What is the sentence format of the three-line poem?

A short poem is defined as a three-line poem, generally no more than 30 words. Three-line poems have existed since ancient times. Three-line poetry, this genre of poetry, has been written by poets in history;

Among them, Dante's masterpiece Divine Comedy is a poem that uses up to three lines of rhythm. 100 songs in the divine comedy are all written in "three-line rhyme" or "three-line chain rhyme". Each song is a long string of three-line poems connected by a link. ? Xu Shan's poetry collection "In order not to be confused-Xu Shan's short poems1000" (2004) is written in three lines.

At present, Li, the author of this poem, has continued to write a three-body poem named Li's Three-body Poem with reference to the form of the Pear Flower School, and published it on the Internet in the form of a blog.

Exploring the form of short poems is helpful to the expression of poems;

Micro-poetry can have a novel exploration in external performance, and strive for the perfect unity of form and content. In the article "Exploration of Form and Poetic Expression" (China's Miniature Poetry No.4), the author wrote: "The content of poetry always needs to be expressed through appropriate forms with the help of the shell of language; Forms other than poetry are like the bones of the human body, carrying rich connotations and thoughts. "

"As a short and pithy style, short poems not only show vast poems between scales, but also are very conducive to exploring forms, just as exquisite mounting can realize the harmonious unity of form and content."

This paper also discusses the arrangement structure and symbol embedding, pointing out that "the choice of these two ways is an effective way to explain poetry, and if used well, it can produce refreshing and unique effects."

Mr. Mu Ren, the advocate of the poem, fully affirmed this. In Welcome to the New Force of Micro-poetry (the fifth issue of Chinese Micro-poetry), he commented: "The Exploration of the Form and Expression of Poetry", starting with "arrangement structure" and "symbol embedding", specifically explores "effective methods to explain poetry" and demonstrates that "the innovation of form should be coordinated with internal poetry", which is still an unprecedented field of micro-poetry theory.