Hello, from the type. From the beginning, hundreds of poems were divided into three categories: "ancient poems", "regular poems" and "quatrains". From the metrical point of view, poetry can be divided into "classical poetry" and "modern poetry". Ancient poetry is also called "ancient poetry" or "ancient style"; Modern poetry is also called "modern poetry". Judging from the number of words, ancient poems, regular poems and quatrains are all different. The Book of Songs and the poems of the Southern and Northern Dynasties are both classical poems. Therefore, there is no certain standard for classical poetry. It can be said that all poems that are not bound by modern poetic meter are classical poems. Modern poetry is represented by metrical poetry. Metric poems pay attention to rhyme, flatness and antithesis. Because the meter is very strict, it is called "meter poem" or "meter poem". There are four main kinds of metrical poems. (3) stipulate the level of each sentence; (4) Every poem should have antithesis in the designated position. There is a kind of metrical poem with more than eight sentences called "Long Rhyme", which uses antithesis except the end couplet (or the beginning and end couplet), so it is also called "rhyming" quatrains and metrical poems: the first sentence of quatrains may or may not rhyme, but most of them rhyme. The fourth sentence of the second sentence must rhyme, and the rhyme is generally flat. If it doesn't rhyme, it's limited to rhyme. Even-numbered sentences of a poem must rhyme. Generally, the rhyme must be flat and cannot be changed. Except for odd sentences, the last word is limited to rhyme. Rhyming words cannot be repeated in this poem. 1) The main category of ancient poetry is 1. Farewell poem: or express reluctant feelings. Or express their sighs about the ups and downs of the past. 3. War poems: either expressing disgust at war or expressing yearning for peace. 4. Homesickness poems: either expressing yearning for hometown or expressing concern for relatives. 5. Use scenery to express feelings and ambitions: or express the sadness of not being able to serve the country, or express the quality of being unwilling to go along with the secular, or express beautiful ambitions with scenery. Or holding things to express their noble qualities. (2) Some techniques commonly used in ancient poetry 1. Metaphor: use something to compare beautiful qualities and sentiments, or lofty ideals and pursuits. Or the antics of villains. 2. Contrast: past and present, distance, right and wrong, good and evil, spirit and matter. 3. Set off: move to set off the static, dark to set off the bright, happy to set off the sad, virtual to set off the real. 4. Comparison: personification or imitation. 3. Appreciation of common words in ancient poetry: 1. Words that reflect the overall expression of ancient poetry. Including borrowing scenery to express feelings, embedding feelings in scenery, expressing ambition with things and so on. 2. Words that reflect the poet's emotions: joy, cheerfulness, excitement, sadness, grief, praise, admiration, farewell, attachment and leisure. 3. Words that reflect the language characteristics of ancient poetry: concise, concise, humorous, humorous, simple and natural, fresh and beautiful, vivid, rhythmic, musical and artistic. 4. Words reflecting the structural characteristics of ancient poetry: neat antithesis, gradual expansion, interlocking and echoing. 5. Elegant, euphemistic, subtle, lingering, fresh, bright, beautiful and quiet. 6. Words that reflect the expression effect of ancient poetry: sincere and touching, lofty in artistic conception, blending with scenes, intriguing, to the point, practicing poetry content classification, sending friends farewell poems, borrowing scenery lyrics, thinking about women's love poems, expressing ambitions with things, chanting poems and frontier poems. Or say goodbye or miss after saying goodbye. Reciting ancient poems is mostly a tribute to ancient people or things. Or remember the sages, or admire the ancients, or express their desire to make contributions, or complain about their untimely birth, or lament the prosperity of the past and the decline of the present, or use the past to satirize the present. War poems either show the pride of defending the country and defending the country, or show the heroism of sacrificing one's life to kill the enemy, or show the heroism of soldiers in triumph, or show their disgust at war, expose the suffering brought by war to relatives, hometown and people, and accuse feudal rulers of the sin of waging war. Frontier poems describe