Appreciate the center, emotion, fine words and famous sentences in A Stop under the Mountain of Beibao, Bo Qinhuai, Looking at the Sea, Huanxisha and Wang Chun.

A Anchorage at the foot of the Beibao Mountain is a famous work sung through the ages, among which the banks widened until the ebb tide, and there was no wind blowing my solitary sail, and ... "Night now gives way to the ocean of the sun, and the old year melts in the clear spring" are highly praised famous sentences. This poem depicts the Jiangnan scenery with green mountains and green waters and flat tides and broad shores that the poet saw when he was parked at the foot of Gubei Mountain. However, with the approach of the Spring Festival, the geese overhead sighed, "My emissary can finally be sent". The whole poem is full of beautiful artistic conception and mixed scenes, which expresses the poet's deep homesickness when he lives abroad.

Analysis of famous sentences ... night gives way to the ocean of the sun, and the old year melts in freshness

Tang Yinque's Collection of Heroes Crossing the River

Comment on these two poems: "since the poet, this sentence is rare." Zhang (Zhang said) wrote the title of the town hall and showed his ability every time, making it a model. " It's a pity that Yin didn't explain to people what Zhang said, but two points are worth noting: first, these two poems were written in calligraphy by him, and second, "each showed his abilities and wrote in style".

Good writing is all about the accuracy of words. For example, the words "Sheng" and "Ru" here not only make this couplet stable, but also link two unrelated things, namely "Sea Sun" and "Remnant Night" and "Jiang Chun" and "Old Year", which are also vivid. The sun rises a little from the dark sea, like a child leaving his mother's abdomen. The word "life" is really vivid. The sun has just risen, and the earth is still basically in darkness, but the night has been torn and the word "residual" has written an irresistible disappearance. Night is passive, but it is also helpless. It gave birth to the sun, but it faded because of the sun! The word "Jin" is more vivid. Although Jiangnan is still the winter of the old year, spring has painted a layer of spring scenery on the willows along the river. This word "such as" is very impolite, almost wedged, and it is a new spirit. The willow color is close to the author's boat, so it can be seen, and the word "Jiang" should be defined before "Spring", which also points out the environment and scene of "the next berth on Beibao Mountain". These words are concise and measured. Because he not only wrote the scenes of his old age and his old age, but also wrote the specific visual gap at this time, which is vivid and vivid. The old year refused to recede, but finally could not stop the power of new life; However, freshmen seem to be wedged in whether you like it or not. The word "Confucianism" does have an irresistible trend. Zhang said that he is good at supporting backwardness and is determined to reform, which is probably related to his appreciation of old and new poems. This may be the reason why he said the government affairs hall.

Du Mu's Bo Qinhuai: "The smoke cage is full of sand in the cold moon, and the night is near Qinhuai Restaurant." Starting with the description of the scenery, the misty moon on the Qinhuai River is outlined with the word "cage". "Cage" means "surround". It skillfully blends smoke, water, sunshine and sand harmoniously, which not only gives people a soft and quiet feeling, but also implies a slightly floating modality, conveying the poet's sad feelings. "Strong women in business don't know how to hate the country, and they also sing" backyard flowers "across the river." The girl who sang didn't know the grief of the country's demise, but she also sang the song "backyard flowers" to cross the river. It satirizes the dignitaries in real life, ignores political affairs, is extravagant and wasteful, and expresses the poet's concern for the country and people.

"Looking at the Sea" was written in September of the 12th year of Jian 'an (2007), when Cao Cao marched north to Wu Huan and wiped out Yuan Shao's remnants. This four-character poem depicts the magnificence of the motherland's rivers and mountains through the natural scenery that the poet saw when he climbed to the sea. It not only depicts the moving images of mountains and seas, but also expresses the heroic and optimistic enterprising spirit of the poet. It is a masterpiece describing natural scenery in Jian 'an period and one of the earliest representative works of China's classical landscape poems.

Appreciation of Poetry is an ancient poem in terms of its genre. In terms of expression, this is a lyric poem about the scenery. The words "Jieshi is in the east, looking at the sea" point out the positioning of "looking at the sea": the poet climbed to the top of Jieshi, with a broad vision and a panoramic view of the sea. The following ten descriptions are almost all derived from this. The word "Guan" plays a leading role in the whole article, which embodies the characteristics of this poem's open artistic conception and vigorous momentum.

The first four lines describe the scene of the sea, which is dynamic and quiet. For example, "autumn wind is bleak and the waves are rough" and "what is the water like" describe dynamic scenery, while "trees are full of vegetation" and "mountains and islands are full of scenery" describe static scenery.

Guan Canghai is selected from Yuefu Poetry, which is the first chapter of Yuefu Poetry Out of Xiamen.

"The water is full of water and the mountain island is covered with scenery" is the general impression of seeing the sea at the beginning, which is a bit like the outline of a painting. In this rippling sea, the first thing you see is the towering mountain islands, which are dotted on the flat and wide sea, making the sea look magical and spectacular. These two sentences roughly outline the prospect of the sea, which will be described in depth at different levels below.

