How about Shu Ting's poems?

I remember a writer once said that she liked Shu Ting's poems very much. "I naturally don't like to talk about suffering, but this doesn't mean that suffering has disappeared ... so gracefully standing between the sea and the sky is ignored: your barefoot, the alkali beaches and reefs you stepped on ..." I also felt very fond of it when I saw it; I watched the TV series "Our 80s" at home during the winter vacation, and the book "Shu Ting's Poems" appeared repeatedly in the play, which should belong to the memory of that era. In high school, I liked Xi Murong's essays and poems better. At that time, schoolwork was tense and busy. In the depressing and dry days, Xi Murong's words gave me the best comfort and relief. My favorite poem is Xi Murong's A Flowering Tree. While reading Shu Ting's poems, I have a feeling that Xi Murong and I are not exactly the same, but we feel the same. Some of Shu Ting's poems are full of bright spots and profound meanings, which are worth chewing carefully and savoring slowly. She has poems that moisten the soul, which makes people fascinated by reading; There are also powerful poems that make people inexplicably excited to read. Reading her poems, it seems that people who have lost their sense of smell for a long time suddenly smell the fragrance of lily; It seems that the dry and cracked land has resumed rain. My mood sank a little, and I sank to a deep bottom. It was too quiet. Now I revisit Shu Ting's poems again, and I have a professional feeling on the basis of sensibility. Here, I only make an analysis of "The Mast Boat", "Hui An Nv" and "To the Oak Tree" in the poetry collection: 1 Romanticism and Ideal Color The fog of the brig has wet my wings, but the wind can't make me hesitate to go ashore again. My beloved coast just said goodbye to you yesterday, and today you come again. Tomorrow we will meet at another latitude. It's a storm. One lamp connects us together, and another lamp lets us separate things. Are you on my voyage? I'm in your sight. Mast Boat is a masterpiece in which the poet uses vague techniques, symbols and images to express people's subjective feelings, thus advocating human nature. The whole poem shows the poet's dual mentality and complex emotions. On the one hand, it is the "lamp" of ideal pursuit; On the other hand, it is the other side of love. In the process of persistent pursuit of ideals, we sometimes meet with the other side, and sometimes we leave the other side, which is harmonious and contradictory. At the same time, in the process of pursuing ideals, poets sometimes feel the difficulty and heaviness of progress, and sometimes they feel a sense of urgency of the times without letting themselves stop. "The fog wet my wings, but the wind won't make me hesitate again." The emotions and mentality expressed by poetry are not only the poet's own things, but also the things that young people in that particular era generally feel and cannot describe. The poet expressed it perfectly with her delicate heart and symbolic skills. The poem "The Great Wheel" is a symbol. The poet feels like a ship with two masts. The "double mast" in a brig implies some profound meaning. The coexistence of two masts means that love and career coexist, which is different in the poet's mind. The use of images is another important artistic feature of this poem. Poetry expresses a state of mind, an emotion and an emotional process. On the other hand, it is the concrete images such as "ship", "shore", "storm" and "lamp" that fall on the language, and these concrete images are combined to form a complete picture of the dynamic process. Under the picture, the poet's heart and true feelings are implied, beating. The poetic image is fresh and natural, which enables the poet to express his strong feelings freely. The language of this poem is natural and fluent, and the scene is mixed. The emotion contained in the poem is dignified and delicate. There are both profound personal sighs and open feelings of the times. From every sentence, it gives people a crystal clear and clear feeling. However, the overall reading is unpredictable, full of romantic and hazy atmosphere, leaving readers with unlimited aftertaste. 2. Exploring Philosophy in Conventional Phenomena "Hui An Nv" Wildfire is in the distance, and the distance is bound by the silver ornaments of ancient tribes in your amber eyes. Although happiness is unpredictable, the girl's dream dandelion usually falls slowly on the sea. The waves are boundless, and people naturally don't want to talk about their sufferings. Suffering will not disappear forever. When the sound of flute and pipa awakens the general sadness in the evening photos, you gently bite the corner of the headscarf with your mouth and stand gracefully between the sea and the sky, which makes people ignore: the alkali beach and rocks you have stepped on barefoot. Therefore, in the cover and illustration, you become a landscape, a legendary poet with fraternity and keen insight. From people's shallow appreciation of Huian's daughter in general curiosity, we can see the shallowness of this world. The living conditions of the sisters in the hometown of the South China and the fate of "extinction without suffering" of women in the world have inspired Shu Ting to plead for women and protest against the indifference of the world to the living conditions of women in Hui 'an and even women in the world. "Wildfire is far away, in your amber eyes. "From the amber eyes of Hui 'an women in reality, the poet thought of ancient wild fires, which made the images of Hui 'an women and ancient ethnic women overlap. In this connection between reality and history, Huian's daughter has an "ancient" color. This kind of "ancient style" formed by the claustrophobia of history and culture and the isolation from external civilization is "beauty" and "scenery" in the eyes of the world, but