In the sound of firecrackers, the old year passed; The warm spring breeze ushered in the New Year, and people happily drank the newly brewed Tu Su wine. The rising sun shines on thousands of families, who are busy taking off the old peach charms and replacing them with new ones.
2. Original text
The roar of firecrackers, the old year has passed; The warm spring breeze ushered in the New Year, and people happily drank the newly brewed Tu Su wine. The rising sun sheds light on doors of each household, New peachwood charm is put up to replace the old.
3. The origin of Yuan Ri by Wang Anshi in Song Dynasty.
Extended information 1. Creation background
This poem was written at the beginning of Wang Anshi's New Deal. In order to get rid of the political and economic crisis faced by the Song Dynasty and the constant intrusion of Liao and Xixia, 1068, Song Shenzong summoned Wang Anshi to "turn to the right repeatedly", and Wang Anshi immediately wrote to advocate political reform. The following year, he devoted himself to politics and presided over the political reform. In the New Year of the same year, Wang Anshi wrote this poem in association with the new atmosphere at the beginning of the political reform.
Second, appreciate
This poem describes the moving scene of excitement, joy and Vientiane renewal on New Year's Day, and expresses the author's thoughts and feelings of reforming politics.
The first sentence, "One year old in firecrackers", sent away the old year and ushered in the new year in firecrackers. Sentences are closely related to the topic, rendering the lively and joyful atmosphere of the Spring Festival. The second sentence, "Spring Breeze Warms Tu Su", describes people drinking Tu Su wine in the warm spring breeze. The third sentence, "Every family is dying", is written that the glory of the rising sun shines on every family.
At the end of the sentence, "new peaches are often exchanged for old peaches" shows the poet's satisfaction and joy at the victory of political reform and the improvement of people's lives. It contains profound philosophy, pointing out that new things always replace declining things.
Although this poem uses line drawing technique, it tries to exaggerate the festive atmosphere, and at the same time, through the custom of updating in January, it entrusts its own thoughts to work for things, not writing. "
Looking back on his early works, he said, "Since I came to North Korea, I have grown old and read more. Every time you talk to people, ask more current events. " Every time you read history, you should seek truth and Taoism, knowing that articles are written in time and poems and songs are written in things. "To do it for time, the first thing is to do it for the king.
He also said: "I don't know when to avoid it" (the second of two painful poems about Tang Qu), and created a large number of satirical poems reflecting the sufferings of people's livelihood, but the general direction is "only songs make people sick, hope the emperor can know" (sent to Tang Sheng). Because only when the people's feelings are heard in heaven, the emperor opens the door and reaches the people's feelings, will politics tend to be calm.
Pipa Xing and Song of Eternal Sorrow are Bai Juyi's most successful works, and the outstanding feature of their artistic expression is the strengthening of lyric factors. Compared with the previous narrative poems, although these two works also use narrative and description to express events, they can no longer simplify the events and only use a central event and two or three main characters to structure the whole article.
For example, the dramatic Ma Wei incident, the author will take a few strokes in the near future, but in the most lyrical description of the characters' psychology and the rendering of the environmental atmosphere, he poured ink like rain and enjoyed himself. Even Pipa Opera, a work that imitates music and narrates the characters' encounters with more pen and ink, closely links sounds, events and emotions, and sounds move with feelings.