Author: Yang Jisheng
The heroic spirit is still too weak,
Shan Xin shines brightly.
I have never served my country,
Keep it for loyal souls.
Precautions:
1, heroism: righteousness. The spirit of integrity. Also: this means return. Taixu: Space.
2. Dan Xin: A pure heart, a loyal heart. Eternity: a long time, thousands of years.
3, life: a lifetime, a lifetime. Country of service: country of service.
4. Loyal spirit: loyal to soul of china, loyal to the national heart and soul of china. Soul: The author originally meant the soul after death, which is the view of the ancients.
Appreciate:
The author was executed to expose the traitor Yan Song. His poem shows his determination to serve his country faithfully until his death.
The whole poem in one go, such as spitting courage, quiet inside, hearing the cry of the loyal soul, is touching.
Yang Shen left the suburbs.
Out of the suburbs
Author: Yang Shen
The sky is like a staircase,
Hirata is like a chess game.
The egret suddenly came,
Colour the seedlings green.
Brief analysis:
This little poem is about the scenery of rice fields in the suburbs in spring. The first two sentences describe the shape of paddy fields and describe them as stairs and chessboards, all of which belong to the beauty of neat arrangement. The last two sentences wrote about a green paddy field, and egrets suddenly flew in, adding vitality and bright colors to the paddy field and making the picture full of vitality.
Appreciate:
The agricultural economy in the southwest of China has developed greatly since the Song Dynasty, especially in the middle of the Ming Dynasty. If the poems praising the spring scenery of the farmland in the Central Plains have appeared in the poet's works for a long time, and the poems describing the spring scenery of the water towns in the south of the Yangtze River have been repeated since the Wei and Jin Dynasties, then the pastoral spring scenery in the vast southwest hilly areas has only been described for the poet since the Ming Dynasty. Among similar works, Yang Shen's poem Out of the Country is a masterpiece.
This poem captures the typical spring image of paddy fields in Nanshan Township, southwest China, with extremely concise and fluent language: beside a terraced field with very subtle slope, it is a chessboard-like flat paddy field, like an endless green carpet. Occasionally, egrets stop and cut the green rice fields like needles, leaving a white figure. Judging from the artistic expression, this poem seems to be handy, but in fact it is original. The whole poem takes the eyes of hikers in the suburbs as the description antenna, and first depicts the thick spring scenery dyed by lush seedlings from far and near, thus highlighting the static spring scenery of rice fields in southern water towns. Then, the eyes shifted with the egrets that were suddenly swept away, and stopped at the close-up of the broken seedlings and green needles. The static rotation, coupled with the strong contrast of colors (the white egrets and the green seedlings), made the poem that came to an abrupt end more natural. Obviously, this interest is also integrated with the vibrant atmosphere of the southern mountains and rivers praised by the whole poem. This can't help but remind people of Yang Wanli's house-building style in the Song Dynasty. Yang Wanli is good at describing natural scenery in a novel and vivid way, paying special attention to life style, and is good at sketching the wonderful moments of natural scenery. The last two sentences of this poem are quite interesting, which coincides with Yang Wanli's.
Yang Yiyong's puppet
Ode to Puppet
Author: Yang Yi
Bao Lao laughed at Guo Lang at the banquet and laughed at his sleeve dancing.
Teach Bao Lao to do banquet dance, and turn Lang Lang to do dance sleeves.
Appreciate:
Yang Yi is one of the representative writers of Kunxi Poetry School in the early Song Dynasty. His poems such as Tears and Untitled can reflect the characteristics of Quincy's poems. However, there are also works different from Quincy's style. The recording of Ode to a Puppet is a good structure and has a unique flavor.
This poem expresses feelings by chanting puppets in simple and natural language, which is vivid and chewy. This poem, Ode to a Puppet, means to sing a puppet in a puppet show. The first two lines of this poem "Bao Lao" are the roles in the drama of the Song Dynasty. Guo Lang, the clown in the play, refers to the puppet in the puppet show in the poem. There is not much pen and ink here, but the images of Bao Lao and Guo Lang are vividly on the paper. The poet writes Bao Lao, highlighting a smile; When you write about Guo Lang, you should stick to his dancing sleeves (clothes are very wide and don't match his figure). Through these two lines of poems, we seem to have witnessed Bao Laodang's smile at Guo Lang, heard and heard his smile, and seemed to see Guo Lang mechanically waving his wide sleeves.
In the last two sentences of the poem, if Bao Lao is taught as a banquet dance, the dance sleeves will be longer when Lang Lang is turned, and the pen tip will be changed. Assuming Bao Lao is taught as a banquet dance, Bao Lao's dance sleeves will be wider than Guo Lang's. After reading these two lines, people can't help laughing: Oh, it turns out that Bao Lao, who laughs at Guo Lang's dancing sleeves, is more graceful. In this way, Bao Lao became a figure who lacked self-knowledge, and his ridicule of Guo Lang became his self-mockery.
Obviously, the artistic feature of this poem is that humor contains irony. The purpose of the poem is not to write about Bao Lao laughing at Guo Lang's sleeves, but to mock Bao Lao's lack of self-knowledge and the helplessness of the puppet. But the poet did not reprimand it seriously, but smiled and said a humorous sentence with sarcasm, which made people fall into meditation after a burst of relaxed laughter and understood something. This kind of art with irony in humor is more subtle and thought-provoking than directly exposing the edge of irony.
