Poetry describing spring, summer, autumn and winter has appreciation and source.

Spring: Spring can't be kept in the garden, and there is an almond in the wall. (Song) Ye Shaoweng's "The Garden is Worthless"

Although Chai Men can't open, it's hard for people to close. Did you see an almond sticking out of the wall to show off the beauty of spring? The simple words "can't be shut up" and "come out of the wall" not only describe the beautiful spring scenery in the garden, but also describe the vitality of spring, which is full of spring. Although the host did not visit, the author's mind has been completely occupied by this touching early spring scenery!

Sleeping sickness in spring unconsciously broke the morning, and the chirping of birds disturbed my sleep. (Tang) Meng Haoran's "Spring Dawn"

Meng Haoran's poem "Spring Dawn" was written when the poet lived in seclusion in Lumen Mountain, and its artistic conception was very beautiful. The poet seized the moment when he just woke up in the spring morning to describe and associate, vividly expressing the poet's love and pity for spring.

This poem does not use the general technique of directly describing the immediate spring scene, but captures the typical spring breath through the "spring dawn" (spring morning) when he wakes up instantly, expressing his feelings of loving and cherishing spring. The first two sentences of this poem were written by a poet who didn't know it was dawn because of his dream on a spring night. When he woke up, he heard birds singing everywhere outside the house. The poet cherishes ink as gold, and expresses the vibrant scene of Chunxiao with only one sentence: "Birds are singing around". However, people can know that it is the cheerful songs of these birds that awaken the lazy and sleepy poet. It is conceivable that it is already a beautiful spring outside the house at this time, and we can appreciate the poet's praise for spring. It is this lovely scene of spring dawn that makes the poet naturally turn to the association of the third sentence and the fourth sentence in the poem: I heard a burst of rain last night, and now how many flowers are shaken in the courtyard? Linked to the first two sentences of the poem, this night's storm is not a storm, but a gentle breeze and drizzle, which sends the poet into a sweet dream and cleans the morning brighter, which is not hateful. But in the end, it will shake off the spring flowers and take them away. Therefore, the phrase "I don't know how many flowers have been folded" implies the poet's faint sadness and infinite reverie about the passing of spring scenery.

The reason why this poem is deeply loved by people lies in its clear language and catchy tone, as well as its closeness to life, blend of scenes and profound implications.

Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere. (Song) Zhu's Spring Day

This poem is about a spring outing to enjoy the scenery. The poem depicts the beautiful scenery of beautiful spring scenery, colorful flowers and splendid spring scenery on the shore of Surabaya. This poem is also very interesting. Poetry is written with an open artistic conception and full of vitality. The poet bathed in colorful spring scenery. In his eyes, nature is full of infinite vitality everywhere, showing a thriving scene. The philosophical poem "A Thousand Colors Are Ever Spring" has become a symbol of all beautiful and new things.

Xia: Xiao He just showed his sharp horns, and the dragonfly had already stood on his head. (Song) Yang Wanli's Little Pool

The whole poem is entitled "Xiaochi", and the word "Xiao" is specially written. Poetry needs to have a different theme from that just now, and some major themes should be written with magnificent realm and momentum; Some subjects are very small, just a detail in life, but they can write about love and fun. Therefore, Wang Guowei said: "There are big and small realms, and the pros and cons are not based on what is right" ("Words on Earth"). These two sentences are like a bonsai, a small picture, and write a small and exquisite and rich business scene: the new lotus just came out of the water, the green leaves seemed to wake up, and a small dragonfly had flown on it. The words "just show" and "stand early" infuse the poet's impression and blend feelings into the scene, which is full of fun.

Clouds poured out and poured down like ink, but a mountain range was exposed on the horizon, bright and fresh, and the splashing water was like white pearl gravel, splashing on the boat. (Song) Su Shi's Drunken Book of Looking at the Lake Building, June 27th.

The poet is good at exaggerating the atmosphere, from the magnificence of the clouds pressing against the lake and the sudden rain, to the disappearance of the clouds, the ups and downs of the pen after the rain, and the leisurely description of the rapidly changing weather, which makes people dizzying and quite dramatic. In particular, the phrase "jumping off a boat in white rain" is the most vivid. The author himself appreciates this poem very much. At the age of 50, he went to Hangzhou again and wrote a poem saying, "I will be drunk in the rain of the West Lake, and I won't see the ball jump for fifteen years." This shows his love for this poem.

