Wang Wei
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
Enjoy 1
Although Chunfang is resting, autumn is also beautiful. After the rain, the autumn mountains are bright and clean in Shu Lang, fresh and clean, which maintains the poet's quiet and leisurely seclusion. What suddenly caught my eye was a picture-
Autumn is an important image in China's classical poems, which often has the sad autumn connotation of exhaustion and decline. For example, Cao Pi's "Ge Yanxing" "The autumn wind is bleak and the weather is cold, and the vegetation is like frost." Du Fu climbed the mountain, and I have come three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone. Li Bai's Qiu Ge "I don't know where to get autumn frost in the mirror." Li Qingzhao's A Piece of Plum and Red Lotus Root Fragrance Can Leave Jade Autumn. On the other hand, Wang Wei's Autumn Night in a Mountain breaks away from the traditional aesthetic vision of sorrowful autumn and creates a unique artistic conception of "Qing Yi" (Shen Deqian's Shi Shuo Yu Yi, which means elegant, elegant, free and relaxed), which is quite creative. This is the first point that we should grasp when appreciating this poem. Just as we appreciate Zhu Ziqing's Moonlight on the Lotus Pond, it should be noted that there are countless articles about the lotus and the moon. It is Mr. Zhu who took the initiative to compare the two as an image and made this clear, so that we can explore its doorway and get its essence when we appreciate it.
The title of the first couplet "Empty Mountain after Rain, Standing on Autumn Night" is "Mountain Autumn Mountain (Night)". The word "empty" is very striking and frequently appears in Wang Wei's poems, such as Chai Lu's "There seems to be no one on the empty mountain" and "However, I seem to hear voices". "Birds sing" and "people are idle and osmanthus flowers fall, and the night is quiet and the mountains are empty." As can be seen from the following, this emptiness is not empty, but quiet. The word "late" is also very vivid, full of twists and turns, expressing the poet's longing and yearning for autumn.
"Moonlight in the pine forest, crystal stone in the stream." This sentence is outstanding through the ages with its neat antithesis, beautiful scenery, harmonious chapter and smart style of writing. The inherent aesthetic mechanism of this sentence lies in the poet's vivid description of the lifeless "moon, pine, spring and stone". His life is so "reborn from the fire", interdependent and connected by blood, and he observes the charm of autumn in nature in detail and shows it incisively and vividly.
"Necklace" Bamboo Laundry Girl comes home, and the lotus leaf bends in front of the fishing boat. Combined with the first couplet, dynamic and static combination, audio-visual interaction, scene blending. The daughter of Huansha shuttles between Maolin and Xiuzhu, and the man of Yuqiao is boating in the moonlight of the lotus pond, which is full of a kind of clumsy beauty and wild interest, and is filled with a sense of artistic life of "being in the picture world".
"My friend's prince, spring has passed, and you are still here. What does it matter? It can be seen that the above-mentioned "painting" also carries the poet's information from society. The poet once belonged to "Wang Sun" and came from officialdom and society, but now he lives in Wangchuan. From "straying into the dust net" to "returning to nature", the word "Zi" expresses the poet's unique understanding of "living in the mountains", and the picture of autumn rhyme is a powerful rebuttal to the officialdom society that binds human nature. Those who "stay" will also "stay". The "stay" in Mountain Residence in Autumn Night is not only the deep call of nature, but also the stop of the poet's soul. It is in this spiritual background that it is not surprising that the "Spring Formula" admired by the world is in the eyes of poets.
Generally speaking, this poem won the reputation of Dongpo Zhi Lin as "painting in poetry". Judging from the composition of this poem (or this painting or this picture), the foreground is empty mountains and fresh rain, and the weather is late autumn. At the top of the close-up, there is a bright moon, a clear spring and flowing stones, and at the bottom, there are model-like Huan women and fishermen. The last sentence is fictional, and its meaning has been hinted at in the distance of the first three sentences. Because "the distant mountains are colorless, and there is no wave in the distant water", the first and second couplets are really the background and voiceover, and the couplet in the middle is the highlight. Therefore, as long as we firmly grasp the three typical images of "pine, bamboo and lotus" that express the poet's character, that is, tall and straight, extraordinary, elegant and clean, we can appreciate the simplicity and freedom of the female fisherman in Huan as the embodiment of the poet's ideal of living in the mountains and the artistic conception of this poem.
