I was planning to have lots of fun this spring, but it was still in vain.
If you don’t have dazzling eyes every year, you are either worried or sick.
This poem "Suffering Spring" writes about the poet's feelings in daily life. The first sentence describes a decision made by the poet: he has already made arrangements for the joy of this spring; the second sentence uses a turning point to overturn the previous decision, thus betraying the good-intentioned spring breeze. The third sentence points out that not only this year, decisions are made first and then overturned, but also every year; the fourth sentence points out the reasons why we fail to live up to the spring glory every year.
Spring is a joy to behold, but he is either sad or sick, and he fails to live up to the wonderful spring time every year. This kind of subjective and objective contradiction makes the poet unable to help but sigh with emotion and helplessness. After reading this poem, the poet's sad face, wry smile and self-deprecation left an unforgettable impression on people. There is no fake carving, it is natural and pure, and the poetic flavor is in it. This is the success of "Chengzhai Style".
When Yang Wanli talked about his poetry writing in "Preface to the Collection of Jingxi", he once said: "Walking around the back garden, climbing into the ancient city, picking chrysanthemums for worship, climbing over flowers and bamboos, everything is over, and I can offer the remaining poem materials." If you don't go away, the former may not respond, and the latter will be forced." In his opinion, everything he sees, hears and feels can become the material for poetry creation. This is similar to the Jiangxi school's "closed door search for sentences", which pays attention to " "Not a single word has its origin" and "Although only half of a word is spoken lightly" are naturally very different. However, the "Chengzhai style" also has its shortcomings: due to the relatively "casual" writing, some poems are not artistically summarized enough, their realm is not high, and their social significance is not great. This song can be said to be a typical example.
Reference materials: 1. Meng Wanfu. Dictionary of Appreciation of Qianjia Poems: Shaanxi People's Education Press, 1991: 66-672, Tian Wen. A detailed explanation of the Thousand-Character Classic of the Three-Character Classic of Hundreds of Family Surnames: China Overseas Chinese Publishing House, 2012: 151