In the early winter, the blood of good children's families from more than a dozen counties after World War I spilled on Chen Tao's water.
The wilderness under the blue sky became silent, and 40 thousand soldiers died on this day.
The red arrow on the savage Hu Bing arrow, the blood of kind people, the singers can't understand Hugh's drinking spree on Chang 'an Avenue.
People in Chang 'an turned their heads and wept in the direction of Chen Tao, hoping that the troops of the Tang Dynasty could come back and restore their peaceful life in the past.
Chen Tao, also known as Chen Taoze, is located in the northwest of Chang 'an. In the winter from Tang Suzong to Deyuanzai (756), Tang Jun fought the Anshi rebels here, and 40,000 to 50,000 people in Tang Jun were almost wiped out. Soldiers from innocent families in ten counties in northwest China (now Shaanxi) were bloody on the battlefield in Chen Tao, and the scene was tragic. Du Fu is trapped in Chang 'an at the moment, and this poem was written for this war.
This is a disastrous battle. How did Du Fu write it? He didn't objectively describe how 40,000 Tang Jun broke up, even lying in the country and dying. But the first sentence wrote down the time of this tragic event, the birthplace and identity of the victims in solemn pen and ink. This is solemn, which makes "A Good Family in Ten Counties" feel more important than Mount Tai. Therefore, the second sentence "Chen Taoze's blood is like water" makes people feel sad and even unbearable. At the beginning, the death of Tang Jun was written very heavily. As for the latter two sentences, "there is no sound of war in the wild, and 40 thousand rebels die on the same day", it is not the subjective feelings of poets when people die. That is to say, after the war, vilen was particularly empty, the sky was empty, and even there was no sound between heaven and earth, as if heaven and earth were mourning for such a tragic event as "40,000 rebels died on the same day", rendering the atmosphere and feelings of "heaven and earth mourn together".
In the last four sentences of the poem, I turned my pen from the crooked battlefield in Chen Tao to writing about Chang 'an. There are two kinds of people, one is Hu Bing and the other is Chang 'an. "When Hu and his party came back, they washed their arrows with blood and still sang" Don't drink the city ". These two sentences show the arrogance of the rebels. Hu Bing wanted to put everything under the iron hoof by blood and fire, but it was impossible. Chang 'an could feel shaking in land of silence. People can't restrain their sadness. They journey to the south, in the direction of Chen Tao battlefield and Su Zong's Pengyuan, are more eager for loyalist to recover Chang 'an. A "cry", a "hope", and a "more" in the middle, fully embodies the feelings of the people.
The battle between Chen and Tao suffered heavy casualties, but Du Fu still found and wrote the tragic beauty from the sacrifice of soldiers, from the silent atmosphere of the universe, from the mourning of the people and from the sad hearts of the people. It can give people strength and inspire them to continue their struggle to quell the rebellion.
Judging from the writing of this poem, it shows that Du Fu did not objectively show the scars, but had the correct guiding ideology. According to the justice of war, he wrote people's feelings and wishes, which showed that he had reached a high level in creative thinking.
2\ Shuxiang
Du Fu
Where is the temple of the famous prime minister? It is in a deep pine forest near the Silk City.
The steps are dotted with green grass in spring, and birds are chirping happily under the leaves.
The third call aggravated his state affairs, and he gave his sincerity to two generations.
But before he conquered, he died, and since then the heroes have been crying on their coats.
The title is "book fragrance" rather than "Zhuge Temple", which shows that Lao Du's poems are in people but not in temples. However, this poem was obviously written from the shrine. What is this? Cover the characters through the ages, don't be amiable; There are several temples, and the wind is coming. It is also inevitable to think of books because of Wuhou Temple. However, among poets, between emptiness and reality, poetry is wonderful, but what about people? Is the shrine human? See how he writes ink and plays here. It is appropriate to understand well.
The first sentence is caused by asking. Where is the ancestral temple? Outside the city of Jinguan, miles away, I saw the cypress forest from a distance. It is lush and the weather is very good. That's where Zhuge Wuhou Temple is located. This couplet comes straight to the point and falls freely, while the two sentences are answered and opened by themselves.
Next, Lao Du wrote that the grass is green and the birds are singing every other leaf.
