Basic introduction to the title of the work: year of creation in Chu Bi-shi: origin of works in Tang Dynasty: Complete Tang Poetry Literary genre: Li Shangyin's original seven-character poem, annotation translation, sentence annotation, vernacular translation, creative background, work appreciation, literary appreciation, expert evaluation, author introduction, original work in Chu Bi-shi (1) Monkey and Bird are still on guard for your orders (. You are the owner of the brush and a wise general (4), but your emperor, defeated, got on the prison car (5). You are more talented than Zhou's greatest politician, but you can't compare with two Shu generals who died in battle. Although a temple was built for you in your birthplace, you never finished singing the hymn to the holy mountain. Note translation sentence note (1) Preparation post: The former site is in Guangyuan North, Sichuan. "Yu Fang Sheng Lan": "Bei Yi is 99 miles north of Miangu County, Mianzhou. Zhuge Wuhou of Shu started his career here and got a taste of garrison planning. " ⑵ "ape bird" sentence: Zhuge Liang is famous for his strictness in running the army, which means that even the fish and birds are still in awe of his short books. Ape, a kind of "fish" Doubt, surprise. Bamboo slips refer to military orders, and the ancients wrote on bamboo slips. ⑶ Warehousing: refers to the military fence. (4) General: Commander in Chief of Judah, referring to Zhuge Liang. 5] End: One is "true". Surrender to the king: refers to the late Lord Liu Chan. By bus: In the fourth year of Jingyuan, Emperor Wei Yuan (263), Wargo attacked Shu, and the late master went out to surrender. The whole family moved eastward to Luoyang, and they also passed the preparatory post when they left. Special vehicles for ancient post stations. [6] Tube: Guan Zhong. During the Spring and Autumn Period, Qi Xiang helped Qi Huangong think about his success. Le: Le Yi. During the Warring States period, people were famous in the State of Yan, and they were once defeated and strong. Ti ǐ n: It's really worth it. When Zhuge Liang lived in seclusion in Nanyang, he compared himself to Guan Zhong and Le Yi. (7) Zhang Guan: Guan Yu and Zhang Fei are both Shu generals. Desire: a "reply". ⑻ Other years: Give an explanation for the previous years. Jinli: In the south of Chengdu, there is Wuhou Temple. ⑼ Yin: a wonderful flower in ancient Yuefu. The reflection said that Zhuge Liang devoted himself to training Long Mu in order to sing for Fu Liang. In order to express the ethereal heart of saving the world, talk about poetry and send it to yourself. The "Yin" here refers to this poem. The hesitation of fish and birds is a strict military order that scares the prime minister, and the wind and cloud often protect the fence of his army base. Zhuge Liang wasted his time here, but Liu Chan, the late ruler, finally surrendered by mail. Kong Mingzhen is really a talented person of Guan Zhong and Le Yi. Both Guan Gong and Zhang Fei are dead. How did he save the day? Last year, when I passed Jincheng, I visited Wuhou Temple and recited Fu Liang's songs. I am deeply sorry for him! Creation background: In the ninth year of Emperor Xuanzong of the Tang Dynasty (855), the poet ended his post in Zizhoumu and returned to Chang 'an with Liu Zhongying to write this poem in memory of Zhuge Liang. Appreciation of Works and Literature This poem is a poem dedicated to the memory of historical sites by the poet through the compilation of the post office. In this poem, the poet expresses his reverence for Zhuge Liang, deeply regrets that he failed to realize the wish of reunifying China, and at the same time condemns the late ruler Liu Chan who surrendered to Wei. This poem, like most of Zhuge Liang's works, praises his prestige and respects his intelligence; At the same time, it is used to hold resentment and express feelings. However, in terms of artistic techniques, the uniqueness of the discussion is that it is based on the alternate suppression method, the method of giving way to the guest and the host, and the method of combining reality with reality. "Fish and birds hesitate and fear, and the wind and clouds are eager to protect your fortress." The idea is strange, personifying fish, birds and clouds, saying that they are afraid of Zhuge Liang's god of running the army, and they will maintain his military facilities after his death, which will positively set off Zhuge Liang's military talents. In classical poetry, there is often a technique