1, draw a border first, draw some grass at the bottom, draw a cow in the lower left corner, and draw a child on the back of the cow. Then draw a moon in the upper right corner, draw a square border at the top, draw grass and rivers in the middle and draw some mountains in the background.
2. Then start drawing. The moon in the upper right corner is painted yellow, the cows in the lower left corner are painted brown, the children are painted yellow, red and blue, the grass is painted green, the river is painted blue, the mountains are painted gray and the middle boundary is painted orange.
3. After painting the colors in the painting, finally, we will write out the ancient poems of the frontier fortress and rearrange the picture, so that the ancient poems in the village will be painted!
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Poetry is a literary genre that expresses feelings and wishes. It is a literary genre with a certain rhythm and rhythm, which vividly expresses the author's rich emotions in highly concise language and reflects the social life in a concentrated way.
"Preface to Mao Poetry" records: "Poets have aspirations. Have ambition in your heart and speak like a poem. " Yan Yu's Poems on Canglang in the Southern Song Dynasty said that "poets chant temperament". There is only one art expressed in words: poetry. In 2022, the Chinese Poetry Society named Qingyuan the first "China Ecological Poetry City" in China.
In ancient Han Dynasty, unhappy people were called poems and happy people were called songs. In modern times, they are generally called poems. It expresses social life and people's spiritual world according to certain syllables and rhythms. The origin of poetry can be traced back to ancient times. The Book of Songs is China's first collection of poems, which is said to have been compiled by Confucius. There is still debate on this issue in academic circles.
Chinese poetry experienced the development of Yuefu, Tang poetry, Song ci and Yuan Qu in the Han, Wei and Six Dynasties. Han Xunyue's poem "Emperor Ji Hui of Han Dynasty" G. Preface to Han Yu's "Poems on Xitang in Yunzhou" in the Tang Dynasty: "Although thinking about the works of the Tang Dynasty means that there are words but no poems, it is to connect the people of the country with Tao and ignore public morality.
Wang Ming Chang's Zhen Ze Chang Yu Official System: "The Hanlin in Tang and Song Dynasties is a very deep and strict place with many poets." Lu Xun's Letter to Dou: "Although there are two kinds of poems, the latter is better." Kong Yu's Yuan's Land Garden: "Yuan's Land Garden is in Mingfengmen, and on auspicious days and festivals, scholars and celebrities from the state gather here. The poem recited later became an album called Penglai Jisheng.
How to draw an ancient poem? The steps of handwritten newspaper are as follows:
1. Find a suitable ancient poem. Let's take He's "Singing Willow" as an example.
Jasper dressed as a tree, hanging down ten thousand green silk tapestries.
I don't know who cut the thin leaves, but the spring breeze in February is like scissors.
2. Draw a sketch according to the scenery described in the story, which can be drawn with a pencil, so that it can be modified when needed later.
3. Then choose your favorite color and you're done.
The writing background of Liu Yong;
He returned to his hometown with a letter, and officials saw him off. He took a boat through Nanjing and Hangzhou and arrived in Xiaoshan County along Xiaoshaoguan River. Yue officials met him at the post office, and then took a boat to his old house by the Panshui River outside the south gate. At this time, it was the early spring of February, willow buds sprouted, spring was full, and the breeze blew on my face. He opened it like a bird out of the cage and returned to his hometown. He was naturally very happy and wrote this poem on the spot.
China's artistic songs can be traced back to the pre-Qin period. At that time, The Book of Songs was called the earliest collection of poems in China, in which Daya and Xiaoya became the source of ancient art songs in China. Poetry reached its peak in the Tang Dynasty, and it became a fashion for poets in the Tang Dynasty to enter the music with songs. In the Song Dynasty, Qu Zi's ci reached its peak. This kind of long and short sentences is both easy to sing and elegant, and the combination with music is more free than poetry. Yuanqu is a literary and artistic form that can keep pace with Tang poetry and Song poetry. It is a form of oratorio in which music tunes are used to express feelings, write scenes and narrate. It is widely used in spoken language and tends to be popular, so it has distinctive folk style and local color, and maintains the simple and natural characteristics of folk songs.
