First of all, a brief introduction.
1, "Red Candle" is the witness of acacia banquet. Warm love is the best companion of acacia; The Red Candle itself becomes the narrative subject, with "the candle is long and the flame is short" symbolizing the love flower of "the belt is getting wider with no regrets", with "the red candle" as the narrative subject and "the candle is long and the flame is short" symbolizing the love story of "the belt is getting wider with no regrets".
2. "Red Candle" has become a contrast between talk and Zen. "Red Candle" contains softness, which is generally related to emotion in Song Ci. It became the background of the night talk of middle and high-level people in Song Dynasty. Red Candle is gorgeous and elegant. Against the backdrop of gorgeous colors, the quiet night is even more tense-the red candle shadow is a warm and moving scene, and sitting alone is a quiet and far-reaching scene, which is both dynamic and static and has a deeper meaning.
3, red candles generally have a festive and warm meaning. Meet a sincere heart. Candlelight, as an ordinary object, has become the object of poetry description, and has been given a specific meaning through the accumulation of past dynasties. As far as the image of "red candle" is concerned, the "red candle" in Song poetry is mostly to express "red candle", nostalgia and warm thinking.
4. The beginning of the poem highlights the image of a red candle, which is like a naked child. Wen Yiduo wants to ask the poet, your heart is so sincere and enthusiastic, can you have the courage to spit out your heart and compare it with this red candle? The word "spit" is vivid, which shows the poet's persistence and sincerity.
Second, artistic conception
1. Artistic conception is a Chinese vocabulary, which refers to the artistic realm formed by the fusion of the life picture depicted in literary and artistic works and the expressed thoughts and feelings. It is characterized by emotion in the scene, scenery in the emotion and blending of scenes. Any art that can impress the appreciator (reader or audience) always reflects the "environment" of the object and the "meaning" of the author accordingly.
2, that is, the author can express his feelings through the image and include his feelings in the image. Broadly speaking, it includes both the author and the appreciator. The former is determined by the author's aesthetic concept and aesthetic evaluation level, which can be divided into true and false, with and without, big and small, deep and shallow, while the latter is divided into big and small because of the different aesthetic concept and aesthetic evaluation of the appreciator.