1. Meng Haoran's Passing the Old Village: Prepare chicken rice for me, old friend, and entertain me on your farm. Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops. Please come here to see chrysanthemums when the ninth festival comes.
Language style: fresh and natural. Features: the language is novel and unconventional. Freshness is common in most pastoral poets' poems, with distinctive poetic style, popular language and novel metaphor, which contains the author's joy.
Love. For example, the poems of Wang Wei and Meng Haoran are relatively fresh.
2. Tao Yuanming's "Five Songs of Returning to the Garden" is one: no rhyme, naturally love Qiushan. Fall into the dust net by mistake, thirteen years.
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past. Open up wasteland in the south and return to the garden.
Language style: plain and simple. Features: The language strives for conciseness, does not pursue flowery rhetoric, and shows the characteristics of conciseness, but contains profound meanings. On the surface, every sentence is plain and contains the poet's transcendence.
The world, carefree fun. People rated his poems as "plain and thoughtful".
3. Li Shangyin's "Jinse": Men shed pearl-like tears in the moonlight green sea, and the blue fields breathe their jadeite to the sun.
Language style: Gorgeous features: rich vocabulary, bright colors and fantastic feelings. If rhetoric is gorgeous and antithesis is neat, words will form a colorful picture.
The whole poem is colorful, beautiful, unpredictable, beautiful and elegant.
4. Li Shangyin's Notes for Friends in the North on a Rainy Night: You ask about the return date, and the rain rises in the autumn pool in the evening. When * * * cut the candle at the west window, but talk about the rain at night.
Couples who live far apart miss greetings, and the feelings at that time and the desire for a long talk at home are all obvious and hidden in the blank. Originally, I wanted to express the author's memory of his wife, but it was not written directly, but written.
"When * * * is cutting candles at the west window, it's raining late".
Language style: euphemistic and implicit characteristics: the intention is beyond words, often not directly described, but twists and turns, saying one thing, meaning another, or quoting without sending it, or trying to say it for readers to appreciate. As a quatrain, Li
The text is clear.
5. Li Qingzhao's Wulingchun:
The wind has stopped the dust, the fragrant flowers have blossomed, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first. It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the ship can't carry much worry.
Language style: graceful, delicate and lingering: this style often embodies the characteristics of "qu, xiu and rou", with a secluded winding path, lingering artistic conception and delicate feelings. For example, Liu Yong, Li Qingzhao and Jiang Kui.
6. Bai Juyi's "Baiyun Spring": Baiyun Spring is on Tianping Mountain, and there is no water in the clouds. Why rush down the mountain and add waves to the world!
Language style: bright and concise. Features: don't beat around the bush, hit the nail on the head, hit the nail on the head. Poets use symbolic techniques to describe scenes and express their ambitions, and use the freedom of clouds and water to compare a calm mind and a leisurely state of mind; Spring self-excitation
But the wave symbolizes the social storm, which is shallow and far-reaching, and is intended to be external, profound and interesting.
7. Chen Ziang is on the tower of Youzhou: Where was the past before me? Behind me, where are the future generations? . Only the boundless universe, boundless, can't stop the tears full of sadness.
Language style: tragic and generous features: the works of this style are full of tragic thoughts and high language, full of feelings of the times, or outstanding talents were not ambitious at that time, or worried about the country and the people, and their hearts were depressed and indignant.
8. Su Shi's Nian Nujiao: A river of no return, a romantic figure through the ages.
Language style: bold and unconstrained features: strong bones and great momentum. Use the language with momentum and unrestrained rhythm to create a broad and novel image, create a broad and far-reaching artistic conception, and express positive thoughts and feelings. The most sudden
For example, Su Dongpo's poems are magnificent, and they are like a Kanto man holding a copper pipa.
9. Du Fu's Ascending the Mountain:
The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand. The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably.
Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness. After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.
Language style: Depressed and frustrated features: profound meaning, depicting a broad social life with an old and vigorous style, and the life picture depicted is covered with a dignified and deep melancholy and tragic atmosphere to match it.
Adapted to the strict poetic rhythm and sonorous rhyme. The author seems to have a thousand words in his chest, and then he ponders it over and over again.
The so-called heavy, mainly in the depth of feelings; The so-called depression is mainly in terms of emotional richness. The so-called depression refers to the profundity, richness, anxiety and suggestibility of emotions. "Discontinuation" refers to the gradual pause of the poet.
The technique of frustrated brushwork expresses the depressed mood hidden in the poet's heart deeply and forcefully.