the life of frontier troops, or show the cold living environment of frontier fortress, or show the magnificent frontier fortress scenery. Poems about homesickness, in my heart forever's poems and poems about traveling and traveling all focus on expressing the thoughts of relatives, or expressing women's tenderness, sadness and sadness. Or show the bitterness of wandering life in a different place and the yearning for relatives in my hometown. Lyrics about scenery and poems about objects (including pastoral poems and recluse poems) often show the noble qualities of poets who are different from others and unwilling to go with the tide of the world, or express their sadness that they have no talent and can't serve the country, or express other complicated feelings of joy or sadness or worry, or express the magnificence of the mountains and rivers of the motherland and their infinite love for the great rivers and mountains. Others use scenery (things) to express their lofty aspirations and noble essence. The questions about all kinds of poems are quite complicated. The editor of 300 Tang Poems divides poems into three categories: classical poems, regular poems and quatrains, all of which are equipped with Yuefu. Ancient poems, regular poems and quatrains are divided into five words and seven words respectively. This is a kind of division. The classification of Shen Deqian's Poems on Tang Poetry is slightly different: he did not separate Yuefu, but added the category of five-character poems. Du Fu's poems compiled by Guo Zhida in Song Dynasty can be divided into two categories: ancient poems and modern poems. Now we try to discuss the above three classifications with reference to other classifications. From the perspective of meter, poetry can be divided into classical poetry and modern poetry. Ancient poetry is also called ancient poetry or ancient style; Modern poetry is also called modern poetry. From the word count, there are four-character poems, five-character poems, seven-character poems and rare six-character poems. After the Tang Dynasty, there were few four-character poems, so the general poetry collections were only divided into five-character poems and seven-character poems. Both ancient poetry and modern ancient poetry are written in the style of ancient poetry. In the eyes of the Tang people, everything from The Book of Songs to Geng Xin in the Southern and Northern Dynasties is ancient. Therefore, there is no certain standard for imitating ancient poetry. However, the ancient poems written by poets are consistent in one thing, that is, they are not bound by the rhythm of modern poetry. We can say that all poems that are not bound by the rhythm of modern poetry are ancient poems. Yuefu came into being in the Han Dynasty and was originally accompanied by music, so it was called Yuefu or Yuefu Poetry. This kind of Yuefu poetry is called Qu, Ci, Song and Xing. After the Tang Dynasty, the ancient poems written by literati imitating this style were also called "Yuefu", but they were no longer named as such. During the Sui and Tang Dynasties, with the gradual formation of new music, the lyrics of new music appeared, called "Ci". Ci probably originated in the prosperous Tang Dynasty. In the transitional period after the decline of Yuefu and before the appearance of Ci, modern poetry was adopted as lyrics with new music. Wang Wei's Cheng Wei Qu and Li Bai's Qing Ping Diao are both forms of modern poetry. Modern poetry is represented by metrical poetry. Metric poems pay attention to rhyme, flatness and antithesis. Because the meter is very strict, it is called meter poem. Rhyme has the following four characteristics: a. Each poem is limited to eight sentences, with five laws of * * * forty words and seven laws of * * fifty-six words; B. flat rhyme; C. the level of each sentence is stipulated; D. every article should have antithesis, and the position of antithesis is also stipulated. There is a kind of metrical poem with more than eight sentences, which is called long law. Dragon law is naturally a modern poem. The long method is generally five characters, and the number of rhymes is often indicated on the title. For example, Du Fu's "Thirty-six Rhymes of Sleeping Boat in the Rain" is 360 words; Bai Juyi's "Poems with Hundred Rhymes" is a thousand words. This long method uses antithesis except tail (or head-tail), so it is also called parallelism. Four-line poems are half as many words as ordinary poems. Five-character quatrains are only twenty crosses, and seven-character quatrains are only twenty-eight. In fact, quatrains can be divided into ancient