The image of the moon is summarized and appreciated in 800 words.

"Moon" is one of the earliest and most frequently used images in China's ancient poems. It has been favored by poets of all ages and has become a carrier for them to express some feelings. Especially in the Tang Dynasty, the image of the moon in Tang poetry had a remarkable development before Bitang, whether it was the richness of emotional connotation or the uniqueness of artistic expression. This paper aims to explore the profound emotional connotation and artistic characteristics of the moon image in Tang poetry. The full text mainly consists of four chapters. The first chapter summarizes the research on the image of the moon in China's ancient poems since the 20th century. The second chapter combs the development and evolution of the moon image in the poems before the Tang Dynasty. According to the development of the moon image itself, it can be divided into three stages: the moon image in the pre-Qin period mostly appeared in the form of juxtaposition or opposition between the sun and the moon, with poor independence, strong practicality and not close relationship with emotion, mainly as a witness of time and nature or influenced by the worship of the sun and the moon. Strictly speaking, many "moons" in this period cannot be called real images; The image of the moon in the Han and Wei dynasties began to be independent from the juxtaposition or opposition of the sun and the moon, but it was still not prominent. Compared with the moon image in the pre-Qin period, it is slightly lyrical and has a relatively stable connection with feelings such as acacia and sadness. The image of the moon in the Jin, Southern and Northern Dynasties developed greatly on the basis of the previous generation. In addition to acacia and sadness, there are moon images that express homesickness, homesickness and mourning, as well as moon images that depict women's ornaments or chant women's objects and boudoir customs. These images are more closely related to emotions. For example:

"Looking up, I found it was moonlight, sinking again, and I suddenly thought of home." (Li Bai's Thoughts on a Quiet Night) "He knows that the dew will be frost tonight, and how bright the moonlight at home is! "(Du Fu's Moonlit Night Remembering Brothers)" I wonder whose house Qiu Si will stay tonight. " (Jane's "Looking at the Moon on Fifteen Nights and Sending it to Du Langzhong") "The moon is full now, and the horizon is * * * at this time." (Don Zhang Jiuling, looking at the moon, Philip Burkart I) "When will the bright moon shine on me in Jiang Nanan?" (Wang Anshi's "Boating in Guazhou") "Every year, it is expected to be heartbroken, moonlit and short." (Su Shi's "Jiangchengzi") The moon in these ancient poems is often synonymous with homesickness and the carrier of acacia.

B, "The sand is like snow, and the moon outside the city is like frost." (Tang's "Watching the Elephant Wall Night Cry"). "The moon was bright in Qin, closed in Han, and the Long March did not return." (Don Wang Changling's "The Embankment") tragic. The bright moon in these poems contains the sadness of frontier people.

C. "If the ancients were running water today, they would look at the bright moon." (Li Bai's "Quench thirst by drinking poison", the title of this poem vividly shows the plunder of life by time and the helplessness of life in front of time, which contains the eternity of time and space.

D, because the moon is characterized by shining all over the world, with a circle and a gap, the full moon can mean that relatives and friends get together and everything is fine; The lack of a moon can be compared to the separation of relatives and friends, and things are not satisfactory. "People have joys and sorrows, and the moon is full of rain and shine." This is the truth. "I hate you, not Jiang Louyue, east and west, north and south, north and south, only with no separation. Hate you like Jiang Yue. If it is full, it will still lose money. When will we be reunited? " These two characteristics of the moon refer to personnel.