Some people say, "the first couplet is the beginning, and this couplet is inheritance and very disciplined." Not bad. Others said: "From the dense forest outside the city to the green in front of the steps, from a distance to a close view, from finding the way to entering the temple, it is the clearest way to write." Not bad either. But if that's all, who can't? Where is Lao Du?
Some people say: since you say that the poet is interested in people rather than temples, why should he waste two of the eight sentences on grass, orioles and leaves? Isn't this the scene of the ancestral temple being written? The meaning is not in the temple. It's not true.
Others said: Du Yi's idea is that people are in the temple and there is no need to talk about it. It's just that the poem is short and needs to be refined. Under this topic, he actually set up these two sentences, which are neither necessary nor wonderful. At least write "go", isn't it a failure of Lao Du?
I said: where, where. Don't judge Du Zimei by stereotyped writing. If that sentence is "to the point" or written as "Biography of Kongming", I'm sure it's hard for him. Now he is not so good. There must be a reason.
Look at him. The last sentence is a word "self" and the next sentence is a word "empty". This word is an oxymoron, that is, "Zi" should be flat, but now it is being installed flat: "Empty" should be flat, but now it is being installed flat. Reciprocity, a kind of transformational beauty in tone. We who study poetry must not lose our minds here.
Besides, Lao Du's dusty cave lives in the southwest. After he settled in Jincheng, the first thing he did was to visit Wuhou Temple. Where is the temple of the famous prime minister? In terms of writing, it is not awkward to cut to the chase; In terms of mood, where is the ancestral temple? I have been longing for it for a long time! On that day, the old poet was full of admiration and admiration, asked people for directions and found the way to the ancestral temple. When he arrived, he didn't see the magnificent temples or statues. The first thing he noticed was the green grass in front of the steps and the oriole outside the leaves! What is the reason?
You know, Lao Du's trip is not a "tour". After he entered the temple, he naturally saw magnificent temples and statues, just like ordinary people. But when he wrote poetry (not necessarily when he went to the ancestral temple for the first time), what he wanted to write emotionally was by no means the appearance of these traces. What he wants to write is his inner feelings. Writing Jing Yunyun is a living sentence and a dead finger; What's more, he didn't really write about the scenery of the ancestral temple?
In other words, after seeing the magnificent temples and statues, he had mixed feelings, and then he became more and more aware of the green grass in the yard and the loneliness in his heart. The more I feel the sound of oriole, the boundless desolation.
Here, you can see an old poet, alone and full of worries, wandering between temples in Wuhou Temple.
Without this connection, where would the poet go? Is poetry comfortable? It is precisely because of this couplet that we can read that the following couplet says that "three cares are always suffering" (that is, repeated and repeated, very suffering), and the two dynasties opened up their economies (enlightening and helping). On the one hand, they knew people well and never changed; On the one hand, do your best and die; On the one hand, it is a heavy entrustment, and on the other hand, it is a sincere reward: Lao Du has thought about all this for thousands of times. Only when facing the desolate court of the ancient temple can he write Zhuge Liang's state of mind and fate. Don't say that the ancients only said that "a scholar died for a confidant." Is the poet's understanding of the world really "Liu's descendants are the foundation of emperors through the ages"? Old minister's heart, don't also pregnant with Chinese rivers and mountains, the world is full of fire and water? Life ambition, six out of Qishan, Wuzhang original head, autumn wind rustling, big stars suddenly falling, people losing their voices ... Thinking of this, Lao Du, a poet wandering in the forest in front of the steps, could not help but burst into tears.
Court grass since the spring, what about personnel; The new warbler is empty, but it only hurts. Lao Du's poetic heart is condensed here. How can he be called a "loser"? It's a "transition" (meaning that Du Fu's poems are written in this way, just for the natural transition to the next couplet). I think it's still the illusion that a pen is a text.
Someone asked: Who is the hero? The hero has been crying on his coat since his sleeve? A: It refers to people with lofty ideals throughout the ages who serve the country and people with great wisdom and courage. Don't make simple explanations such as "leaping across the horse with a horizontal gun" and "manual operation with a knife and axe". Lao Du has been a hero all his life, and he is willing to work in the countryside. Saying this sentence really includes the poet himself, but in fact.
However, the old elimination does not refer to individuals. Think of Wuhou, the mountain is high, and looking to the present is also a good material. What he thinks is great, and his feelings are profound. Therefore, everyone in the world who reads this article will cry. What a coincidence!