it is a kind of heaviness in Hui' an women themselves. " The word "introverted" in the poem emphasizes the bondage of ancient traditions to modern women and vaguely reveals the "bitterness" of Hui 'an women. Happiness is unpredictable. Happiness is just a beautiful dream for Huian girls, but in the face of the cold reality, their dreams can only slowly fall on the sea like dandelions and disappear with the waves. In the face of "eternal suffering", Huian's daughter silently endured. When the sun sets, the sadness of the flute and pipa has awakened the sadness of Hui 'an girls many times, but they just silently endured it and "bit the headscarf gently in their mouths". Hui' an women are so virtuous and beautiful outside, which naturally becomes a "landscape" that people appreciate. This view of treating women as "scenery" ignores the promotion of women's independent personality and living environment, ignores the sadness of women's "beauty", and makes the poet sad. Hui 'an female image is a poet's solemn protest against those ignorant and numb people, and also a sincere call for our society to respect women's personality independence and pay attention to women's living environment. 3. Feminist Pioneer Consciousness "To the Oak Tree" If I love you, I will never show off myself on your high branches like a climbing campflower; If I love you, I will never learn from spoony birds and repeat monotonous songs for the shade; It is not only like spring, but also brings cool comfort all year round; It is not just like a dangerous peak, it increases your height and sets off your dignity. Even sunshine, even spring rain. No, these are not enough! I must be a kapok beside you, standing with you as a tree. Roots, close to the ground, leaves, lingering in the clouds. Every time a gust of wind passes, we greet each other, but no one understands us. You have your copper branches and iron stems, like a knife, like a sword, like a halberd, and I have my red flowers, like a heavy sigh, like a heroic torch. We share cold waves, storms and lightning; We * * * enjoy the mist, flowing haze and rainbow, as if we were separated forever, but we were dependent on each other for life. This is great love, here is firmness: love-not only your stalwart body, but also your persistent position and the land under your feet. The poem "To the Oak Tree" sings the poet's personality ideal enthusiastically and frankly. Oak and kapok stand side by side in an independent posture, and they are affectionate, which can be said to be a group of symbolic images with brand-new character in China's love poems. The image of "oak tree" symbolizes the rigid male beauty, while the kapok of "safflower" obviously embodies the female personality with new aesthetic temperament. She abandoned the delicate nature of old-fashioned women and was full of rich and vigorous life breath, which was exactly the same as the poet's personality ideal of women's independence and self-esteem. In artistic expression, the poem adopts the lyrical way of inner monologue, which is convenient for expressing the poet's inner world frankly and openly. At the same time, the image is constructed as a whole symbol (the whole poem correspondingly symbolizes the independent personality and sincere love of both lovers with the whole image of oak and kapok), which makes philosophical thoughts and ideas germinate and poetic in a kind of intimate and sensible image, so this poem with rational temperament makes people feel that there is no preaching. Shu Ting's poems are quite different from those of Beidao and Gu Cheng in content. She doesn't have so much criticism, dissatisfaction and anger, and her poems don't belong to North Island and Gu Cheng at all unless they are expressed in the same "hazy" way. As a misty girl, her poems seem to be naturally filled with a touch of sadness, but this does not mean that she is negative. On the contrary, she contains a kind of strength in many poems, showing a vanguard attitude. Comparatively speaking, Shu Ting's poems rarely express such highly concise and strong feelings as "meanness is the passport of the despicable, nobility is the epitaph of the noble" and "the night gave me black eyes, but I used them to find light" in "Ancient City". She is good at introspecting the emotional rhythm of herself, especially showing the unique sensitivity of women in grasping complex and meticulous emotional experiences. The complexity and richness of emotions are often manifested through special sentence twists and turns such as assumptions and concessions. Moreover, we can find sharp and profound poetic philosophy in some conventional phenomena that are often ignored by people, and write this discovery with both speculative power and touching feelings. In fact, most of her poems are full of soothing and beautiful female beauty. It can even be said that Kitajima and Gu Cheng are criticizing real life, and Shu Ting is yearning to praise a better life. This is an era when ideals have fallen, and people have been ashamed to say it. The word "ideal" has been replaced by "plan", and the abstract ideal is empty and thin compared with the practical plan. However, when I look back at Shu Ting's poems full of dreams and ideals written in the late 1970s and early 1980s, I can feel the power of life. Although immature and utopian, they are high above you, telling you that there is always an ideal kingdom outside the real world, which can light a candle for the soul and not be swallowed up by ordinary people; They can lead your eyes buried too deep on the real flat ground to the world with warm light. Perhaps this ideal world is like the glittering Christmas tree floating in mid-air imagined by Andersen's little match girl, but what does it matter? Ideal should be a belief, the horizon before sunrise, which can be pursued continuously, and its significance lies in the process rather than the result.