"There are many trees and plenty of herbs. The autumn wind is bleak, and Hongbo surges. " The first two sentences specifically describe the mountain island: although the autumn wind is bleak and the vegetation is withered, the trees on the island are lush and the grass is flourishing, giving people a poetic feeling. The last two sentences are a further description of the sentence "What is water like?". Look carefully, the sea in the bleak autumn wind is actually a huge wave, surging and undulating. Here, although it is a typical autumn environment, it is not as bleak and desolate as autumn. Facing the bleak autumn wind, the author wrote the vastness and magnificence of the sea: in the bleak autumn wind, the sea is rough and meets the sky; The mountain island is tall and straight, with lush vegetation and no fading and sentimental artistic conception. This new realm and new style embodies his "ambition" mind.

"The trip to the sun and the moon, if unexpected; Xinghan is brilliant, if it is unexpected. " The great ambition of the writer Cao Cao. The previous description is observed from the plane of the sea. These four sentences are related to the boundless universe, showing the momentum and strength of the sea to the readers: the vast sea is connected with the sky, and the air is turbid; In front of this magnificent sea, the sun, the moon, the stars and the Han (the Milky Way) are all small, and their operation seems to be freely absorbed by the sea. The sea described by the poet here is not only the real scene in front of him, but also his own imagination and exaggeration, which shows the magnificent atmosphere of the universe and is full of the momentum of "the five mountains start from the square". This kind of "cage cover breathing atmosphere" is the artistic realm of the poet's "eyes" and "chest". From the heart, if the poet had no grand political ambition, no ambition to make contributions, and no optimistic attitude full of confidence in the future, he would never have written such a magnificent poetic scene. In the past, some people said that Cao Cao's poems were "domineering" (in Shen Deqian), referring to works such as Looking at the Sea. "

"Fortunately, Lian, the song is to be sung." This is a cliche in the chorus, which has nothing to do with the content of the poem. Also pointed out that this was sung by Yuefu.

As for "Huanxisha", it is a epigraph, written by many people. There are four songs by Su Shi alone, not to mention Li Qingzhao.

What spring looks like.

Poems are selected from Detailed Interpretation of Du Fu's Poems (Zhonghua Book Company, 1979 edition), which was written by Du Fu in Chang 'an during the Anshi Rebellion. "An" means An Lushan; "History" is Shi Siming. In August of the first year of Germany (756), Du Fu went from Fuzhou to Lingwu (now Ningxia) and defected to Suzong. On the way, he was captured by rebels and later trapped in Chang 'an. This poem was written in March of the following year. The whole article is concerned about the country, hurting the time, homesickness and self-pity, which shows the poet's broad mind of worrying about the country and the people. This is the internal reason why this poem is gloomy, tragic and moving through the ages.

Appreciation of sentences

The whole article revolves around the word "Wang", and the first four sentences are lyrical by taking advantage of the scenery. The poet set off the ruin of the country by describing Chang 'an, which is lush and sparsely populated. The first song "Although the country is divided, the mountains and rivers live forever" is shocking and has a sense of historical vicissitudes. Wrote the sad scene of the country destroying the city. The phrase "Where the petals have fallen like tears, and the lonely bird has sang mourning" personifies the flowers and birds, feeling that the country is divided and the national affairs are difficult, and the flowers and birds in Chang 'an are all shocked by tears. Write about spring with flowers and birds, hurt things, and express the sadness of national subjugation and parting with personification. Reflect the poet's patriotic feelings. The poet's cross-conversion of feelings and scenery implicitly conveys the poet's sigh, anxiety and anger from climbing to farsightedness, from far and near, from weak to strong. The country is in turmoil, the war has been going on for years, the people are in poverty, and Le Shu is impassable. At this time, it is particularly valuable to receive a letter from home. The poet reflects from the side the great pain brought by the war to the people, and the urgent mood of people wanting to know whether their loved ones are safe during the turbulent period. At the same time, it also shows the poet's deep concern for the country through hard-won letters from home. In the last two sentences, the poet's increasingly sparse white hair can't even be inserted into the hair clasp, and the poet's anxiety and indignation are deeply and widely expressed by action. The whole poem is mixed with scenes, but it is implicit and concise, which fully embodies the artistic style of the poet's "depression and frustration"

The whole poem expresses the poet's feelings of worrying about the country, hurting his time, homesickness, self-pity and missing his loved ones.

The whole poem is calm, sincere and natural, which embodies the poet's feelings of loving the motherland and caring for his family. Modern people such as Xu Yingpei and Zhou Rongquan commented on this poem: "The meaning is not straight, the scenery is not smooth, the feelings are strong but not floating, the things are rich but not miscellaneous, and the meter is rigorous but not rigid." This theory is quite appropriate. "A letter from home is worth a thousand pounds of gold" is also a famous saying that has been passed down through the ages.