quatrains and strict quatrains. Rhyme can be used in ancient times. Even if it rhymes, it is not bound by the rules of leveling in modern poetry. This can be classified as classical poetry. Rhythm not only balances the rhyme, but also follows the leveling rule of modern poetry. Formally, they are equivalent to half a metrical poem. This can be classified as modern poetry. To sum up, the so-called ancient poetry belongs to ancient poetry, while the regular poetry (including long law) belongs to modern poetry. Yuefu and quatrains, some belong to ancient style, some belong to modern poetry. Five words are five words and seven words are seven words. Five-character ancient poems are referred to as five ancient poems, and seven-character ancient poems are referred to as seven ancient poems. Five-character poems are referred to as five laws, and seven-character poems are referred to as seven laws; Five-character quatrains are referred to as five-character quatrains, and seven-character quatrains are referred to as seven-character quatrains. Ancient styles are divided into five ancient styles and seven ancient styles, which is only a rough division. In fact, in addition to five words and seven words, there are so-called miscellaneous words. Miscellaneous words refer to long and short sentences mixed together, mainly three, five and seven sentences, among which there are occasionally four, six and more than seven words. Miscellaneous poems generally do not have another category, only belong to the seven ancient. Even if there are no seven words in the article, as long as they are long and short sentences, they will be classified as seven ancient. This is a conventional classification and has no theoretical basis. (1) also has a long law of seven words, such as Du Fu's two poems Tomb-Sweeping Day. ② Guo sorted out Du Fu's poems and classified most quatrains into modern poems. Yuan Zhen simply classified this quatrain as a metrical poem in Qing Ji. References:
Baidu has a metrical poem with more than eight sentences, which is called Long Law. Dragon law is naturally a modern poem. The long method is generally five characters, and the number of rhymes is often indicated on the title. For example, Du Fu's "Thirty-six Rhymes of Sleeping Boat in the Rain" is 360 words; Bai Juyi's "Poems with Hundred Rhymes" is a thousand words. This long method uses antithesis except tail (or head-tail), so it is also called parallelism. Four-line poems are half as many words as ordinary poems. Five-character quatrains are only twenty crosses, and seven-character quatrains are only twenty-eight. In fact, quatrains can be divided into ancient quatrains and strict quatrains. Rhyme can be used in ancient times. Even if it rhymes, it is not bound by the rules of leveling in modern poetry. This can be classified as classical poetry. Rhythm not only balances the rhyme, but also follows the leveling rule of modern poetry. Formally, they are equivalent to half a metrical poem. This can be classified as modern poetry. To sum up, the so-called ancient poetry belongs to ancient poetry, while the regular poetry (including long law) belongs to modern poetry. Yuefu and quatrains, some belong to ancient style, some belong to modern poetry. Five words are five words and seven words are seven words. Five-character ancient poems are referred to as five ancient poems, and seven-character ancient poems are referred to as seven ancient poems. Five-character poems are referred to as five laws, and seven-character poems are referred to as seven laws; Five-character quatrains are referred to as five-character quatrains, and seven-character quatrains are referred to as seven-character quatrains. Ancient styles are divided into five ancient styles and seven ancient styles, which is only a rough division. In fact, in addition to five words and seven words, there are so-called miscellaneous words. Miscellaneous words refer to long and short sentences mixed together, mainly three, five and seven sentences, among which there are occasionally four, six and more than seven words. Miscellaneous poems generally do not have another category, only belong to the seven ancient. Even if there are no seven words in the article, as long as they are long and short sentences, they will be classified as seven ancient. This is a conventional classification and has no theoretical basis. (1) also has a long law of seven words, such as Du Fu's two poems Tomb-Sweeping Day. ② Guo sorted out Du Fu's poems and classified most quatrains into modern poems. Yuan Zhen simply classified this quatrain as a metrical poem in Qing Ji.