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Qu Yuan is the first great poet in the history of Chinese literature. The appearance of Qu Yuan and his works has created a brand-new era in the history of Chinese poetry ―― a new era of poetry from collective singing to individual independent writing. Qu Yuan also created a brand-new poetic style, and his works have great originality. He created a brand-new literary genre-"Sao Style" on the basis of the folk songs of Chu in southern China at that time. Compared with The Book of Songs, this new style of poetry has developed a lot in terms of length, syntax and expression methods, greatly expanding the expressive power of poetry. It is by using this new poetic form that Qu Yuan galloped his rich imagination and poured his passionate feelings into writing Li Sao and other great and famous poems, showing the first plump lyrical image with distinct personality in the history of China literature. All these creations are unprecedented in the history of poetry and have had a great influence on the development of Chinese literature.
In terms of art, after The Book of Songs, Qu Yuan opened up another far-reaching tradition for Chinese literature with the creative method of positive romanticism, thus enriching the artistic expression of Chinese literature. The Book of Songs and Qu Yuan's works are the earliest two towering peaks in the history of Chinese literature. However, the Book of Songs has become an example for future generations to learn more with the style of folk songs and realistic techniques. Qu Yuan's works, on the other hand, have exerted great influence on later generations by romantic means such as bold fantasy and imagination and exaggeration. After the appearance of Qu Yuan's works of Chu Ci, "Feng" and "Sao" became two criteria for ancient Chinese to evaluate poetry. As the beginning of positive romanticism in China, Qu Yuan's works are of special significance to the development of ancient Chinese poetry.
In the artistic expression of poetry, Qu Yuan also developed the figurative technique of The Book of Songs, which contributed to the formation of the national artistic characteristics of Chinese poetry. Bixing technique is indeed the characteristic of many folk songs in The Book of Songs, and it was also pioneered by The Book of Songs. But Qu Yuan made an important development to it. Bixing in The Book of Songs is often just a fragment of a poem, mostly simple, and the things used to evoke harmony are still independent objects. But Qu Yuan changed and developed. First of all, it began to blend things with me, feelings with scenery, and expanded the realm and expressive force of poetry. Therefore, the comparison and prosperity in Qu Yuan's works is not only simply to compare something with something, or to touch something to get excited, but also to combine some characteristics of things with people's thoughts, feelings, personality and ideals, so that things have symbolic meaning and feelings have more specific attachment and sustenance. It has opened up the expression methods of "attaching affection to things" and "relying on things to satirize" in later generations, which has a great influence on ancient Chinese literature, especially poetry creation.
in terms of sentence patterns, the four-character style represented by The Book of Songs is the first mature sentence pattern of Chinese classical poetry. With the development of social life and language, it gradually evolved forward, and finally it was stereotyped in five words and seven words. During the evolution from four-character poems to five-character poems and seven-character poems, both Qu Yuan's Chu Ci and Yuefu poems in the early Han Dynasty played an extremely important transitional role. On the one hand, the Chu Ci poetry created by Qu Yuan absorbed the form of folk songs and folk songs in Chu at that time, and on the other hand, it creatively absorbed and integrated the emerging prose language in the Warring States period, thus producing such a Chu Ci style. Therefore, although it is not very stereotyped, it is a liberation of poetic style, which creates conditions for the emergence of new poetic forms and paves the way for the emergence of five-character and seven-character poems.
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