There are some differences between China's ancient poetry and art songs and China's ancient songs. In terms of development time, China ancient songs refer to China songs before the Republic of China, while ancient poetry and artistic songs have been produced since modern times. In terms of genre, it still belongs to "art songs", but it is very different from art songs in specific techniques.
In the 1920s, all the artistic songs of ancient poetry were created by Zhu Qing. He wrote 19 artistic songs in his life, among which 14 artistic songs were created by using ancient poetry, which accounted for an important proportion in his whole artistic song creation. The main works are: River of No Return (Shi Ci), I Live at the Head of the Yangtze River (Zhi Yi Ci), Full of Red Branches (Nan Yansi Ci), Face as Flowers (Juniper Anshi), Travel for 300 Li (Qi Ji) and My Home-returning Couple Book (The Book).
Looking at the artistic song creation of Zhu Qinggu's poems, he likes to use the words created by the ancients or folk songs in the choice of lyrics genre; On the subject matter, the content includes satirizing the present, expressing the feelings of missing, reflecting love and affection, etc. In the melody technique, he is good at grasping the rhyme, rhythm and beat of ancient poetry, and combines the style characteristics of ancient poetry with the melody style characteristics perfectly according to the two methods of "singing according to the words" and "singing according to the meaning". In terms of musical structure, the composer chooses a musical structure that is complementary to the content according to the structure or content of ancient poetry, instead of applying the musical structure of western traditional art songs (bar songs, popular songs, etc.). ). This arrangement of music structure is also an important embodiment of Zhu Qing's music creation concept; At the same time, the composer used the national harmony technique and vivid piano accompaniment writing, which perfectly combined the western traditional composition technique with China ancient poetry. At the same time, it also reflects the composer's conscious nationalization.
Zhu Qing's creation of ancient poems and artistic songs was of great significance at that time, and had an important influence on the creation of later composers. In particular, the creation of River of No Return is not only the first artistic song of China, but also the first artistic song of ancient poetry, which has dual historical significance. Its appearance laid the style characteristics of China's early art songs, and it was also a model of China's art song creation.
The 1930s is a period when China's artistic songs gradually formed their own characteristics, which can be called a prosperous period in the history of China's artistic songs. It not only occupies an important position in the creation of ancient poetry and music, but also has a major breakthrough in the number of creators compared with the 1920s, such as Huang Zi, Chen Tianhe, Liu Xuean, Tan Xiaolin, Xian Xinghai and Jiang Dingxian.
Huang Zi was the main representative of this period and made important contributions to the development of ancient poetry and artistic songs. His main works are Flowers Are Not Flowers (Tang Bai Juyi), Nanxiangzi (Song Xin's Seven Wonders), Buzuoji (Su Song's Poems) and Dianjiang Lip (Wang Song's Zhuo). The creative techniques mainly include:
First of all, pay attention to the close combination of lyrics rhythm with melody and rhythm. For example, "Flowers are not flowers", the lyrics at the beginning of the song are "flowers are not flowers, fog is not fog", and its rhythm is "plain". The first half of the sentence is flat and the second half is flat. Huang Zi put the first half on the Sol sound and the second half on the Do sound, which is closely related to the rhythm.
Secondly, pay attention to the nationalization of melody and harmony. For example, in Flowers Are Not Flowers, the five-tone mode of D Palace is used, and three modes of feather, quotient and angle are used in the operator of divination, which outlines an ethereal and distant realm for the audience through the change of modes. In terms of harmony, the composer made great efforts to explore national harmony, adopting four or five-degree overlapping chords, additional chords and chords with three notes omitted.
Finally, pay attention to the writing of piano accompaniment. In the accompaniment writing of ancient poems and artistic songs, composers should not only coordinate the melody of the songs well, but also pay attention to the grasp of the emotions of the songs. For example, in "Red Lips", the left hand is dominated by the rhythm of eighth notes, with a decorative short and beautiful sound pattern as the background, while the right hand has syncopation and staggered rhythm; In 10 and section 24, the composer expresses the passionate emotion in the song by increasing the rhythm density and harmony density.
