The reason is closely related to the application of virtual and real skills.
Contemporary poetry has unprecedented freedom in content, form, skill and consciousness. The poet broke through the framework and bondage of politicism, and his works showed the precious side of human nature in the true sense. Although some works look vague, the first impression they give is not aesthetic. But as far as their means of expression are concerned, they seem to pursue ethereal poetic attainments.
This technique of expression has broken through the application of the technique of truth and falsehood in modern poetry. In modern poetry, when using true and false techniques, it is usually used in words and expressions, and then misplaced, such as "calf baa/early spring is as crisp as grass". Contemporary poetry, on the other hand, makes the whole work exquisite, breathable and refined from beginning to end by means of truth and falsehood from a macro perspective and layout structure.
It's just like Chinese painting. China people are familiar with the virtual and real techniques of Chinese painting. Take Qi Baishi's shrimp as an example. A shrimp is only decorated with a few leaves and surrounding reeds, and the shrimp in the whole work is flexible and vivid.
As far as the application of its virtual and real skills is concerned. When painting "shrimp" alone, we can use the method of combining reality with reality to avoid over-painting shrimp, but from the perspective of the whole painting, it can be regarded as the method of combining reality with reality in conception, in which the blank space is easy to imagine, which is a wonderful artistic world.
From this point of view, the application of virtual and real techniques in contemporary high-level poetry has brought the poet's artistic conception into the performance category of the work to a greater extent, and freely expounded the overall aesthetic form of the work, thus forming an important aspect of the diversified aesthetic of poetry.
As an advanced literary style and the most impure language, poetry shows readers and the world the wisdom, value, aesthetic feeling, philosophy and sentiment of human beings with its great inclusiveness and expanded extension. Therefore, although poetry is a work of art, its perfect artistic form also constitutes a necessary branch of the aesthetic system it should contain.
For poetry, form and content are equally important. Without form, there is no style of poetry, without content, there is no essence of poetry. Broadly speaking, the form of poetry is not limited to the branch technique, as long as it belongs to the means of expression, it can be classified as form. If it is broader, it can also include the poet's mentality and purpose of creation. In other words, people say that "writing is like a man", and you can know his heart by looking at his writing style.
We can say that when the artistic creation and artistic form of poetry spontaneously release the fragrance of art, the creator of poetry-the poet-is the master of poetry in the true sense.