You come to Dongli to live in May and borrow Japanese cigarettes to make cigarettes. Why cut the beautiful scenery? I would like to teach Yun to cut the skirt. Looking for a bush will accompany you, writing a pen to mulberry and writing your thoughts. The red flowers on my face set each other off, and I pondered the beautiful sentences for Yaochi.
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Seven-character poetry is a genre of China's traditional poetry, which belongs to the category of modern poetry. Shen Yue's new-style poems originated from Qi Yongming in the Southern Dynasties, paying attention to rhythm and duality. They were further developed and stereotyped by Shen Quanqi and Song in the early Tang Dynasty and matured by Du Fu in the prosperous Tang Dynasty.
Seven-character verse is strict, which requires the unity of words in the poem. It consists of eight sentences, and each sentence has seven words. Every two sentences are a couplet, and * * * is a quadruple, which is divided into first couplet, parallel couplet, neck couplet and tail couplet. The two couplets in the middle demand antithesis. Representative works include the Yellow Crane Tower in Cui Hao, Du Fu's Ascending, and Li Shangyin's Stabilizing Tower.
Seven-character metrical poetry refers to seven-character and eight-sentence poetry, which conforms to the norms of metrical poetry. Referred to as "Seven Rhymes", it is a kind of metrical poem. Metric poetry belongs to the category of modern poetry, which is named because of its rigorous meter.
The rise of seven-character poems is later than that of five-character poems. It originated in the Southern and Northern Dynasties, sprouted in the new style poems of Qi and Liang Dynasties, and was shaped between the early Tang Dynasty and the prosperous Tang Dynasty. In the early Tang Dynasty, Shen Quanqi, Song, Du, Li Qiao and others began to write articles. In the prosperous Tang Dynasty, Wang Wei, Li Qi, Cen Can and Jia Zhi all intended to temper it.
Fang made his system proficient, but he and Li Bai still have semi-ancient and semi-French works. Although there are some masterpieces of Gao Hua Xiulang in the seven-character poems of this period, most of them belong to the content of giving and receiving, which is narrower than the five-character poems.
At the same time, in the prosperous Tang Dynasty, most of the seven laws of poets such as Li Bai, Wang Wei and Gao Shi were wrong, sticky and emphasized. It was not until Du Fu that the seven-character rhythmic poem showed its poetic potential and opened up the artistic world.
Du Fu opened up the realm of metrical poetry in an all-round way, and current affairs, politics, life experiences, customs, cultural relics and historical sites were all integrated into strict metrical style, which raised the value of this poetic style to the level of being juxtaposed with ancient poems and quatrains.