3\ South Neighbor
Du Fu
Mr. Jinli has a black scarf, and the garden is not all poor.
If you are used to seeing guests and children happy, you have to eat in order to drive away birds.
Autumn water is only four or five feet deep, and wild gas is only two or three people.
At dusk, Chai Men in Cuizhujiang Village of Baisha presents a new moonlight.
Not far from Huanhuacao Hall, there is a Mr. Jin Li, whom Du Fu called "the south neighbor". One autumn evening, Du Fu left home and wrote this poem "South Neighbor" on the way, perhaps after returning home. Poetry is actually painting; This is a poem composed of two pictures. The first half is a picture of visiting the villa.
What was Du Fu's impression when he was a guest? The poet first saw that the master was a mountain man wearing a "black horn scarf"; The entrance is a garden, in which many taro are planted; The chestnuts are all ripe. Say "not completely poor", then the situation is not rich. However, from the happy expressions of Ren Shan and his family, we can know that he is a man who lives in peace with this simple rural life. Speaking of mountain people, people always think of the strange temper of many hermits, but this mountain man is not like this. Entering the yard, the children were welcomed by laughter. It turns out that people often come and go in this family, and even the children are very hospitable. People are not surprised by flying except pecking birds, because usually no one bothers or hurts them. How harmonious and peaceful the atmosphere is! Three or four sentences are concrete pictures, with both form and spirit, and even draw the sincere and enthusiastic character of the master Geng Jie.
With the passage of time, a farewell map of Zhangjiang Village was changed in the second half. "White sand" and "green bamboo" are bright and clean, and the artistic conception is particularly quiet in the shadow of the new moon. This is the appearance of this family. Because it is a "river village", there are rivers and harbors, and there is a small river outside Chai Men. Wang Siyuan said in Du Yi: "A wild sailboat is a small boat in the country, so it is called' a reed can sail', so it only needs two or three people'. Du Fu boarded this "wild journey" under the master's "farewell"; He came here by ferry, too.
From "used to seeing guests and children happy" to "Chai Men sending moonlight", it is not difficult to imagine that the host is hospitable and the guests are staying for a long time. In the middle, things like "chicken and millet" and "talking about mulberry mother" are omitted. This is the poet's tailoring and the painter's scene choice.
4\ Move to Languan on the left to show my grandnephew's item.
Han Yu
A letter is typed in the sky, and eight thousand in Chaozhou Road in the evening.
If you want to eliminate disasters for the wise, you are willing to decline and cherish the old!
Where is the home where the clouds cross the ridge? The heavy snow hindered the horse's progress.
Knowing that you came all the way, you should have done it on purpose so that I could collect the bones by the river.
Han Yu took Buddhism as his responsibility all his life. In his later years, he went to the Buddha's bone platform and urged Xianzong to "welcome Buddha's bone into the National People's Congress", which violated "public anger". Sentenced to death several times, Pei Du and others interceded, and was demoted to Chaozhou secretariat by assistant minister of punishments.
Chaozhou is in today's eastern Guangdong, and it is indeed 8,000 miles away from the then capital Chang 'an. It is conceivable that the journey is difficult. When Han Yu arrived in Lantian County, not far from the capital, his nephew Han Xiang came to accompany him. At this time, Han Yu wrote this famous poem passionately.
The first couplet directly wrote the reasons for his conviction and demotion. He dared to say that he brought this "crime" on his own initiative. Because of the crime of "one book", fate is "rising in the morning and setting at dusk". However, in the spirit of "Buddha with spirit can be a disaster, and if there is a disaster, it should be added to the body" ("Buddha Bone Table"), although severely condemned, it has no regrets.
Three or four sentences "do everything except evil", think that you are right, and express your indignation that you have been acquitted of loyalty. It is really courageous. Despite the disastrous disaster, he was still "willing to decline and cherish his old age", and he was strong and healthy, which made people see his integrity.
Five or six sentences are lyrical and tragic. Han Yu wrote in the poem "Crying for Women": "Demote Chaozhou secretariat as a crime and take office; Later, my family was expelled and my daughter died. The burial building is next to the mountain. " We can see his mood when he left his wife and children in a hurry that day. Han Yu paid a painful price for the above, and there are his blood and tears in the words "where is home?"
