The first four poems (also translated into the first four poems), Caochang, the first five poems, new life, seven issues, Arfor Nuo, rural life, poem 1962-20 12.
Extended data
Louise gleeck's poems have obvious characteristics of confessional poems. For example, although the autobiographical color of House on the Marsh is still strong, the author's characteristics in using classical myths and biblical allusions are already obvious. Since then, Louise gleeck has gradually stepped out of the writing direction influenced by the confessional school, forged her own poems under the dual effects of confessions and allusions, and gradually moved towards the road of "post-confessional poetry".
Therefore, Louise gleeck's poems return to symbolism before Rilke to some extent, and tend to make meaningful metaphors for every detail of self-history with a high degree of self-concern, which is mysterious.
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