In the first 30 years, in theory, Emperor Taizong and his subjects clearly put forward the idea of opposing extravagant style of writing and integrating the two strengths of North and South literature. In terms of creation, the poetic world is permeated with "the wind of Liang Chen's seclusion", and even the talented British master Li Shimin often writes colorful palaces.
At this time, a few works, such as Li Shimin's Battlefield of Breaking Xue Ju, Returning to Shaanxi, and Wei Zhi's Shu Huai, express their ambition to make contributions, recall the past fighting life, and reveal the gradual change of poetry in the early Tang Dynasty. Some writers, such as Wang Ji, have unpretentious poetic styles.
Second, the prosperous Tang Dynasty-the weather of the prosperous Tang Dynasty
Meteorology in the prosperous Tang Dynasty:
The weather in the prosperous Tang Dynasty refers to the vigorous weather in poetry, which is not only due to the grand occasion of its development, but more importantly, the character of the times formed by the vigorous thoughts and feelings ... The weather in the prosperous Tang Dynasty is a reflection of the spiritual outlook of the prosperous Tang Dynasty.
Melody full of vigor and youth, this is the essence of Meteorology of Prosperous Tang Dynasty and Voice of Prosperous Tang Dynasty (Lin Geng's Meteorology of Prosperous Tang Dynasty).
Third, the Middle Tang Dynasty-the Dream of Zhongxing
From Zhenyuan to Changqing in the later period, the development of Tang poetry rose for the second time. The ideological trend of reform has stimulated people's spiritual revival. With the emergence of major activities in the poetry circle, various styles and schools have formed a situation of competition with each other. Yuan poetry school, Bai poetry school, Han poetry school and Meng poetry school are two major poetry schools in this period. Yuan and Bai devoted themselves to combining poetry creation with eliminating disadvantages and alleviating people's sufferings, and created satirical poems that "help people's diseases and make up for the lack of time", which directly inherited the realistic spirit of Du Fu's poems. Han Meng's poetry school takes "the injustice is the sound" and "the achievement is the sound" as its own creative principles, and pays attention to the strangeness of conception, the strangeness of language and the expression of inner feelings. In addition, Liu Yuxi's folk songs and Liu Zongyuan's landscape works also have their own merits.
Fourthly, in the late Tang Dynasty, from Bao Li to the middle of Xuanzong, poetry developed again. Most of the poems in this period focused on expressing the complex inner world of individuals. Because of the decline of the world, they often contain a kind of sadness and sadness. In art, poets learn a lot from Du Fu, Han Yu and Li He, but each has a distinct spirit of innovation. Li Shangyin's creativity is extremely extraordinary. Wen Tingyun's poems tend to be beautiful and colorful, which also adds new colors to Tang poetry. Du Mu's poems are delicate and refreshing, melodious, "not modern, not ancient" and have a unique style. At this time, writers put more energy into the modern body, such as Li Shangyin's Seven Laws and Du Mu's Seven Musts, which all reached a high artistic level.