of "multi-guest arch subject", which is the technique used in the first couplet of Li Shangyin's poem. Reciting these two sentences is awe-inspiring to see Kong Ming again. "There is no direct portrayal of Zhuge Liang, but through the state of fish and birds to highlight Zhuge Liang's good at running the army. In the author's imagination, the status of fish and birds is a reaction caused by Zhuge Liang, as a "guest" to highlight Zhuge Liang's military strength. Take these natural scenery as guests. It is anthropomorphic and has some special symbolic meanings. As a real scene to build a post office, the ape-bird scene also plays a role in rendering the atmosphere, which makes people feel solemn; However, it is not a simple description of the atmosphere, but a virtual reality, which directly highlights the theme of Biography of Kong and Feng Ming. " You are the owner of the brush, a wise general, but your emperor, defeated, rode a prison car. "I finally saw it, but I poured a sum of money and lamented that such an outstanding figure as Zhuge Liang could not save the destruction of Shu. Zhuge Liang's magic pen and strategizing are useless. Liu Chan, the late ruler who failed to live up to expectations, finally surrendered, became a prisoner and was escorted to Luoyang by a post car. It is ironic that the late emperor Liu Chan was sitting in a carriage.
You are more capable than Zhou's greatest politician, but you can't compare with two Shu generals who died in battle? Analyze the reasons for the demise of Shu. First of all, don't forget to affirm Zhuge Liang. As far as his talent is better than wind music, Shu can lead the way. However, Zhang Guan's life was short and there was no general. It is useless to rely on Zhuge Liang alone. Ancient and modern times are used in pairs, and Zhuge Liang is better than the ancients. At the same time, writing Zhuge Liang is that the past serves the present, and the virtual is practical, and it is natural. The reason for saying this is that Zhuge Liang "compared himself to Guan Zhong and Le Yi" (The History of the Three Kingdoms, Shu Shu and Zhuge Liang Chuan), so it is natural for Guan Zhong and Le Yi to point the finger directly at Zhuge Liang. So the so-called "wind music" can be said to be "ancient" and "virtual" and "real", as opposed to Guan and Zhang. Although a temple was built for you in your birthplace, you never finished singing the song of the holy mountain. Express admiration for Zhuge Liang. In other words, when I passed by Zhuge Wuhou Temple in Jinli, I sang Zhuge Liang's Song of Fu Liang, and I still had endless grievances in my heart. The so-called "hate" is not only Zhuge Liang's "resentment", but also the author's "self-metaphor". It is especially graceful to express the feelings of "hate" with the discussion of restraining one and promoting two. This poem puts Zhuge Liang and his career in a sharp and complicated environment, knows historical figures and summarizes historical experience in the contradictory movement of unity of opposites. So it is ups and downs, ups and downs, leaving a deep impression. Famous experts commented on Song Fanwen's poem "Eyes Looking at a Stream": "Although there are talented musicians, it is not enough to worry about, but it is not as lucky as the two Shu generals who died in battle." This poem is kind and insightful, and others can't match it. The "fish and birds" in Yishan are like clouds, and the "simplified books" are bound by military laws and regulations, and their words are strict. Although thousands of years have passed, "fish birds" are still afraid of it; "Chu Xu" covered the internal barriers of the army, showing loyalty to the gods, and "Fengyun" was still protecting its barriers. Fiona Fang Hui's Ying Kui Fa Jing: Fourteen words start with a sentence, strong! I hate it very much. Tang Yin's Criticism by Gu Hao in the Ming Dynasty: There are eight sentences in this article, which are slightly integrated into the poetry of the late Tang Dynasty. Zhou Mingzun's General Introduction to Tang Shilin: Zhou Bi is listed as four virtual bodies. Su Shi said: Reciting the first two sentences is awe-inspiring, and then look at Kong Ming. Zhou Wei said that this is a deep memory of the marquis of Wu. It is said that its statutes are faithful enough to feel heaven and man and last forever. However, although the planning is hard, it is difficult to move the Han dynasty, and Gai Gaoming is not there. He went to Wuhou Temple in 2000, but he hated the futility