Parallel prose is a unique style of classical Chinese in ancient China, with four or six antitheses, so it is also called prose of CET-4 and CET-6, parallel prose, parallel prose and so on. Parallel prose is called parallel prose if it has the main points of parallel prose and verse. This style is not highly appraised in the history of literature, mainly because of its later glitz, which is suitable for writing scenery and not for reasoning. So I think it's Wang Bo. Outstanding people, Xu Ru went to Chen Fan's couch. Xiongzhou is foggy, with a delicate starry sky. At the turn of summer, the platform rests, and the guests and hosts enjoy the beauty of the southeast. Governor Gong Yan's manners are elegant, and his halberd is in the distance; Fan Yi, from Yuwen Xinzhou, temporarily lives in. Ten days holiday, win friends like a cloud; Welcome guests thousands of miles, marry Teng Jiao, poet Meng; The Purple Temple and the General King's armory. Jia Jun is a butcher and the road is famous. What does the child know? Every bow will win. Speaking of September, it belongs to Sanqiu. The water is cold and the pool is clear, and the smoke is purple. Near the Emperor Cheung Chau, you can see the old Immortal Hall. The layer is green and the sky is heavy; There is no land under the flying pavilion. The crane pavilion is lingering in Zhu and the poor island; Gui Dian Lan Palace is in the mountains. Embroidered and engraved, the mountains and rivers are full of sight, and the rivers and mountains are shocked. It is the hometown of Ding cuisine; Ge's boats are all in the maze, the axis of bluebird and Huanglong. Raindrops are sold in raindrops, and the colorful areas are bright. Sunset and lonely Qi Fei, autumn waters and sky are one color. Fishing boats sing late, making the coast of Peng Li poor; Yan Zhen was stunned by the cold, and his voice broke Hengyang's pu. He is far-reaching and relaxed, and he enjoys flying. The cool sound is born in the breeze, the fine songs are concise, and the white clouds are restrained. The bamboo in the garden was angry with Peng Ze. Shui Ye Zhu Hua, this pen that illuminates Linchuan is beautiful in four aspects and difficult in two. Heaven is poor, and leisure is extremely entertaining. The sky is vast, and I feel the infinity of the universe; Joy begets sorrow and knowledge is empty. Looking at Chang 'an in the sun means that Wu Hui is in the clouds. The terrain is deep in the South Pole, high in Tianzhu and far from Beichen. It is difficult to climb the mountain. Who feels sorry for people who have lost their way? Meet by chance, they are all foreign guests. If we can't see the emperor, what year will we serve in the publicity room? Ha ha! Bad luck, ill-fated Feng Tang is easy to get old, but Li Guang is hard to seal. Qu Jiayi lives in Changsha, but there is no Lord; It's time to escape from Hongliang and go to Haiqu. That's because a gentleman is poor and talented and knows how to live. It is better to grow old when you are strong. If you are poor, you will be strong. You will feel comfortable when you are greedy for springs, and you will be happy when you are dry. Although Beihai is on credit, it can pick up the goods. The cold corner has gone, and the mulberry is not late. Meng's taste is noble and pure, and he has an empty heart to serve the country; You can't cry to the end of the road if you are crazy! Bo, life is three feet short, and he is a scholar. There is no way to volunteer, waiting for the weak crown of the last army; With a pen in his heart, Mu Zong is a great wind. Give up hair for a hundred years, and Wan Li will faint in the morning. He is not a treasure tree of Xie Jia, but a neighbor of Meng Jia. He is becoming more and more court-oriented, so he can't accompany carp. This morning, I held my hand, and I was happy to hold the Longmen. Yang was unhappy, but he caressed Lingyun and felt sorry for himself. What's shameful about playing with running water at the clock meeting? Oh! Resort is not frequent, it is difficult to have a grand banquet. Lanting disappeared, so did Jize Xu Qiu. A farewell message, thanking Wei Wei; Climbing to the top of the mountain is to hope the public. Dare to exhaust modesty and sincerity, be humble and short-quoted, and have four rhymes. Please sprinkle Pan Jiang and pour your own water on both sides.