These two sentences are retrospective and forward-looking. "Qinling Mountain" refers to Zhong Nanshan. Yun Du did not see his home, nor did he see Chang 'an: "There was a cloud between the light in the sky and me, hiding his city in my melancholy heart" (Li Bai's poem), not to mention that the son of heaven was above the "nine days", how could he be merciful? At this time, he not only cares about his family, but also worries about state affairs. "The horse does not move forward" uses the ancient Yuefu: "Drive the horse to the shady mountain, and the mountain is high and the horse does not move forward." He immediately went to the blue gate, where it was snowing and cold, and he thought of the danger ahead. The word "the horse doesn't move forward" expresses the sadness of the protagonist's disorientation.
Conclusion Learn from a painful experience, and be slow and steady. Zuo zhuan. I remember thirty-two years ago, an old minister cried to the teacher, "When the time comes, I will lose my bones." Han Yu used his meaning to calmly explain the aftermath to his nephew. His meaning was closely linked with the fourth sentence, further revealing his unspeakable anger.
From the ideological point of view, this poem and "The Buddha's Bone Table", with one poem and one article, can be called double walls, which can well show the progressive side of Han Yu's thought.
As far as art is concerned, this poem is a masterpiece of the seven laws of Korean poetry. Its characteristics are as "depressed and frustrated" as Long commented, and its style is similar to that of Du Fu. Depression refers to his style and deep depression, and frustration refers to the subtlety of his technique: his brushwork is vertical and horizontal, and his opening and closing are turbulent. Such as "morning rise", "sunset", "nine days" and "eight thousand roads", which are in sharp contrast and highly summarized. I have a tendency to establish a strategic position since I came up. Three or four sentences use "flowing water pair" and fourteen words form a whole, which makes people feel confused. Five or six sentences are a stroke, the scenery is lyrical, "the clouds are floating all over the place", and the realm is broad. The words "horizontal" width and "hug" height are extremely powerful. Therefore, the whole poem is magnificent and can produce shocking power.
Although this poem follows the footsteps of Du Fu, it can change into its own face, showing the characteristics of Han Yu's poetry based on literature. Rhyme has strict rules, but this poem can still be written in a "writing" way and used well. Fortunately, although there are "literary" characteristics, such as direct narrative methods and the use of function words ("want to do", "willing to do ordinary" and so on); At the same time, it also has the characteristics of poetry, which is manifested in the shaping of images (especially the May 1 ST and June 1 ST couplets, which have the poet's own images in the desolate scenery) and affectionate expression. The whole poem is full of narrative, scenery description and lyricism, full of poetic flavor and poetry.
5\ The Old Times of Xibao Mountain
Liu Yuxi
Since Wang Jun brought his towering ship down from Yizhou, the ghost of the royal family has languished in Nanjing.
The long Zhang Qian chain sank to the bottom of the river, and a flag was lowered on the stone wall.
How many sad past in life, the mountains still remain cold.
Since then, the world has belonged to one another, and rushes are whistling in the old base.
Mount Cisai is on the Yangtze River, to the east of Taiye City, Hubei Province. It was a famous military fortress during the Six Dynasties. The mountains were rampant and the situation was steep. In the fourth year of Changqing (824), Liu Yuxi was transferred from Kuizhou to Hezhou, downstream and eastbound, passing through Cisai Mountain, and wrote this poem. In the first year of Taikang (280), Emperor Wu of Jin ordered Wang Jun to lead a water army composed of tall warships down the river to crusade against Wu Dong. With this historical event as the topic, the poet wrote "Building a boat to benefit the country" at the beginning, and "Wang Jinling Qi" suddenly disappeared. Jinling, Yizhou, thousands of miles away, should be "down" and "closed". How fast! The antithesis of the two words shows that on the one hand, it is magnificent, on the other hand, it is frightening. The second couplet follows the trend and directly writes about the war and its consequences. Sun Hao, the king of Soochow's national subjugation, secretly planted an iron cone in the middle of the river and locked the river with Chihiro chain, relying on the natural barrier of the Yangtze River. He thinks he is a foolproof plan. Unexpectedly, Wang Jun washed away the iron cone with dozens of rafts and burned the chain with torches. As a result, he went down the river, built three mountains and went straight to Jinling. "Hao is a gift to prepare for national subjugation, ..." Building a Gate on the Wall "(Book of Jin. Wang Weichuan). The second couplet vividly summarizes this history.
