2. The overall artistic style of Liu Zongyuan's prose is gloomy, cold and steep, with a kind of beauty, and points out that this style of Liu Wen is not only related to his long-term experience of being demoted, cynical thoughts and feelings, and the content of critical works, but also related to his melancholy, resentment, cold colors, rich poetry, obvious irony, symbol and rigidity.
3. The artistic achievements of Liu Zongyuan's prose are comprehensively and carefully analyzed from ten aspects: his prose view, essays, biographies, fables, travel notes of mountains and rivers, artistic features of Ci and Fu, artistic style of Liu Wen, structural art, fable art and comparison of Liu Han's prose.
4. Liu Zongyuan's landscape literature is not "a manifestation of his pursuit of a leisurely life", but "a more painful and true reflection". "In essence, this is just that Liu Zongyuan chose a scenery that his political opponents could not spy on, as the object of his concentrated creation, to forcibly transfer his anger, sadness and depression.
Moreover, this kind of emotion cannot be completely hidden. In addition to his silly flow, he can often encounter words like taking mountain and river experience as his own. "
Liu Zongyuan left more than 600 poems in his life, and his achievements in writing were greater than poems. Nearly a hundred parallel essays, argumentative essays, sharp and ironic. There are many places where scenery is described in travel notes, such as Collection of Mr. Hedong, with representative works such as Xiju, Jiang Xue and Fisherman.