What is parallel prose? How to write?
Original Parallel Prose-Brocade
Lonely window, worry is too late, the sea of clouds rises to the moon, as bright as a silver plate. The bright moon peeps at people and sleeps in the shadows. The sorrow is long, and the brocade word is lonely. There is floating smoke in the water, and cicadas sing peacefully at night. Gu Ying's mind is free from distractions, and he swims like a dream, youthful as water, sad for the past, lingering in the dream with waves, and intoxicated in his hometown.
Tenderness is inextricably linked, with dew leading the wind. Looking forward to a beautiful meeting with the moon, today is heartbreaking. The moon is out of the sky, boundless, and far from it. Looking at the lights, looking for flying flowers. Twilight is near, and Zhu Ting is filled with fragrance. So, I am worried about my feelings, but I am just a golden thread. Sing Dolly and talk about Xu, and cry for orders with Xiaoying.
Singing in the dance wind on the moon, sending the galaxy far away, meditating and watching how much. When it is always under the white dew, it is the hometown of the moon. Where is the old friend, the smoke is boundless. Farewell, the mountain is high and the water is long, the long wind rises above the water, and the waves float across the water, so mighty. Looking at the boat drifting with the tide, China Eastern Airlines will eventually fade away. Tears become melancholy beads, and the soul is sad when it leaves.
Or inflammation, smoke accumulation, frost and snow falling, ebb and flow. I hope my hometown is remote, but I know little about it. Spring is warm and grass grows, and autumn geese blow. I miss you leaving again today, drifting thousands of miles. Bitter and distant folk songs, hate Xi Changhe Mae in Saibei! Time waits for no one, but who cares about me? The end of the silver star at night has gone. Looking back, the geese have passed again. Away from the water, the clouds are lonely, the eyes are rolled by sails, the canoe has gone, and the soul is in the dream!
Miss the warmth of the boudoir, pity the stranger on the grass. Enjoy the splendor of Tianjin and the singing of birds. Looking at Qinglong's high resistance, I traveled to Yufeng. Looking at Liu 'an's kitchen smoke, I remembered my unwarranted worries. Fog Yun Ni, away from power. Tears become beads, and the wind rises and falls. Tears are exhausted in brocade, and palindromes add to the injury! The cold anvil urges the wood leaves, and the Yao platform is yellow.
Compound red medicine every year, flowers bloom and fall, I don't know to leave, * * * drinks from the cup. Flying clouds cross the moon, flowers fall into the pavilion. Don't leave if you give it to me today, but I will still pay it back. Across the bright moon, * * * thousands of miles away! Parallel prose is a kind of style divided from the perspective of rhetoric, and it is a beautiful prose of antithesis between prose and verse. This sentence includes three points: first, the antithesis is the essence of parallel prose, otherwise it is not parallel prose; Second, the requirement of temperament is between rhythm and rhythm; Third, pay attention to the aesthetic effect of rhetoric. For example (preface to Wang Teng-ting) (Yueyang Tower)
What does parallel prose mean?
Parallel prose is also called parallel prose, parallel prose or parallel prose. Because it is commonly used in four words and six sentences, it is also called "Liu Siwen" or "Parallel Four Wives and Six". The whole article is mainly composed of two sentences (even sentences, even sentences), paying attention to the neatness of the antithesis and the loud melody.
The Northern and Southern Dynasties were the heyday of parallel prose. The whole article is mainly composed of two sentences (even sentences, even sentences), paying attention to the neatness of the antithesis and the loud melody. From the Han Dynasty to the Six Dynasties, there appeared the opposition between "writing" and "writing" in China's prose. The so-called "prose" is a kind of parallel prose, which is bound by flowery rhetoric, words and melody. The so-called "pen" is a kind of prose that focuses on clearly expressing ideas and is not bound by words and melody. (The expression here is inappropriate. According to Yan Yanzhi's viewpoint quoted in Liu Xie's Introduction to Wen Xin Diao Long, the pen is the body and the word is the text; Classics are words rather than words, and biographies are words rather than words. Liu Xie's own point of view is: "As the saying goes, writing has a pen, thinking that those who have no rhyme must write, and those who have rhyme must write." It can be seen that the focus of the debate on words in Song and Qi Dynasties is whether there is rhyme or not, rather than the differences in prose style. Moreover, the prose of the Northern and Southern Dynasties also rhymed, so it was revised. )
Wu Jun and Zhu belong to parallel prose in middle school textbooks.
