Briefly describe the basic aesthetic characteristics and cultural roots of China's poetry art.

China's poems have a unique aesthetic feature-artistic conception is an important category and original concept of China's classical aesthetics and literary theory. In the development of literature for thousands of years, it has been widely used in the field of literature and art, and it is a highly developed product of China's lyric literature and theory. Artistic conception is particularly prominent in poetry. Literary artistic conception has unique characteristics, such as the performance characteristics of scene blending, the structural characteristics of virtual reality and endless aesthetic characteristics, which embodies the aesthetic ideal of the Chinese nation. The "realm" of "artistic conception" originates from the elaboration of "free realm" by Zhuangzi's theory of everything. In the later literary development, the concept of "realm" began to be used in poetry, such as Liu Xie's Wen Xin Diao Long. The word "artistic conception" first appeared in Wang Changling's Poems, which said: "Poetry has three realms, one is the realm of things: if you want to be a landscape poem, then Zhang Quan's realm of Shi Yunfeng is extremely beautiful, and your mind is in the heart, living in the realm, depending on the realm in your heart, shining in your palm, and then thinking about it, so it is called elephant. Second, the situation: entertainment troubles, all in the heart, but in the body, think again, get their feelings. Third, the artistic conception: it is also manifested in the meaning. If you think about it in your heart, you will take it seriously. " This passage by Wang Changling analyzes the three levels of artistic conception creation from the poet's poetic perspective. Another example is Sima Guang's sentence in "Continued Poems": "Poetry written by the ancients is more valuable than words in meaning, which makes people think and get it, so the speaker is innocent and the listener is careful." Wang Guowei said, "The word is based on the realm, and if there is a realm, it is self-contained. It has its own famous sentence, the words of the Five Dynasties and the Northern Song Dynasty, so it is unique here. " It also shows the importance and significance of artistic conception in China's poems. Throughout the past dynasties, literary comments on artistic conception and poetic theory and their own practice. It can be said that poetry expresses will, but not abstract expression. It is always expressed in a special way with the help of certain material things, such as wind, flowers, snow and moon, forming a picture with endless words and feelings. As Tao Yuanming said in Drinking, "There is real meaning in it. I forgot what I wanted to say." Artistic conception Poetry is attractive only if it creates artistic conception. Poetry without artistic conception cannot be called poetry. Poetry always reflects the objective scenery closely combined with expressing thoughts and feelings. "There are two scenes, but you can't live without the poet, and it is infinite. A capable person has feelings. " These two scenes are memorable, thus forming the so-called "artistic conception", which embodies the image characteristics of poetry. Wang Guowei divided the artistic conception of poetry into "the realm with me" and "the realm without me" in "Ci Hua on Earth". "Everything is my color, because I see things; Look at me by things, so I don't know what I am and what I am. " "Tears ask flowers without words, and red flies over the swing." This means that it is my territory; "Picking chrysanthemums under the east fence, you can see Nanshan leisurely." It's called a place without me. There are different opinions about the definition of "artistic conception", among which I prefer "artistic conception is the artistic realm formed by the fusion of the objective picture depicted in literary creation and the expressed thoughts and feelings." It has the aesthetic characteristics of reality, artistic conception and remoteness, which can make readers have imagination and association. As deep as its environment, it will be infected ideologically and emotionally. "China's poetry has long been lyrical, that is, the so-called' poetry expresses ambition', but the description of the scenery has never stopped. Judging from the aesthetic characteristics of poetry, this is one of them-the blending of body and scenery. A poem, whether it is lyrical before writing scenery or lyrical after writing scenery, will eventually be integrated with the scenery. Speaking of aesthetic characteristics, the first thing to say is its performance characteristics: scene blending, because this is the basis for the formation of artistic conception. Both China's classical literature and modern literature attach great importance to the blending of scenes. As Wang Changling once said, "Poetry is always expressive, but it is unclear and tasteless; It has always been said that scenery is tasteless and things must be beautiful and meaningful. "It can be seen that the blending of scenes is important to poetry. Scene fusion can be divided into: hidden feelings in the scene, hidden scenery in the emotion and rich scenes. First of all, "Love in the Scenery" is like Ruan's Zhanghe ditty: Zhanghe River water, 99 bays/layers of trees, heavy mountains/layers of green trees, heavy fog/heavy mountain clouds cut off/blue sky, rosy clouds/brilliant red sky falling into the river/water dyed safflower/ditty crossing Zhanghe River. The whole scenery seems to have no personal feelings, but in this fresh, lively and strong ballad scenery, the author's joy in the magnificent scenery of Zhanghe River is revealed. Secondly, it is "in love", such as Chen Ziang.