[shortcomings/perfection]
Engineering overview
Zuo Si was born in a poor family. Although he had a high literary talent, he failed repeatedly under the door-door system at that time, so he had to express his ambition and contempt for dignitaries in his poems and praise the hermit's lofty. Zuo Si's piano music is "Zhao Yin", which is included in "Magic Secret Spectrum", and two poems of the same name are quoted in the explanation. In addition, some people think that Autumn Moon in Mao Ting and Thinking of Friends in the Mountains are his works, and these works are permeated with the idea of seclusion. The Old Biography of Zuo Si's Works consists of five volumes, but the survivors have only given two of them, with 14 poems. Sandu Fu and Ode to History are his representative works. Zuo Si's works were included in Records of Three Dynasties, Three Kingdoms and Six Dynasties edited by Qing people and Poems of Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties edited by Kai.
award
According to the biography of Zuo Si in the Book of Jin, he wrote a brief history of Zuo Si in Sandu Fu in 10, saying that "the mansion is contending for biography and writing, and Luoyang is precious for it." The completion time of Zuo Si Biezhuan in Sandu Fu, Zuo Si Zhuan in the Book of Jin and Shi Shuo Xin Yu is quite different. According to Fu Xuancong's textual research, Sandu Fu was written before the destruction of Wu in the first year of Taikang (280). In addition, modern Jiang Liangfu thinks it is 29 1 (Chronicle of the Continental Plain), while Liu Wenzhong thinks it is "difficult to determine" (Biography of Zuo Si, a famous writer in China). In Preface, Zuo Si criticized predecessors' prose as "extravagant words without proof, although beautiful", and proposed that prose should be based on its origin. In the process of writing this poem, he asked Zhang Zai, who had been to Sichuan, about Min Qiong. I also want to be a secretary of Lang, so I can read a lot of local chronicles. Therefore, the system of Sandu Fu is grand and the events are extensive. Although he emphasized that the literary thought of seeking truth from credit information was inevitably extreme, it also made Sandu Fu reflect the social life in the Three Kingdoms period to some extent. After the publication of Sandu Fu, Zhang Hua was amazed and sighed: "The class chapter is also a stream. Let readers have more than enough to do, and update for a long time. " Zuo Si's preface, Huangfu Mi's preface, Zhang Zai's and Liu Kui's notes; Brief introduction of Quan Wei. For a time, very rich people competed to write articles, so that "Luoyang paper is expensive." This is not only because of the rich literary talent of Sandu Fu itself and the re-fu in the literary world at that time, but also because it contains the content that attracted the attention of the ruling and opposition parties at that time: marching into Soochow and unifying the whole country. Although the writing technique and style of this Fu are similar to Ban Gu's Fu for Two Cities and Zhang Heng's Fu for Two Cities, its ideological theme is not the traditional "satirizing one person". Therefore, Sandu Fu occupies an important position in the later great Fu. Zuo Si also has a lyric poem "Baifafu", which is simple in language, humorous in writing and implicit in feelings, which is completely different from Sandufu. It adopts the allegory of the dialogue between hair and people, and sharply criticizes the social reality of "pursuing fame and profit, being expensive is cheap".
poetic sentiment
The representative works of Zuo Si's poems include eight poems about history, which can be found in Selected Works. "Ode to History" has been a poem since Ban Gu, and the author's meaning is slightly seen in the retelling of objective facts, while Zuo Si's "Ode to History" is a complex historical fact, integrating ancient and modern, and even quoting classics, "praising the ancients and seeing their own temperament" (Shen Deqian's "Ancient Poetry Source"). Zuo Si had a strong sense of statecraft in his early years, and considered himself a talented person, Gao Xiongzhi. "Being a rich and powerful Hunan, he is determined to be a powerful Hu" (No.1), hoping to make a difference. But under the pressure of the gate valve system, he was always incompetent. In the second poem "Ode to History", he said: "Loose in the bottom of the shady valley, leave seedlings on the mountain. With the artistic image of "one inch in diameter and one hundred feet in shadow", the unreasonable phenomenon of "the world is at a high level and the handsome man is at a low level" is deeply exposed; In the seventh song, he recited the bumpy experience of ancient sages and pointed out with deep sorrow: "There are no strange things in the world, but they stay in the grass. "He made a fierce attack on the dark reality of killing talents, and his sharp writing style was rare in the Jin, Southern and Northern Dynasties. The poem "Ode to History" also expounds his attitude and ambition in life by praising the ancients, claiming: "Although it is expensive, it is regarded as dust. Although the humble laugh at themselves, it is as heavy as a thousand miles. "Therefore, Zhong Rong, a critic of the Liang Dynasty, said that Zuo Si's" literary canon is rather precise and allegorical "(poem).
On the occasion of the Ming and Qing Dynasties, Wang Fuzhi once said: "The Three Kingdoms were reduced to the Western Jin Dynasty, with unhealthy writing style and ancient mind. Those who come to our country are in no hurry to return. " (Selected comments on ancient poems) Zhong Rong called Zuo Si's style of chanting epic poems "Zuo Si's style". Zuo Si Li Feng once had an influence on Tao Yuanming. Zuo Si's artistic image of "pine at the bottom of a ravine" was also borrowed by Fan Li in the Southern Dynasty and Wang Bo in the early Tang Dynasty to express his intellectual anguish.
Zuo Si also wrote two poems "Introduction", which were beautifully written. Among them, "there is no need for silk and bamboo, and the mountains and rivers have clear sounds", which is very appreciated by future generations. A poem of a charming girl has simple language and sincere feelings, and the love for her little daughter is vividly on the paper. Tao Yuanming's Responsibility, Du Fu's Northern Expedition and Li Shangyin's Proud Poems were all influenced by it. In addition, he also has a Miscellaneous Poem and two Mourning for Sister. The former is similar in style to epic poems, while the latter is a four-character poem, elegant and dignified.
The life of the character
[Please remember our dream of Chinese studies]
Zuo Si (250? ~305? ) The word is too blunt, and Qi Linzi (now Zibo, Shandong Province) was a poet in the Western Jin Dynasty. Zuo Si's family background is Confucianism, and he was born in poverty. His father, Zuo Zi, started as a small official and worked as an assistant to the emperor, Taiyuan Xiang and Yiyang Taishou. I studied calligraphy and drum set when I was young, but I failed. Later, with my father's encouragement, I became angry and diligent. Zuo Si is ugly and awkward, and it is difficult to make friends, but his writing is magnificent. He once wrote Du Fu in one year (the full text has been lost, and several lost articles are found in Zhu and Taiping Yulan). In the eighth year of Taishi (272), his sister Juicy Zuo was elected to the palace, and his family moved to Luoyang as a doctor. During the Yuan Kang period, Zuo Si took part in the "Twenty-four Friends" tour of the literati group at that time and gave a lecture on Hanshu for Krabi. In the last years of Yuankang, Krabi was punished, so he retired from Yichun and concentrated on his studies. Later, the King of Qi called him the chief of the archives, but he refused to give up his illness. In the second year of Taian (303), Hejian Wang Sima Yu and Zhang Fang attacked Luoyang, Zuo Si moved to Jizhou, and died several years later. There's Zuo Taichong set.