What is parallel prose?
1, the definition of parallel prose is also called parallel prose, parallel prose or parallel prose; The writing style of ancient people in China was written in pairs.
Because it is commonly used in four words and six sentences, it is also called "Liu Siwen" or "Parallel Four Wives and Six". The whole article is mainly composed of two sentences (even sentences, even sentences), paying attention to the neatness of the antithesis and the loud melody.
2. The Origin of Parallel Prose Parallel Prose is a style, which originated in the late Han Dynasty, formed and prevailed in the Southern and Northern Dynasties. It appears alternately with four characters and six characters, and is called "Liu Siwen" in the world.
In the Tang Dynasty, scholars were selected by poems, and their fu was a law fu derived from parallel prose. The official documents of the Tang Dynasty are also parallel prose, that is, four or six styles.
Parallel prose often affects the content expression by accommodating sentence patterns and piling up rhetoric. After Han Yu and Liu Zongyuan advocated the ancient prose movement, parallel prose suffered setbacks for the first time. After the death of Han and Liu, their influence rose again. Li Shangyin, Wen and Duan are among them, ranking 16th, so they are called "Thirty-six Style". After entering the Song Dynasty, under the leadership of Ouyang Xiu and others, the ancient prose movement set off a second round of * * *, with numerous essays and the gradual decline of parallel prose.
3. The form of parallel prose The Northern and Southern Dynasties were the heyday of parallel prose. The whole article is mainly composed of two sentences (even sentences, even sentences), paying attention to the neatness of the antithesis and the loud melody.
From the Han Dynasty to the Six Dynasties, there has always been a debate about "writing" and "writing" in China's prose. According to Yan Yanzhi's viewpoint quoted in Liu Xie's "Wen Xin Diao Long General", the pen is the body and the words are the text; Classics are words rather than words, and biographies are words rather than words.
He thought: "As the saying goes today, there are words and pens, thinking that those who have no rhyme write and those who have rhyme write." It can be seen that the focus of debate about characters in Song and Qi Dynasties is whether there is rhyme or not.
4. Development of Style A style produced since Wei and Jin Dynasties, also known as parallel prose. Parallel prose is relative to prose.
Its main feature is that it focuses on four or six sentence patterns and pays attention to antithesis. Because of the opposite sentence pattern, it is like two horses running neck and neck, so it is called parallel prose. In phonology, it pays attention to the use of flat and harmonious rhythm; Rhetorically, it pays attention to decoration and allusions.
Because parallel prose pays attention to formal skills, the expression of content is bound, but if used properly, it can also enhance the artistic effect of the article. During the Northern and Southern Dynasties, there also appeared many profound works, such as Yu Xin's Mourning for the South of the Yangtze River. On the one hand, he described the sadness of his life experience, on the other hand, he condemned the fatuity of the officials and ministers of the Liang Dynasty and expressed his nostalgia for his motherland.
After the Tang Dynasty. The form of parallel prose is becoming more and more perfect, and there are four or six sentences of parallel prose throughout, so it is generally called parallel prose in Song Dynasty.
Parallel prose was still very popular until the late Qing Dynasty.
What is parallel prose?
1, the definition of parallel prose is also called parallel prose, parallel prose or parallel prose; The writing style of ancient people in China was written in pairs.
Because it is commonly used in four words and six sentences, it is also called "Liu Siwen" or "Parallel Four Wives and Six". The whole article is mainly composed of two sentences (even sentences, even sentences), paying attention to the neatness of the antithesis and the loud melody.
2. The Origin of Parallel Prose Parallel Prose is a style, which originated in the late Han Dynasty, formed and prevailed in the Southern and Northern Dynasties. It appears alternately with four characters and six characters, and is called "Liu Siwen" in the world.