of his work, which even surpassed those who hated Sanliang because of Wuhou's Fu Liangsong. The affiliation is clear and intentional, and others cannot. Huang Qing Zhou Xing's Express of Tang Poetry: ZhuGeMing written by Shao Ling and Wu Hou is exactly the same as this poem. Qing Hu Yimei's "300 Tang Poems and Pearl Wear": Rise in the air ... apes and birds are ignorant and use "doubt"; The magic of the wind and cloud, straight to the "dragon", has a degree. Zhang Qing's Poetry Review of Chu Bai 'an in China: Guan Le and Zhang Guan are practical things, which are superior to the former (according to Sui Palace), Yu and Jin Fan. Seven-character law of Tang poetry in "Notes on a Mountain Full of Buildings" in Qing Dynasty: Fish and birds make Zhuge Wuhou full of vitality. The turn of the "apprentice" can't help but make people feel sad ... This poem is one or two. Three, four feelings. Five bearing one, two, six bearing three, four, still on the table. Seventy-eight percent of the total income, so that its meaning is vague. The formation of Tang poetry by Qing Qufu: one or two magnificent, but also detached. The following four sentences are on the theory of marquis of Wu, not writing poems. Seven or eight is more than enough. Bian Yu in the Tang Dynasty written by Zhang Jian, Emperor Taizu of Qing Dynasty: as a foil and as a condolence. The beginning and the end correspond to each other with pen power. Shen Deqian's Tang Poems in Qing Dynasty: Petals are fragrant to Lao Du, and they can be full of energy without embarrassment. Song Zongyuan's Notes on Wang Shiyuan's Tang Poems in Qing Dynasty: The momentum is abrupt and achieved in one go. Tang Yong in the Qing Dynasty and Zhou Dynasty's Continued Collection of Little Samadhi of Tang Xian: There is a lot of tempering, so there is this (under the first two sentences). Five or six falls, there is a god. Wang Qingwen Kun's Poems of Past Dynasties: A Universal Story is the best one in Kunxi style, which is easy to operate and full of twists and turns. In the Qing Dynasty, Fang Shudong's Zhao Wei Zhan Yan: The poem of Yishan really deserves to be called Duke Du, because of its lofty meaning and magical function. The elder pushed a big family, and it was empty! The modern style of Zhang Qingxinlin's Tang poetry: Wei Wuhou Ling, written in fourteen words (under the first two sentences). I almost wrote my arrogance with a turn of the pen. Five or six layers of folding pens, but in the end, they are still capable unless they have magical power. Song Qingbi's "Guang Chuan Shi Chao": The original intention of the first two sentences has been exhausted, and the following is at a loss; Three or four sentences start writing, and five or six sentences close writing. The two meanings are the same, and every word is frustrated; Seven, eight, vibration, opening and closing and Shaoling's "Prime Minister's Ancestral Temple", don't put the pros and cons in vain. Modern Li commented on Ying Kui's method and essence: sealing Shu: Jingzhou lost, a virtue died, and Shu ended. The sixth sentence is giant eyes. Feng Ban: Good discussion. He Chao: When talking about a solid height, we should pay attention to its ups and downs, which will make people sigh and turn into aftertaste. Ji Yun: Ask two sentences, type three or four sentences, then five sentences to solve the first couplet, and six sentences to solve the second couplet. This is really killing the skill in the hand, and the pen is in a state of dragon and tiger. Xu Yinfang: depressed and frustrated, the artistic conception is more than enough, and learning from Du in one mountain really gains its essence. The brushwork is wonderful and the discipline is approved. Author brief introduction Li Shangyin (about 813-about 858), a poet in the Tang Dynasty. The word Yishan was born in Yuxi. A native of Hanoi, Huaizhou (now Qinyang, Henan). Kai Cheng (Tang Wenzong year, 836-840) was a scholar. He used to be county commandant, secretary of Lang, and judge of Dongchuan Festival. Influenced by the struggle between Niu and Li, he was marginalized and impoverished all his life. His poems about history are full of satire on current politics, and untitled poems are very famous. He is good at discipline, rich in literary talent, rigorous in conception, graceful in emotion and unique in style. But there are too many useful classics and their meanings are obscure. They are called "arts and sciences" with Wen and "Little Du Li" with Du Mu. There are poems by Li Yishan.