hasn't got up yet at this time. She didn't see the begonia flowers with her own eyes, but she concluded that the begonia flowers had withered a lot. This is the transplantation of the poet's subjective feelings for Begonia. She lamented that she had "no elegy for me"!
There are so many words in Laziness written by Han Wo, a poet in the late Tang Dynasty:
It rained last night, and it's very cold now.
Is the begonia flower there? Look at your side with the shutter.
Han Wo, son of Li Shangyin's wife and sister, is a young genius. Li Shangyin praised him for "cutting poetry at the age of ten" and "Little Phoenix is clearer than old Phoenix".
Compared with Han Wo's original poems, Li Qingzhao's ci poems are more novel and unique in language and more ups and downs in artistic conception. Is there a begonia flower in Han Wo's poem? Look at the side of the roller blind. " Flowers are flowers, and I am me. Although the artistic conception is beautiful, the affection is dull; And Li Qingzhao's "Do you know? Do you know that?/You know what? The word "should" points out that the poet values not the real scene, but the artistic conception. Although she didn't see the begonia flower with her own eyes, she thought to herself: How can such a weak flower stand the wind and rain overnight? And a word "thin" also tells the truth of the poet and the flower. In the poet's eyes, flower thinness means people are thin, people are thin and pity flower thinness, and flowers are the poet himself. In her heart, she is a begonia flower that has withstood the wind and rain!
This kind of artistic conception is just like Wang Guowei, a master of Chinese studies, said, "I look at things and everything is my color." But in this word, Li Qingzhao is more overbearing. She even omitted the process of "watching", and she has gone beyond what Wang Guowei said. Because she doesn't need to look at it at all, her heart is the heart of a flower. She doesn't want to impose "I" on things, but with the sensitive and slender insight unique to women, she makes the curtain, the gap between "I" and flowers, disappear at the intersection of hearts.
This is Li Qingzhao's feeling of cherishing spring.