In the Tang Dynasty, scholars were selected by poems, and their fu was a law fu derived from parallel prose. The official documents of the Tang Dynasty are also parallel prose, that is, four or six styles.
Parallel prose often affects the content expression by accommodating sentence patterns and piling up rhetoric. After Han Yu and Liu Zongyuan advocated the ancient prose movement, parallel prose suffered setbacks for the first time. After the death of Han and Liu, their influence rose again. Li Shangyin, Wen and Duan are among them, ranking 16th, so they are called "Thirty-six Style". After entering the Song Dynasty, under the leadership of Ouyang Xiu and others, the ancient prose movement set off a second round of * * *, with numerous essays and the gradual decline of parallel prose.
3. The form of parallel prose The Northern and Southern Dynasties were the heyday of parallel prose. The whole article is mainly composed of two sentences (even sentences, even sentences), paying attention to the neatness of the antithesis and the loud melody.
From the Han Dynasty to the Six Dynasties, there has always been a debate about "writing" and "writing" in China's prose. According to Yan Yanzhi's viewpoint quoted in Liu Xie's "Wen Xin Diao Long General", the pen is the body and the words are the text; Classics are words rather than words, and biographies are words rather than words.
He thought: "As the saying goes today, there are words and pens, thinking that those who have no rhyme write and those who have rhyme write." It can be seen that the focus of debate about characters in Song and Qi Dynasties is whether there is rhyme or not.
4. Development of Style A style produced since Wei and Jin Dynasties, also known as parallel prose. Parallel prose is relative to prose.
Its main feature is that it focuses on four or six sentence patterns and pays attention to antithesis. Because of the opposite sentence pattern, it is like two horses running neck and neck, so it is called parallel prose. In phonology, it pays attention to the use of flat and harmonious rhythm; Rhetorically, it pays attention to decoration and allusions.
Because parallel prose pays attention to formal skills, the expression of content is bound, but if used properly, it can also enhance the artistic effect of the article. During the Northern and Southern Dynasties, there also appeared many profound works, such as Yu Xin's Mourning for the South of the Yangtze River. On the one hand, he described the sadness of his life experience, on the other hand, he condemned the fatuity of the officials and ministers of the Liang Dynasty and expressed his nostalgia for his motherland.
After the Tang Dynasty. The form of parallel prose is becoming more and more perfect, and there are four or six sentences of parallel prose throughout, so it is generally called parallel prose in Song Dynasty.
Parallel prose was still very popular until the late Qing Dynasty.
What is parallel prose,
Parallel prose is also called parallel prose, parallel prose or parallel prose; In ancient China, words and sentences were opposite and constituted a chapter. It is also called "Liu Siwen" or "Zhang Li Siliu" because it often uses four or six sentences. The whole article is mainly composed of two sentences (even sentences, even sentences), paying attention to the neatness of the antithesis and the loud melody.
Throughout the development history of parallel literature research, it has gone through a tortuous road, with glory and loneliness, and now it has entered the right track and entered new glory. Even so, we should also see that there are still many problems in the study of parallel literature, mainly in:
First of all, the research power of parallel literature is not enough. Judging from the published papers and works, there are only more than 20 scholars studying parallel prose in China. It is not only inferior to the research team of ancient poetry, but also far inferior to the researchers of ancient prose. Among these more than 20 scholars, many did not focus on this field, but only occasionally dabbled in parallel prose research. The reason for this is probably influenced by the narrow concept that ancient prose is authentic and parallel prose is the path. Therefore, it is necessary for researchers to renew their concepts and re-understand parallel prose. Due to the limitations of the research team, it also restricts the overall improvement of the research level of parallel prose to a certain extent. Therefore, parallel prose scholars urgently need more scholars to join in order to promote the study of this traditional cultural form. With the growth of research strength, the improvement of research level is the basis, otherwise everything will be impossible. At the same time, it is urgent to study parallel prose and cultivate new people. Parallel prose is far from today's life. If the study of parallel prose is interrupted, people's understanding of it will decrease. The study of parallel prose needs the participation of young scholars.
