What are the manifestations of the retro tendency of Qing poetry?

The retro tendency of poetry in Qing dynasty is a resistance and criticism to national oppression. Cuba pays special attention to preventing foreign aggression. He said: "If you die, you will die", and "If you change your name, you will die; Benevolence is full, and as for attracting animals to eat people, it is called the death of the world. " When he said "subjugation", he meant regime change, and "subjugation of the country and the world" meant national decline. He believes that protecting the country is the responsibility of the monarch, ministers and people who perform their duties. "It is the responsibility to protect the world" (Rizhilu)!

Stimulated by the times, they opposed Wang Xue's empty talk about mind and nature in the late Ming Dynasty and put forward the idea of "combining Confucian classics without promoting Neo-Confucianism" in an attempt to awaken people's hearts and revive the nation through Confucian classics and history. Gu advocated that "everything is not based on the Six Classics, and everything is not people-oriented" (Book with People). Huang Zongxi said: "The beauty and evil of literature are divorced from reality." This began to change the style of study in the late Ming Dynasty. Later, Yan Requ, Hu Weiwei and others raised the banner of Sinology and attacked Song Studies. These have had a far-reaching impact on the style of study in the Qing Dynasty, and also played an important role in the literary theory and creation in the Qing Dynasty. The retro tendency in poetry and even novels and operas in the Qing Dynasty is related to this style of study.