The first four sentences of the poem, concise and compact, show the strength of both sides, the route of attack, the way of attack and defense, and the end of the war through comparison. It only used the first poem to write about the departure of the water army in the Western Jin Dynasty, and then wrote Wu Dong alone: In the reflection at the beginning of the war, the painstaking fortifications were destroyed until the flag was raised and surrendered. People not only see the image of the loser, but also see the destructive momentum of the winner. It can be said that the alternation of reality and reality, victory and defeat in the same phase, is a skillful arrangement.
The poet is good at tailoring. He singled out the western Jin Dynasty to destroy Wu from many historical events, which is intriguing, because it was the first of the Six Dynasties, and it had quite "novel" fortifications, which were actually destroyed. Future generations should learn from it, but it is not. Therefore, writing about the demise of Wu not only reveals the fatuity of the king of Wu at that time, but also shows the stupidity of the later generations, and also reflects the historical necessity of national reunification. Secondly, when describing the war between Jin and Wu, the poet paid attention to Wu, but when describing Wu, he pointed out that the illusory spiritual pillar "Wang Dao", natural terrain and the chain were unreliable. This shows a profound thought from the opposite side, that is, "Prosperity is exhausted, mountains and rivers are empty" (Liu Yuxi's "Jinling Nostalgia"). It can be seen that such tailoring lies in its perfect expression of the theme.
In Qing Dynasty, Qu Fu commented on this poem, saying: "The first four sentences are just one thing, and the fifth sentence is six generations with the word' several times'. This method is wonderful. " However, it should be pointed out that without the rich content and profound thoughts of the first four sentences, it is difficult for the fifth sentence to receive such a concise effect. The sixth sentence, "Taking advantage of this mountain's prestige, it has ordered the Hanjiang River", and Yamagata refers to Mount Cisse; The cold current refers to the Yangtze River, and the word "cold" coincides with the word "autumn" in the sentence. As soon as the poem arrived at Mount Cisse, what was written in front of it was beside the point? No, it's because the split between the North and the South and the existence of the regime in the Southern Dynasties are the conditions for Mount Cisai to become a famous military fortress, and those vivid "live dramas" that have been recorded in history are staged next to it. Therefore, looking forward to the rise and fall of the Six Dynasties, it is precisely to pull the Cisse Mountain out of the broad historical background, thus greatly expanding the realm of poetry. The poet didn't describe how majestic Mount Cisse was, but highlighted the word "quiet" and was quite particular. Mountains and rivers "remain unchanged", which shows the change of personnel and the shortness of the Six Dynasties. Not only that, it also shows the artistic conception of "No matter the ups and downs of the mountain, the sunset will accompany the guests" (Bao Ji's "Going to Jinling again"). These have supplemented the word "injury" in the previous sentence from another angle, so Ji Yun said: "The sixth sentence is cooked by folding it to Cisai Mountain" (see Sui Note).
The seventh sentence says "This is the world", and the eighth sentence says that the once military fortress has been abandoned in the autumn wind. This ruined and desolate relic is a witness to the decline of the Six Dynasties, a symbol of the failure of division, and the result of "being at home everywhere in the world today" and national unity. Looking back on the past and giving it to the present, I have collected the whole poem.
Liu Yuxi's poems contain profound thoughts in a fluent style. The poet seems to be objectively describing the past and depicting historical sites. Actually, it's not. Looking back at history, we will know that during the period of Tang Xianzong, several victories were won in the war to pacify the separatist regime in the buffer regions, and the country was reunified. However, this scene is only a flash in the pan. 82 1-822, the three towns in Hebei resumed the separatist situation. In this poem, Liu Yuxi pointed the edge of ridicule at the rulers who once occupied one side in history, but eventually fell. Isn't this a head-on blow to the resurgent separatist forces? Of course, "thousands of families have become weeds because of a song" backyard flowers "("Five Topics of Jinling "). Taicheng), the lesson of the collapse of the Six Dynasties, is also a good mirror for the arrogant and corrupt Tang Dynasty at that time.
6\ Golden
Li shangyin
I want to know why my Jinse has fifty strings, and each string has a youthful interval.
Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring.
Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.
A moment that should last forever has come and gone before I know it.
This poem "Jinse" is Li Shangyin's masterpiece, and everyone who loves poetry is happy and the most famous. However, this is the most difficult poem to explain. Since the Song and Yuan Dynasties, there have been many speculations.