Appreciate II
This is a famous landscape poem, which expresses the poet's noble feelings and pursuit of ideals in poetry and painting.
The first couplet is about the dusk scene in autumn. It is quiet and leisurely in Shan Yu for the first time, fresh and pleasant. Zhuan Xu wrote about the bright moon in the sky, pine trees shaded by green trees, cool mountain springs flowing on rocks, and quiet and bright scenery. It heard the noise of the bamboo forest, saw the unfolding of the lotus leaf, and found the girl Huan and the fishing boat. At the end of the couplet, this beautiful scene is a place to live a completely clean life.
The whole poem expresses its ambition through the description of mountains and rivers, which is rich in connotation and intriguing. Moonlight in the pine forest and crystal stone in the stream are eternal maxims.
Autumn Night in the Deep Mountains by Wang Wei is one of the representative works of landscape poetry, which sings a hermit's love song. The whole poem depicts the beautiful scenery of the mountain village and the simple fashion of the villagers in the evening after the rain in Chu and Qing Dynasties, and shows the poet's satisfaction with his seclusion.
The first two sentences of the poem, "An empty mountain after the rain, beginning of autumn at dusk", are the natural scenes of the mountain village after the rain outlined by the poet with his big hand. It is as fresh, quiet and far away as it is now. An "empty" word renders the sky high and the clouds light, and everything is ethereal. How leisurely the poet lives in seclusion here, and how he describes the typical environment of landscape and countryside, revealing the poet's love.
"There is moonlight in the pine forest and crystal stone in the stream", and the scenery at dusk, the beginning of Shan Yu, is quiet and leisurely, fresh and pleasant. The pine forest washed by rain is spotless, full of green; The rocks are especially crystal clear, transparent and bright; Even the moonlight is as bright as washing; Shan Yu's spring suddenly flows on the slate, and then winds down the mountain stream, giving out a crisp and pleasant song, like a "serenade". "Illumination" and "flow", one goes up and down, one moves in silence, and the other moves in silence, as if people feel the pulse of nature beating. At this moment, the poet seems to feel that he has also been washed away. The beauty of nature and the beauty of the soul are completely integrated, creating a pure and beautiful poetic realm, which is as inseparable as the water moon mirror. This kind of Zen is a hermit. Su Shi praised this couplet as a typical sentence of "painting in poetry"
Then the poet changed from writing about scenery to writing about people. In this landscape painting, the natural beauty of the mountain village is integrated with the beauty of the villagers' life. "The sound of bamboo calls the washerwoman to return, and the lotus leaves are collected in front of the fishing boat", which are the portrayal of human activities-"Huannv" and "Fisherman". The poet adopted the writing "Listen to people before you meet them". Yes, it's night, and it's covered with bamboo forests. How can I see a woman who comes back from washing clothes? However, when the women from Zhuhai moved slowly, they stirred the bamboo soaked in the night dew and made a "rustling" sound. With their silvery laughter, the noise of laughter broke the quiet night sky. Listening to the ups and downs of lotus leaves on the water surface, the fishing boat went down the river. This is a fisherman who wants to catch fish by moonlight tonight. The poet was moved by this scene, and his feelings welled up in his mind: Dai Yue, a mountaineer, was industrious, simple and cheerful from his own nature, far clearer and purer than people in officialdom. All these details convey that the poet loves not only the beauty of the scenery here, but also the beauty of the people here. This naturally lays a solid foundation for summarizing sentences.
"My friend's prince, spring has passed and you are still here. What does it matter?" It was written by a poet. Although spring has gone, autumn is better and I would like to stay. Wang Sun refers to the poet himself, a poet's comment on Chu Ci? The poetry of "When the king returns, he can't stay in the mountains for a long time" is reversed, which means that although the youth in spring is resting, the scenery in autumn is also beautiful, and he can stay in hiding. As the poet said in Qingxi, "In my heart, I have always been as pure as this clear water." His love for returning to nature and his dislike for Guanhai are beyond words.
In a word, this pastoral poem is fresh and quiet, which embodies the poet's noble feelings and pursuit of ideals, and is rich in connotation and intriguing.
An important artistic technique of this poem is to express the poet's personality beauty and an ideal social beauty with natural beauty. The poet expresses his ambition through the description of the scenery, which is rich in content and intriguing.