This poem named "Ode to a Puppet" is ostensibly a tribute to a puppet, but there is actually another layer of irony in it. From Guo Lang's dancing sleeve, from the puppet's involuntary, from the ridiculous Bao Lao who has no self-knowledge, we can easily associate with all kinds of people who are manipulated, involuntarily and lack self-knowledge in social life. It is the author's ingenuity to ridicule the world with simple and humorous language.
Send Yangshan people to Songshan.
Li Bai sent Yangshan people back to Songshan.
I have an ancient residence, Songyang Yunv Mountain.
Live for a month and hang it in dongxisong.
I went to Xiancao, and the cattail flowers were all purple.
At the end of the year or visiting relatives, riding a white dragon.
Make an appreciative comment
This poem was written in the early years of Tianbao. Yangshan people are friends made by Li Bai when he traveled to Songshan Mountain in his early years. Li Bai's poem "Give a gift to Yangshan people after driving to the hot spring palace" says: The princes borrowed color and the gold medals and purple ribbons came together. At that time, there were many friends, and the only way to get along with each other was Jun. When I was finished, I went to report to the Lord, and then I lay in the white clouds with you. In the case of Zhu Ziying's answer, only this Yangshan person agrees with his words and deeds, which shows the deep friendship between the two. Now that the Taoist priest is about to leave, the poet's past and present feelings have multiplied.
The whole poem is divided into three levels. The first four sentences are the first layer, describing the scenery of Songshan and expressing the poet's nostalgia for Songshan and his past life.
The first couplet is about mountain peaks, and the sentence is heroic. A word "I" has the spirit of everything. The historic house statue refers to Yunv Mountain in Songyang County. Li Bai doesn't necessarily live here when he visits Songshan Mountain. Yunv Mountain was chosen here to correspond to the ancient house in the previous sentence. Jade girl is a fairy girl in the sky, and the ancient house means fairy residence, which makes the supernatural atmosphere stronger and more desirable.
Three or four sentences show a better and more magical realm. The moon can't stay, but should stay for a long time and make it in the most appropriate and beautiful position. The crystal moon hangs above the tall and green pine trees, and below it is a flowing stream. It not only vividly shows the beautiful scenery of Songshan Mountain, but also entrusts the noble feelings of hermits.
The fifth and sixth sentences are the second layer, which describes the activities of Yangshan people after they return to the mountain. The poet imagined that people in Yangshan would pick fairy grass when they came back, while calamus with purple flowers were scattered around Yunu Mountain in Songshan Mountain. This kind of calamus, with nine knots in one inch, can live forever (The Legend of Immortals) and satisfy his desire to seek immortality. This sentence is about people, and the next sentence is about mountains. Man is to the mountains and fish is to the water. Obviously, it has a proper meaning. The word "two" echoes the word "I" in front, rendering a strong parting atmosphere.
The last two sentences are on the third floor. The poet told his friend that he would go with him at the end of the year to seek immortality, visit the Tao and be proud of the mountain. The conclusion turns this kind of thought and emotion into a concrete image: as if in the blue sky, a white dragon is winding along and a graceful poet is riding on it. His immortal spirit is in harmony with the blue sky and the white dragon, which constitutes a beautiful and harmonious artistic conception.
This is a farewell poem, but don't write it from beginning to end. Part of the scenery is quiet and lofty, and the life of Yangshan people after returning to the mountain is quiet and comfortable. At the end, the magical picture of riding a dragon to visit the house is bold and elegant. The whole poem expresses the meaning and feeling of farewell through colorful pictures. To borrow the words of predecessors, it is to use landscape language instead of love language. The scenery it writes is not only the external scenery, but also the internal feelings. It is the unity of love and scenery, thinking and environment. For example, describing the beautiful scenery of Songshan expresses the poet's love for Songshan, which includes thoughts and feelings of missing Yangshan people and longing for seclusion. The three are superimposed together, and the feeling of farewell is very strong. It is very rare to say goodbye without being sentimental, infatuated with love and extraordinarily broad-minded. Its conception is novel, such as a mirror full of flowers and water, and it is also true and illusory. It is not bound by the usual concept of time and space, is not influenced by the thoughts and feelings of ordinary people, and does not follow the trend. It fell into the trap of predecessors and showed the amazing creativity of the poet.
In his poetry creation, Li Bai often uses exaggerated artistic techniques to idealize and magic the objects he depicts, so as to arouse readers' imagination and yearning. For example, the house is a very common thing, and there is nothing novel, but adding the word forever in front of it becomes magical, ethereal and intriguing. Another example is a bright moon hanging on a pine tree by the stream. The scenery is charming, but if it's just like this, it won't be poetic. The poet is ingenious and uses the word "stay for a long time" in front of him to show the power of will. In this way, people and things have undergone extraordinary changes, painted with a layer of magical and magnificent colors, which makes people daydream and ridicule. Zhang Bi, a poet in the Tang Dynasty, once evaluated Li Bai's poems with the words "Chronology of Tang Poetry". These eight words vividly show the magical, extraordinary, simple and natural characteristics of Li Bai's poems, which is really the judgment of people who know him.