2. Function: The layers of association are developed around the central image, which greatly enriches and enriches the emotional connotation of homesickness from the outside to the inside.
3. The four images are presented in the same way, expressing the poet's deep feelings for the motherland from many aspects and angles.
1. The author compares the intangible homesickness to four things, which shows the author's heavy anxiety. When I was a child, the author pinned my homesickness on a letter to my family, so I compared it to a stamp. When he grew up, the author and his family separated, so it was difficult to meet his family, so he pinned his homesickness on the boat home, so he compared homesickness to a boat ticket. Later, her mother died, and the author and her mother could never see each other again, so the author compared sadness to a grave. Now, due to man-made reasons, compatriots on both sides of the strait cannot reunite. The author compares his homesickness to the Taiwan Province Strait, expressing his strong hope for the great harmony of the motherland.
2. Structure: This poem is divided into four sections. The author compares homesickness to stamps, boat tickets, graves and straits in chronological order, which is rigorous in structure and well expresses the center of this poem. Mr Yu Guangzhong, a poet in Taiwan Province, is called "homesick poet". His Homesickness, a well-known poem, is full of the homesickness of overseas wanderers and the poet's "China Complex".
First, a strong cultural root-seeking complex.
The attachment to one's homeland can be said to be a constant and eternal emotion of human beings. Yu Guangzhong's Homesickness shows a sense of cultural belonging to the mainland from two aspects.
First of all, Mr. Yu Guangzhong's homesickness inherited the tradition of national feelings in China's classical poems from his inner feelings, and he has a profound national consciousness. China's poems emphasize the suggestion and expression of feelings and thoughts with the help of images. With the help of China's classical poetry art skills, Mr. Yu Guangzhong extracted four sensible images closely related to the four stages of the poet's life from the distant time and space: "stamp", "boat ticket", "grave" and "strait", and skillfully transformed the abstract feeling of homesickness into four images. When I was a child, I was separated from my mother because of national policy. At that time, I could only use a small "stamp" in the form of letters to bear my heavy homesickness. A small "stamp" has become the hub of people's emotional exchange on both sides of the strait, just as Du Fu wrote a famous sentence in "Spring Hope": "After three months of bonfire, a letter from home is worth a ton of gold". The letter contains many pains and thoughts of the people of China. When people reach middle age, the author still can't get rid of this anxiety after he has a family. The marriage, which should be happy, warm and sweet, became tired and lonely on the sea trip. The old "boat ticket" is full of empty years and the touch of gathering, and the old "boat ticket" has cut off countless dreams of Yuanyang. What saddens the poet most is that his great desire to go back to visit his old mother disappeared in the bitter waiting and missing, and was buried in the bitter homeland forever by a pinch of dazzling yellow mud. One short "grave" has become an insurmountable Great Wall of life and death, and another short "grave" has become a fascinating miss.
On the basis of describing homesickness, Mr. Yu Guangzhong revealed this kind of emotional experience to everyone in China, showed the homesickness of all overseas wanderers and compatriots from Hong Kong, Macao and Taiwan to compatriots in the motherland separated by a strait, and deeply rooted the Chinese national nature of homesickness in people's hearts. At this time, the thoughts and feelings of poetry have been sublimated to the hearts of the whole nation and Chinese people all over the world, and readers can feel the author's strong and strong sense of returning to the original. The poet's homesickness is not directly expressed, but through association and imagination, four artistic images of life are shaped and presented to readers. The author combines his thoughts and feelings for his mother, wife and motherland, and expresses his "China Complex" longing for family reunion and national unity.
Secondly, just as many rivers in China are tributaries of the Yellow River and the Yangtze River, although Yu Guangzhong lives on an isolated island, as a China poet who loves the motherland and its cultural traditions, his works are deeply influenced by China culture, especially the Book of Songs. The formal beauty of nostalgia is also remarkable. Its formal beauty is manifested in structural beauty and musical beauty. Homesickness presents the beauty of diversity and unity in structure. Nostalgia * * * four plates. Each segment has four lines, and each segment is quite balanced and symmetrical. However, the poet pays attention to the change and adjustment of long sentences and short sentences, which makes the face of the poem neat and uneven. The musical beauty of "Homesickness" is mainly manifested in the use of repeated overlapping techniques in the Book of Songs to create a melody that goes back and forth and sings three sighs. The four repetitions of "homesickness is-"and "here" ... there (in the head) ",coupled with the use of overlapping words such as" small ","narrow ","short "and" shallow "in the same position in the four paragraphs, make the whole poem depressed, like complaining. The use of quantifiers such as "one piece", "one piece", "one side" and "one bay" not only shows the poet's language skill, but also strengthens the aesthetic feeling of the whole poem.
The use of classical poetry resources makes Yu Guangzhong's poetry as a whole present a pure beauty dimension, which is also very meaningful in the cultural framework. Inscription-like sentences and speed of speech, pure and beautiful language and neat style all stem from Yu Guangzhong's unswerving "China Complex".
Second, a profound sense of historical vicissitudes.
Wanderers, drifters and vagrants who are far away from home hope to return to their roots even when they are very old. However, Taiwan Province Province has been artificially isolated from the mainland for a long time, which makes the homesickness of thousands of China people in Qian Qian, Qian Qian, who have drifted to the isolated island objectively have a specific sense of historical vicissitudes, which is incomparable to the homesickness of any previous era. That is, the unique "China complex".
When I was a child, when I grew up, later and now, this kind of sequential language runs through the whole poem like a red line, summarizing the poet's long life course and yearning for the motherland. The gradual shift of levels makes the theme from vague to clear, revealing the poet's profound sense of history. Later, homesickness was a low grave/I was outside/my mother was inside/now/homesickness is a shallow strait/I am here/the mainland is there. Suddenly, it seems that a white-haired old man appeared in front of the reader, kneeling in front of his mother's new grave with tears, facing his hometown and motherland, kneeling on the beach in pain, shouting "Mother-"in a hoarse voice, and a deep sense of vicissitudes came into being.
Homesickness is like a soft and slightly sad "memory song" in music, just as Mr. Wang answered a sentence from Sichuan writer Liu Shahe: I miss Shu but I am not happy.