Read the following Song Ci and complete the following questions. In the tired night, Du Fu bamboo was cold and invaded the bed, and the wild moon was full of hospitals. Re-exposure became a trickle, a

Read the following Song Ci and complete the following questions. In the tired night, Du Fu bamboo was cold and invaded the bed, and the wild moon was full of hospitals. Re-exposure became a trickle, and there were few stars at first. Fireflies flying in the dark

Question 1: The first six sentences are lyrical, while the last two sentences are straightforward (3 points). Worrying about the country and the people, there is no way to serve the country (2 points).

Question 2: ① Physical fatigue: The poet has never slept since he rose from the moon to the sunset (3 points); ② Mental fatigue: The poet was preoccupied and couldn't sleep at night (3 points).

Question 1:

Test analysis: this question examines the lyric way of expression skills. Lyricism can be divided into direct lyricism (also called direct expression of feelings) and indirect lyricism (expressing emotions in narration, discussion, detail description or scenery description, and indirectly expressing the author's inner feelings). Indirect lyricism generally includes borrowing (touching) scenery to express emotion, melting (melting) emotion into scenery, expressing emotion with scenery, expressing emotion with things and expressing emotion with ancient times. The first three can generally be described by borrowing scenery to express feelings. If it is subdivided into small categories, the difference lies in: borrowing scenery to express emotion refers to the poet's feelings and thoughts to be expressed in a certain scene or an objective thing when he feels something about it, and he expresses them by describing the scene and the thing. To melt feelings into the scene is to melt feelings into a specific natural scenery or life scene, which is called "empathy into the scene". Literally, the whole article is about scenery, but in fact it is about love. Affection in scenery refers to the use of "scenery" to convey, refract and imply (metaphorically) the author's feelings, sustenance and ambitions. Emotion is expressed by scene (scene precedes emotion, scene follows emotion), emotion is settled by scene (scene precedes emotion), and emotion is integrated into scene (emotion contains scene). Let's talk about this problem in general. Obviously, the first six sentences are lyrical, and the last two sentences are straightforward. Thoughts and feelings need to "know people and discuss the world", and contact the poet's background of the times and his writing habits. "Fighting" provides a way to answer questions.

Question 2:

Test analysis: This question examines the ideological content, first points out what aspects (body and mind) are in the answer, and then forms the habit of combining words and expressions to standardize the answer. The general answer is to summarize first, then analyze, or summarize first, then describe.