Neither Qin nor Qin Shihuang left any poems, probably disdainful, but Emperor Wu of the Han Dynasty was a poet to the core. He is the author of poems and fu such as Autumn Wind Ci, Song of Tianma and Song of Zanzi. In the Ming Dynasty, Wang Shizhen thought that his achievement was "under Changqing and above Ziyun", which promoted Liu to the same position as.
Although Cao Wei in Han Dynasty was a small dynasty, there were many poets. Cao Cao, Emperor Wu of Wei, can be called the leader of imperial poetry. His poems "Looking at the Sea", "Longevity of Turtles" and "Short Songs" are magnificent pearls in the crown of poetry. Under the influence of Lao Cao, Cao Pi, Cao Zhi and Cao Suo all wrote many poems. Especially in Chen Wang, Cao Zhi is a "professional poet". His masterpiece "Seven Steps Poetry" takes beans and beans as metaphors, and sings the swan song of "This is the same root, why bother to fry each other". No wonder he was praised as a "gifted scholar and beautiful woman" by later generations.
Emperors in the Southern Dynasties generally have high poetry quality, such as Zhu, Father and Son, Chen, etc. Their poems are all well written. But their poems are full of love and affection, but they lack the wind and cloud. This poetic disease has been "inherited" until the Tang Dynasty. Li Shimin, Wu Zetian and Li Longji laid the foundation for the prosperity of the Tang Dynasty. Their poetry level is average, and they don't show off in Tang poetry at all.
Tang Zongsong Zu also said that he was only half a poet. He only wrote one and a half poems, "a little coquettish". Lao Zhao was defeated by Li Yu, Li Houzhu of the Southern Tang Dynasty, and his literature was far superior to that of Lao Zhao. His later works "Yu Meiren" and "Lang Tao Sha Ling" are desolate and tragic, with profound artistic conception. Wang Guowei praised Li's ci "Shen Xiu", and Nalan Xingde put Li's ci above Song's ci.
The Ming emperor Zhu Yuanzhang was a clown and sometimes arty. His poems are slightly inferior in artistry, but they are superior to hegemony, showing an imperial atmosphere. For example, he has a poem that imitates Huang Chao: "If I don't send flowers when the flowers bloom, I will be scared to death." To resist the west wind, you must wear golden armor all over. "
After the Tang Dynasty, many foreign emperors were keen on writing poems. Emperor Qianlong of the Qing Dynasty wrote more than 40,000 poems in his life, most of which were not very impressive. On the contrary, it is not as brilliant as the poems of Liao Daozong, Hong Ji and Jin Yanyan.