From Tang Suzong to Deyuanzai (756), in June, An Shi Rebellion captured Chang 'an, Tang Dou. In July, Du Fu heard the news of Tang Suzong's accession to the throne in Lingwu, and made his home in Qiang Village, Zhangzhou, and went to Su Zong. On the way, he was captured by rebels and taken to Chang 'an. He was not imprisoned because of his humble position. Hope in Spring was written in March of the following year. The poet witnessed Chang 'an's flute falling and homesickness in adversity, and he couldn't help feeling deeply.

One, two, four sentences in the poem, writing about the defeat of Spring City, are full of sighs; Three, four, two and four sentences are full of feelings about their loved ones. The whole poem is calm, sincere and natural.

"Although the country is divided, the mountains and rivers remain forever, and the vegetation turns green in spring." At the beginning, I wrote what I saw in spring: the capital fell and the city was broken. Although the mountains and rivers are still there, there are grass everywhere and the trees are gray. A word "broken" makes people stunned, and another word "deep" makes people sad. Sima Guang said: "The mountains and rivers are all there, and there is nothing in the Ming Dynasty." : the vegetation is deep and no one is there. "("Wen Gong Xu Shi ") The poet here clearly wrote about scenery, but in fact he expressed his feelings. He entrusted his feelings to things and scenery, creating an atmosphere for the whole poem. This couplet is ingenious, mature, natural and poetic. "The destruction of the country" is opposite to "the spring of the city". The ruins of "National Destruction and Death" are in sharp contrast with the wealthy businessmen in "Spring in the City". "The country is broken" followed by "there are mountains and rivers", which means the opposite and is unexpected; "Spring in the City" was originally a beautiful scenery, but the suffix "deeply planted" is ridiculous and contradictory, one after another. In the Ming Dynasty, Hu Zhenheng spoke highly of this couplet, saying that "duality is not implicit, but it changes vertically and horizontally, making it more stereotyped, more implicit and deeper, and taking justice from nature." ("Tang Yin Gui Qian" Volume 9)

"Petals fall like tears, and lonely birds sing their sorrows." The general explanation of these two sentences is: the sad scene of flowers crying and birds leaving in troubled times. The author touched the scene, empathized with it, and saw the richness of good poetry. Using intertextuality, it can be translated as "when I feel it, I hate tears, but I feel that lonely birds sing their grief."

The first four sentences of the poem are all in the word "Wang". The poet looks from near to far, from far to near, and his vision ranges from mountains and rivers to cities, and then from cities to flowers and birds. Feelings are from hidden to obvious, from weak to strong, step by step. In the change of scenery and emotion, it seems that the poet gradually turned from longing for the scenery to overlooking and thinking about the scenery, and naturally transitioned to the second half-missing his loved ones.

"After three months of war, a letter from home is worth a ton of gold." From the Anshi Rebellion, "the war was fierce and the countryside was broken", and the war continues until the end of March and spring. How I look forward to hearing from my relatives at home. At this moment, a letter from home is really better than "tiger balm"! "A letter from home is worth a ton of gold" wrote the long-awaited urgency of news isolation. This is the idea in everyone's mind, which naturally makes people * * * sound, thus becoming a famous sentence that has been told through the ages.

"I stroked my white hair. It has become so thin that it can no longer hold hairpins. "There are bonfires everywhere, and my family doesn't trust me. I miss the tragic image in the distance, and I look at the scene of decline in front of me. I don't feel bored and hesitant, but my hair is sparse and short. "White hair" is caused by worry, "scratching" is an action to relieve worry, and "shorter" indicates the degree of worry. In this way, in addition to the grief of national demise and death, sighing and aging will add another layer of sadness.

This poem reflects the poet's good feelings of patriotism and love for his family. The meaning is full but not straight, the scenery is full but not free, the emotion is strong but not superficial, the content is rich but not miscellaneous, the meter is rigorous but not rigid, and it is written by the five methods of ascending and descending, so it has been circulated for more than 1,200 years.

The antithesis in the poem "Hope in Spring" is: petals fall like tears, and lonely birds sing their sadness. The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.

The poet is only 45 years old this year, but Whitehead is realistic-half a year later, he mentioned again in the Northern Expedition: "I fell into the dust and returned to China." "Whitehead" is sparse to the point of "invincible", and its old state can be imagined. He is getting old so fast, which is entirely caused by worrying about the country and the people, hurting time and homesickness.

Du Fu was trapped in a thief for eight months and wrote about twenty poems, which were profound and implicit. At the most important time of this poem, every sentence has a meaning and is worth tasting.

Appreciation of words

Wang Chun's Hope expresses his nostalgia for his family (after three months of war, a letter from home is worth a ton of gold); Despair and anxiety about the future of the country (although a country is divided, mountains and rivers remain forever, trees and grasslands are blooming in spring); Lament about my old age (I stroke my white hair. It has become too thin to accommodate the hairpin)

Main idea

The central idea of this poem is that this poem expresses the poet's feelings of worrying about the country and homesickness by describing the desolate scene of Chang 'an during the An-Shi Rebellion, and reflects the poet's desire for peace and happiness.