Huang Zi not only made outstanding contributions to his own music creation, but also trained a large number of talents in teaching, such as his four disciples Liu Xuean, Chen Tianhe, He Lvting and Jiang Dingxian, which played a positive role in spreading his creative ideas and promoting the development of ancient poetry and artistic songs.
There are four artistic songs of Liu Xuean's ancient poems, namely, a night-mooring near maple bridge (Tang Zhangji), Spring Breeze Blows Down Rocks (Tang Libai), Red Bean Poems (Cao Qingxue Qin) and Huainan Folk Songs. Composers pay attention to the literariness of lyrics in the choice of artistic songs, and these poems have potential musicality. For example, in the song "A Night's Mood by the Maple Bridge", the composer designed the rhythm of the tone as XXXXDXXXD according to the sentence of "The moon sets D and the sky is full of frost" in the poem, which is also closely related to the meter of the poem. He also paid attention to nationalization in harmony techniques. For example, in Red Bean Poems, he used Be feather's seven-tone elegant music scale.
Chen Tianhe's artistic songs of ancient poetry mainly include a night-mooring near maple bridge (Tang Zhangji), Where is the Spring Return (Huang Songting Jian), Jiangchengzi (Qin Song Guanci) and Caisang Qu (ancient poetry). In addition, Jiang Dingxian's Cotton (an ancient poem), Ying Shangneng's No Clothes (The Book of Songs, Qin Feng), and Zhang Xiaohu's Slow Voice (Song Liqing's photo) are all influential artistic songs of ancient poems in the 1930s.
Looking at the development of artistic songs of ancient poetry in 1930s, its characteristics are as follows: firstly, ancient poetry is diverse in genre and rich in connotation, among which there are many famous poets in different historical periods, such as Tang poetry, Song poetry and the Book of Songs, among which Tang poetry and Song poetry account for the largest proportion, which reflects the composer's own profound cultural background and artistic accomplishment; Secondly, pay attention to the nationalization of song creation, and composers pay attention to how to combine western composition theory with China folk music; Finally, influenced by professional music education, the main works of ancient poetry and art songs in this period were basically written by academic composers, such as Huang Zi, Liu Xuean, Chen Tianhe, Ying Shangneng and He Lvting. This is inseparable from the establishment of China's professional conservatory of music. This shows the importance of professional music education in the process of artistic song creation in China.
The artistic songs of ancient poetry in the 1940s included Three Chapters of Yangguan (Wei), Xian Xinghai's Memories (Tang Libai), Zhi Zhu's Ci (Yuxi, Liu Tang), Ma Sicong's Sunset (Tang Lishangyin) and Meet Me Late 1943.
During this period, Tan Xiaolin made the greatest achievement in the creation of ancient poems and artistic songs. His major works include (90' s in Zhang Tang), Peng (Zhuxi Town in Song Dynasty) and Qingping Tune (Li Bai in Tang Dynasty). The most prominent feature of Tan Xiaolin's ancient poetry art songs is the use of 20th century composition techniques, and at the same time pay attention to the combination with China folk music materials. For example, in The Story of a Wave, the melody begins and ends in G minor, but the tonic cannot be found in the middle part. The extensive use of the third and fourth chords makes the work more fresh and elegant with Chinese style, vividly showing the author's complex mood of leaving his hometown and missing his old friend.
The main features of ancient poetry and artistic songs in the 1940s are: 1. Highlighting the theme of the times; Second, the nationalization of melody creation has been further developed; Third, the combination of modern composition techniques (represented by Tan Xiaolin).
Throughout the development of modern ancient poetry art songs in China, since Zhu Qing wrote the first ancient poetry art song, ancient poetry art songs have experienced the creation of composers DD30 and DD40 in the 1920s. There are similarities and differences in their creations, which can be summarized as inheritance and innovation. The successful creation of these ancient poems and artistic songs not only enriches China's modern vocal music works, but also provides us with materials to study the creative techniques of modern composers.