Secondly, the arrangement and publication of parallel literature research materials need to be strengthened. The lack of data is also a prominent problem that affects the study of parallel prose. Although many selections of parallel prose have been published, the research materials of parallel prose have not yet been published. Ancient parallel prose remains in some large-scale books and series, and it is very inconvenient to find information from them. Most of the works since modern times have not been reprinted, so it is not easy to see. This has affected the development of parallel literature research. Due to various reasons, the project "Four Biographies of Past Dynasties", which was funded by the National College Ancient Books Sorting Committee and edited by the author and Mo, has already been submitted to the publishing house, but it can't be published for a long time. In addition, in order to promote the development of parallel prose research, it is urgent to edit and publish a collection of parallel prose research materials and a collection of parallel prose research essays selected from the research papers in the past 50 years. Some important theoretical works and collections of parallel prose also need the help of publishing houses, such as Liu Si Cong Hua by Sun Mei in Qing Dynasty, Parallel Prose Paper Money by Li Zhaoluo, Parallel Prose Yi Tong by Qian Jibo in modern times, and Records of Six Dynasties by Sun Deqian. These important literary materials should be compiled and published as soon as possible to promote the development of parallel prose. The study of parallel literature needs the help of people of insight in the publishing industry, which will promote the further prosperity of academics.
Third, the academic level of parallel literature research should reach a new level. There are few high-level papers, and the academic level of parallel prose research needs to be further improved. The field of parallel literature research should get rid of non-academic norms and improve the level of research papers and works. In research methods, we should pay attention to the combination of quantitative research and empirical methods; From the perspective of research, we should pay attention to digging from the perspective of cultural history and avoid simple theory of writers' works. In particular, we should examine the existence of parallel prose in the process of cultural and historical evolution of the times, observe the existence of parallel prose from a broader cultural background, and regard the creation of parallel prose as a humanistic spiritual activity mode of an era, so as to dissect the scenes and ways of literati life in an era, and even the aesthetic psychology, literati mentality and social mentality of an era, and further reveal parallel prose. Only in this way can the aesthetic significance, literary value and position of parallel prose in the cultural history of China be truly revealed. Only with such a broad vision can we understand parallel prose at a higher and deeper level, and understand its history and the reasons for its existence. The level of parallel prose research results will be determined by the next level.
What are the characteristics of parallel prose?
The characteristics of parallel prose are as follows:
1, rhythm: in phonology, pay attention to the use of flat tones, and the rhythm is harmonious.
2. Rhetoric: Pay attention to algae decoration and allusions.
3. Form: Parallel prose pays attention to formal skills, which often fetters the expression of content.
4. posthumous title: Pian Tiwen, Pian Tiwen, Pian Tiwen, Pian Tiwen and Pian Liuwen.
5. Overview: The whole article is mainly composed of two sentences (even sentences and even sentences), paying attention to the neatness of antithesis and the loud melody.
Parallel prose is a literary style, which is called "Liu Siwen" in the world, with four characters and six characters appearing alternately. Originated in the late Han Dynasty, formed and prevailed in the Southern and Northern Dynasties. Representative writers are Xu Ling and Yu Xin. After the ancient prose movement in the middle Tang Dynasty, it declined slightly. Become a masterpiece in the Yuan and Ming Dynasties. In the early Qing Dynasty, writers came in droves, and Wang Kaiyun was the last writer in the late Qing Dynasty.
Extended data
The difference between parallel prose and prose;
1, different requirements
Most of the sentences in parallel prose are four or six sentences, and they are antithetical sentences. Pay attention to "four tones and eight diseases" and pay attention to plain words. Prose does not rhyme or rearrange couples.
2, the article style is different.
Parallel prose reflects its own thoughts and feelings with ancient people and events; Prose is scattered in form rather than spirit; Deep artistic conception, paying attention to expressing the author's life feelings, strong lyricism and sincere feelings.
3. Different languages are used.
Parallel prose pays attention to gorgeous rhetoric and does not hesitate to pile up words; The prose language is beautiful and concise, rich in literary talent.