Finally, give chrysanthemums-focus on the vitality of chrysanthemums.
Floating without Regret is a poem about objects written by Huang Chao, the leader of the peasant uprising in the late Tang Dynasty. This poem gives Chrysanthemum a heroic style and noble character by metaphor, regards Chrysanthemum as a symbol of the oppressed people, and refers to the reactionary and decadent feudal ruling group with flowers, vividly showing the resolute and firm spirit of the peasant revolutionary leader.
Painting Chrysanthemum is the work of Zheng Sixiao in Song Dynasty. This object-chanting poem symbolizes the noble spirit of being loyal to the old country and never bowing to the new dynasty.
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Every sentence in the poem "Painting Chrysanthemum" is closely related to the natural attributes of Lengju, and the beauty lies in the fact that these natural attributes are related everywhere, implying the poet's feelings. "Embracing incense" refers to a person's noble national sentiment, and "North Wind" is a pun, implying the Mongolian ruler from the north. This poem is heroic and enthusiastic, and it is a sensation.
Chrysanthemum has always been regarded as the national flower of China, and those who chant chrysanthemum but can't write the soul of the country are inferior. Huang Chao's poems express his ambition by chanting chrysanthemums, with magnificent realm, boldness of vision, bold brushwork and heroic style. He has successfully created heroic images of lyrical heroes with swords in uniform, such as "I want to kill a hundred flowers after the flowers bloom" and "Golden Flower in the City", with decisive tone and fierce momentum, which is praised by many people in later generations.