The poem Jinse uses the first two words of the first sentence. In the old theory, this poem was originally thought to be a poem about objects, but recently it seems that all commentators claim that this poem has nothing to do with the use of musical instruments, but it is actually an "untitled" work that uses musical instruments to hide topics. In my opinion, it is really different from the general chanting of things, but it is not just an untitled poem that simply "intercepts the first two words" and begins with a metaphor, which has nothing to do with the literal. What it writes is obviously related to Joseph.
There are many misunderstandings in couplets. According to this, the poet is "fifty years old" or "nearly fifty years old", so he is so happy. Actually, it is not. "For no reason" means "for no reason" and "for no reason". The poet's idiotic words are also. There are so many strings in Jinse, neither "wrong" nor "wrong"; The poet stubbornly complained: Jinse, why do you have so many strings? In fact, there is no need for "textual research" on how many strings are in the original work and how many strings are actually in Li Shangyin's era. The poet only uses words to see the meaning. According to records, there are 50 strings in ancient musical instruments, so the number of "50" is often used in writing musical instruments, such as "Fifty strings of Xiangling are beaten by rain" and "Because of 50 strings, the middle of the road is divided into palaces", which can prove that there is no special intention in the poet's original work.
The key to "each has its own flower-like troubles and a period of youth" lies in the word "New Year". A string, a column or a sound. There are 50 strings in a stringed instrument, and the syllables are the most abundant, and its numerous sounds promote the festival, which often makes the listener difficult to conceive. Poets never want to let people die and dig for "numbers". He said: Listen to the complicated strings of Jinse and think about China's past; The sound is complicated and confusing, so it's hard to say. The 50-string aims to "create an atmosphere" to see the weight of the past and the feelings of the nine songs. To appreciate Yuxi's poems, we must first understand the main idea, but we should not stick to the drum and column instruments. He Zhu, a poet in the Song Dynasty, said, "Who is the degree of golden flowers?" ("Jade Case") Yuan Hao, a poet in the Yuan Dynasty, asked: "The beauty Jin Se complains about the New Year!"
(On Thirty Poems) Chinese New Year is a wonderful youth. The most important "main eye" of Yuxi's poem lies in the wonderful New Year, so it is just pedantic to use "50-year trip" to recall "49 years".
The intention of the alliance is clear. Let's see how he undertakes it.
The last sentence of Zhuan Xu uses an allegorical allusion from Zhuangzi, saying that Zhuang Zhou dreamed that he was a butterfly and flew vividly ... he forgot that he was "Zhuang Zhou". Later, when I woke up, it was still Zhuang Zhou at home, and I didn't know where the butterfly had gone. Yuxi wrote this sentence: A beautiful woman, holding a golden harp and a complicated string, awakened the poet's dream and stopped sleeping. Lost, gone, does not mean. Let's take a look at what he said in "Autumn Night Thoughts": "Cold village pillow butterflies go", go and leave, go and die, which is his so-called fans. Although Meng Xiao butterfly was born in Zhuangsheng, once it was used in Yuxi, it was not only a "lifelike" problem, but also an illusory dream. The king of the next sentence in this couplet is the legendary monarch of Shu in the late Zhou Dynasty, named Du Yu. Later, the Zen position retired, and unfortunately the country died. After death, the soul turned into a bird. As for the bleeding in the mouth, its voice is sad and touching, named Du Fu. Du Yu's spring, what does this have to do with Jinse? It turned out that the complicated strings and plaintive songs of the golden harp aroused the poet's infinite sadness. His unspeakable grievances, such as Du Fu's plaintive voice, sent him home in the spring. The word "Tuo" not only wrote Du Yuzhi's entrustment to Du Fu, but also wrote the entrustment of beauty to brocade, the waving of hands, the interest of flowers falling into the water, and the poet's wonderful pen, which reached a climax.
It seems that Yuxi's "Love for Du Fu" expresses hatred for birds, and the word "resentment" put forward in "Beauty Jinse complains about the New Year" is just right. Yuxi's poem eulogizes the golden harp, which is extraordinary and carefree, and has a strange feeling that I hate.
After the couplet, the poem has been "started" and "closed", and it is time to "turn" the pen. When the pen comes here, the previous situation has reached a very small level, which seems to be a knot, meaning to be applied. Here, touching the pen and ink, it seems to be "getting up" again. His brushwork is like a towering mountain peak, or a broken line, or pushing the pen down, or slow and tight ... The technique may be different, but the thread of God is turning and has been paying attention. At this time, Yuxi wrote the famous sentence "Mermaids shed pearl-like tears down a moon-green sea".