The next day, the lotus leaf is infinitely blue, and the next day, the safflower is infinitely red. (Song) Yang Wanli's "Chu Xiao Jingci Temple sends Lin Zifang"

The beauty of the West Lake has always been described by literati, and this song by Yang Wanli has been passed down through the ages with its unique technique, which is worth savoring. "After all, the scenery of the West Lake is different from that at four o'clock in June." The first sentence seems abrupt, but it is actually an atmosphere. Although the reader has not yet appreciated the beauty of the West Lake from the poem, he can already feel it from the amazing tone of the poet. This sentence seems to be blurted out, which is the most intuitive feeling after shock and ecstasy, thus strengthening the beauty of the West Lake. Sure enough, "the lotus leaves in the sky are infinitely blue, and the lotus flowers in the sun are of different colors." The poet used "blue" and "red" to highlight the strong visual impact of lotus leaves and lotus flowers. The lotus leaf is boundless as if connected with the sky, and the weather is magnificent, which not only depicts the infinity of the lotus leaf, but also renders the grandeur of heaven and earth, and has an extremely rich sense of spatial modeling. "Reflecting the sun" and "Lotus" set each other off to make the whole picture beautiful and vivid. The whole poem is easy to understand, and the outstanding thing is to write feelings first, and then write the real situation, thus creating an effect of being empty first and then real. After reading it, you can really feel the beauty of the West Lake in June, "the four seasons are different".

Autumn: poor September third night, dew like a pearl like a bow. (Tang) Bai Juyi's "Mu Jiang Yin"

What is even more pitiful is the moonlit night when dew drops on the third day of September; Dewdrops are like pearls, and crescent moons are like delicate bows. These two sentences are about the night scene when the new moon rises on the third day of September. The poet lingered until the new moon rose and the dew fell. The scenery at this time is like a meticulous painting. Using "real pearl" as a metaphor for dew not only vividly shows its roundness, but also describes the luster of dew shining under the clear glow of the new moon.

Waiting for the eighth autumn of the ninth month of the lunar calendar, (Tang) Huang Chao's "The Last Fu Ju"

The first sentence "Stay in Qiu Lai on September 8th" means that the Double Ninth Festival hasn't arrived yet, and the poet is writing poems to celebrate. The word "Liu" is abrupt, it "suddenly rings like firecrackers", which has a sharp and strong charm and some meaning of looking forward to it soon. On the day before the Double Ninth Festival, the poet wrote "September 8" as "September 9" from the surging poetry flow, which not only rhymed, but also revealed a desire to call for an early revolutionary storm.

On the one hand, the second sentence "I open a hundred flowers to kill" shows readers an irresistible natural law. The sharp contrast between the blooming of Jin Ju 'ao frost and the withering of flowers in the frost shows the tenacious vitality of chrysanthemum. On the other hand, it implies that once the peasants revolutionized storm warning, the corrupt Tang Dynasty would immediately turn into the branches and leaves of a hundred flowers in the frost.

Stop and sit in the maple forest late, and the frost leaves are red in February flowers. (Tang) Du Mu's Mountain Walk

This poem is about autumn scenery seen in the mountains, and the last two sentences are particularly beautiful. Therefore, Huang Sheng's "Don't Find Gold in Tang Poetry" says that "there is a picture in the poem" and it is a "travel map of autumn mountains". The word "sit" in the poem is interpreted as solving, not sitting down. "Frost leaves are redder than February flowers" has been praised as a "true sentence" by predecessors, because it fulfilled the previous meaning and showed us a maple forest in autumn. You see, under the autumn sun, the maple leaves are about to drip, and the layers of forest are all dyed, which is more beautiful than the spring flowers in February! Through this piece of red, people see that autumn has the charm of spring. Can you not feel relaxed and happy and linger?

Winter: Thousands of miles away in Huang Yun, the sun is shining, and the north wind blows goose feathers and heavy snow one after another. (Tang) Gao Shi "Don't move big"

These two sentences are written with their own inner truth, so they can be profound; Only with a broad mind can we tell the scenery in front of us and be solemn and stirring. "Yi", that is, refers to the dim scenery at sunset.

There are some plums in the corner, and cold ling opens them alone. (Song) Wang Anshi's Plum Blossom

The first two sentences, "Plum blossoms are in the corner, and cold ling blooms alone", describe the chilly early spring season, and everything does not sprout except a few plum blossoms in the corner. These two sentences describe plum blossom, not its shape, but its spirit. The word "corner" indicates the position; "Individually opening" and "counting plum blossoms" take care of each other, conveying the message that plum blossoms are the best in the world. The word "cold ling" interprets time and highlights Chun Mei's personality in full bloom in the cold. But it is not the first time that these two poems write that plum blossoms bloom regardless of the cold.

There are no birds flying over those mountains, and there are no traces of people in those paths. (Tang) Liu Zongyuan's Jiang Xue

The first two sentences "There are no birds in a hundred mountains and no footprints in a thousand paths" describe the snow scene, while "Qian Shan" and "Wanjing" are all exaggerations. There should be birds on the mountain and people on the road, but the poets of "Birds fly" and "People are gone" render a desolate and lonely realm with the scene that birds travel far away and people are unique. Although the word "snow" is not used directly, readers seem to see the overwhelming snow and feel the biting cold. This is a reflection of the bad political environment at that time.