Beads are born in mussels, and mussels are born in the sea. Whenever the moon is bright and quiet, mussels will open their mouths to raise their pearls, and pearls will grow into moonlight before the aurora shines. This is a beautiful folk tradition. The moon is a pearl in the sky, like a bright moon in water; Tears, like beads, are natural since ancient times. Jiao Ren's tears turned into pearls, which is also a strange sight in the sea. In this way, the bright moon falls between the seas, and pearls are bathed in tears. The moon, pearls and tears are three votes in favor and one vote against. Divided into three? Three is one? In the poet's pen, an indistinguishable fairyland has been formed. We read Tang poetry, but with such rich connotations and wonderful associations, living in Yuxi is not much.
So, is there any connection between the sea moon, tears and Jinse? Qian Qi's famous "Qin Fu" doesn't say that "25 strings play jathyapple, and you can't clear your grievances and fly away"? Therefore, the moonlit night is appropriate, and the grievances are particularly deep. In this way, the relationship between the territory of Haiyue and Sese can't be spied?
For the poet Yuxi, the realm of the sea and the moon has a particularly deep feeling. Once, due to illness, he couldn't bow to Hedong Gong's "Happy Camp to buy wine", so he wrote the sentence "Only take the bright moon in the sea and press the red city". From this perspective, on the one hand, he appreciates this situation, on the other hand, he is very sad and lonely: a complex and unspeakable disappointment.
Si Kongtu, a poet in the late Tang Dynasty, quoted a passage from Dai Shulun who was earlier than him: "The beauty of a poet, such as the warmth of Lantian and the essence of jade, cannot be placed in front of us." The eight words used for metaphor here are exactly the same as the seven words in the next sentence of this poem, which shows that this metaphor has another source. Unfortunately, the ancient books were lost later, and it was difficult to find the source again. The explanation of this sentence has no reference today, and it is hard to say whether it is appropriate or not. Lu Ji, a writer in the Jin Dynasty, has a famous sentence in his "Wen Fu": "Stone is like jade, mountains are only light, and water is like pearls." Lantian Mountain is a famous jade-producing place in the southeast of Lantian, Shaanxi Province. This mountain is sunny and contains jade gas (the ancients thought that treasures have phosgene invisible to ordinary eyes), and Ran Ran rises. However, although the essence of Meiyu is far away, it is not close, so it is out of reach, representing an extremely beautiful ideal scenery, but it is impossible to grasp and approach. Here in Yuxi, inspired and associated by "the Jade Mountain is bright, the pearl is bright, and Sichuan is charming", the warmth of Lantian is used to make a confrontation with the previous sentence, which has a sharp contrast. Literally speaking, Lantian is also very neat to the sea, because the original meaning of Cang is cyan. Yu Xi's exquisite rhetoric can also show his talent and skills.
The two sentences of the neck couplet show that yin and yang are warm and cold, and jade is beautiful. Although the realm is different, regret is one. The poet loves and insists on this noble feeling, but he dare not profane and lament.
The tail couplet is a masterpiece of the whole article, and clearly puts forward the word "this feeling", which echoes the beginning of "China Year" at a distance, and the pen gesture is never shy. The poem says: If you feel this way, you will feel endless regret at the beginning of today's memory, that is, it was already disturbing at that time-that sentence means "Do you want to remember", which means: If you look back at today, it is a pity, so what! The poet expressed several layers of twists and turns in two sentences, and several layers of twists and turns were just to illustrate that kind of distressed mood. This is the reason why poetry is a poet, and this is the reason why Yuxi poetry is a Yuxi poet.
Yuxi's life experience, unspeakable pain, bitter feelings, stagnation in the chest, hair like poetry, deep wounds to be stung, reciprocating deep, deeply infected people. One of his farewell poems said: "I believe in many feelings, and Yang Zhu died with feelings;" The hostess is in danger, and the hostess is chilling. ..... "Zheng is a song, and it often depends on the bitterness of life and death. Based on this, I think if there is hatred in Jinse's poems about where you will go, I'm afraid it can't be said to be all arbitrary.
By the way, I also wrote down the meaning.