He has never achieved fame in his life, but he has high expectations. He despised the rich and powerful in clothes, mocked the hierarchical order centered on political power, criticized the phenomenon of political corruption, and carried forward the heroism in the prosperous Tang culture with a bold gesture of resistance. Li Bai's anti-power thought is becoming more and more conscious and mature with the enrichment of his life practice. In the early days, it was mainly manifested in the equal requirements of "self-improvement, not being human" and "making friends with princes", as he said in his poem: "I was drunk in Chang 'an, and five kings and seven people shared a glass of wine. In the face of heroic spirit, the romantic spirit will fall behind others! " ("Liu Yelang gave the judge Xin") "Encourage the nine masters to make waves and be young and ignorant." ("Ode to the Jade Pot") He sometimes makes grandiose remarks that show contempt for powerful people, such as "Gold and white jade buy songs and laugh, and get drunk and tired, and despise princes" ("Remembering the past" sent the county yuan to join the army). But his main performance is inner pride. With the understanding of the actual situation of high-level power groups, he further exposed the opposition between Buyi and dignitaries: "Zhu Yu buys songs and laughs, wasting talents." (The fifteenth time of "Ancient Style") "Wu Tong nest finch, orange." ("Bo Gu" article 39. And those ugly acts of stealing power because of flattering the emperor are even more ridiculous, such as: the cart flies in the dust and the pavilion is dark in the afternoon. China is more expensive than gold, and Lianyun has a room. He Huihe was dubbed cockfighting. When the rainbow is dried in one breath, pedestrians are afraid. There is no such thing as washing your ears, only Yao and your feet! In "Dream on Mount Tianmu", he made the loudest voice: Ah, how can I solemnly bow and scrape to those high officials who will never get a sincere face! The significance of this artistic generalization in Li Bai's poems is as important as Du Fu's famous sentence "The wine and meat in Zhumen stink, and the bones on the road freeze to death" ("Ode to 500 words from Beijing to Fengxian"). In the deteriorating political situation at the end of Tianbao, Li Bai linked anti-dignitary with extensive social criticism. For example, Answering the King on Twelve Cold Nights not only fought bravely for the fallen sages, but also expressed disappointment and contempt for the imperial court: If there is no Beihai in Li See, where can there be heroic spirit? If you don't look at Pei Shangshu, there are three feet of wormwood thorns in the earth grave. Teenagers have long wanted to go to the Five Lakes. Seeing this, I will spare Zhong Ding. Li Bai even sharply reprimanded Xuanzong himself in the way of satirizing modern people in his poems, such as "Feeling the Book, My Friend", "Ancient Style" and "Ascending to the Far Sea". In a word, it can be said that he developed the anti-power theme in Tang poetry to the point of dripping and hearty. Ren Hua said that Li Bai "lived for decades and never lost his color for a day" ("Miscellaneous Words Send Li Bai"). This consciousness of never giving in to powerful people and bravely fighting for self-dignity is an important content of attaching importance to personal value since Wei and Jin Dynasties, and it is also a tradition of attaching importance to strength and character. It is under the new historical conditions that Li Bai inherited and carried forward this excellent tradition and became a star in poetry. Li Bai's poems and songs are full of passion for life. His poems are often full of childlike interest in the wild, such as: "two people love each other, one cup after another." "I'm so drunk that I want to sleep, and I'm going to hold the Ming dynasty piano." ("On the Mountain and Lovers") "Long sleeves, light desire, drunken dancing in Hanzhong. Put a robe on me and I'll get drunk and sleep in my lap. " Life is like strong liquor, which intoxicates the poet. Of course, this does not mean that there is no sorrow and pain in life, but the poet's optimism is enough for him to transcend and overcome his sense of hardship. The so-called "where is there nothing to worry about in life?" Drinking and climbing the stairs (Song of Liangyuan) and "Drunk Jia Qianchi, don't look at the monument to tears" (Xiangyang Qu IV) are exactly the portrayal of his broad-minded mentality. He is never satisfied with loneliness and loneliness, such as I drink the bright moon alone: from a pot of wine to flowers, I drink alone. No one is with me. Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people. The moon doesn't know how to drink, but the shadow in front of it is behind. I have to mingle with them and enjoy the happiness of spring. The song I sing is bright and wandering, and I dance the shadow before wandering. When you are awake, you are happy together, and when you are drunk, you go your separate ways. I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way. Only a energetic poet can come up with such a fantastic idea. He has a "short song line", and the idea is: "If you want to win the Six Dragons, go back to the car and hang the Fusang. With the help of the Big Dipper, every dragon advised them to drink a glass of wine, so they all fell asleep and couldn't stay awake. Wealth is not what you want, you are in old age. "Here, there is no old man's sigh, but the naive imagination of" persuading wine "expresses infinite attachment to life. These poems, with their pure taste, appeal to the beautiful humanity submerged by vulgar life, thus gaining permanent charm. Li Bai has a strong feeling for nature, and he is good at integrating his personality into natural scenery, which makes his landscapes and valleys have idealized colors. He said in the poem "Sunrise": "I will include a big piece, and I will be noble and have the same topic. "He also said:" Yangchun told me to smoke, and I took articles on big holidays. " (Preface to the Spring Banquet in Peach Blossom Spring by My Brother) Li Bai is heroic and pursues a pure and noble state of mind. These different personality aspects also form two types of his artistic conception of mountains and rivers: one is to highlight the beauty of strength and movement in the majestic mountains and rivers and express his lofty sentiments and strong thoughts in the magnificent artistic conception; The other is interested in pursuing the beauty of Ming Che and expressing innocent feelings in a beautiful artistic conception. For example, the Yellow River and the Yangtze River in his works roared and roared: "How can the water of the Yellow River move out of the heavens and enter the ocean, and never return" ("Into the wine"); "The Yellow River touches the mountains in Wan Li, and the vortex hub turns to Qin Mine ... Genie growls and breaks two mountains, and Hongbo jet shoots the East China Sea" ("Xiyue Yuntai Song sends Dan Qiu Zi"); "I climbed to the top. I look at the whole world, and the vast rivers can't go. "Huang Yun is popular for a hundred miles, and the snow peaks are around nine streams" (the song of Lushan suggestion and Lu Xuzhou); "Poseidon has been to the evil wind, and the waves hit the stone wall of Tianmen. What happened to Zhejiang in August? Snow in Taosi Mountain (Hengjiang Ci). The peaks in his works are towering and steep: "The highest cliff is only one foot below the sky, and the withered pine trees hang their heads from the surface of the cliff" (Shu Dao Nan); "Straight into the sky, its peak into the sky, the top of the five holy peaks, casting a shadow through China; The ladder mountain range stretches for hundreds of miles, starting from here and extending to the southeast "(Tianmu Mountain rises in my dream). He endowed mountains and rivers with lofty aesthetic feeling with heroism in his chest. His praise for the great power of nature is also a tribute to the far-sighted and unremitting pursuit of life ideals. Extraordinary natural image and proud heroic character are integrated. At the same time, Li Bai also wrote many beautiful landscape poems. For example, "people travel around the moon and ships travel in the air" ("Send Weiwan, a man from Wuwangshan, back to the palace"); "When a man rides on the sea and the moon, the sail falls into the sky in the lake" ("Looking for Yang to send his brother to visit Sima Zuo in Poyang"); "The moon turns with the green hills, and the green hills follow the flowing water. It seems that I am above the Milky Way, but I feel that the clouds are secluded ("On the Moonlight, I will send a trip outside the Cuiyuan"); "Jinling night is quiet and cool, watching the five mountains in the west wing alone. The white clouds reflect the water and shake the empty city, and the white dew drops the beads and the autumn moon ("The Moon on the West Tower of Jinling City"). These poems are famous for their clarity and purity. Li Bai's landscape poems are not so much a realistic description of natural features as a reformed and idealized picture according to the poet's personality. He just wants to grasp the overall momentum or atmosphere, splash ink on the basis of sudden excitement, while ignoring the specific details, and even the visual transfer order of the scenery is often not concerned. Li Bai's landscape poems are pervasive and lyrical. He is good at blending mountains and rivers with specific emotions, and there is a subtle relationship between the situation of "scenery" and the characteristics of "emotion" For example, seeing a friend off: to the north of the Great Wall is a blue mountain range, and to the east is a white waterline. Here we say goodbye to each other, and you, like losing your father, are floating in the wind and traveling far away. Floating clouds are like wanderers, like wandering, and the sunset slowly goes down the mountain, which seems to be nostalgic. With a wave of his hand, he will be separated from now on, and his friend on horseback will carry him on a long journey, blowing a long wind, as if reluctant to leave. The "floating clouds" and "sunset" in the poem are not only the foreground of the eyes, but also the concrete images with specific emotional content in ancient poetry, which means that once a wanderer leaves, he will be like a floating cloud, so he will say goodbye to the sunset without leaving a scar. Another example is "the clouds return to the blue sea and the evening, and the geese have no blue sky." The first two sentences not only point out the season and time, but also use the images of "cloud" and "goose" to refer to departure and travel. In addition, such as "sometimes white clouds rise and the sky unfolds." However, in my heart, I am grateful for every happiness ("Looking at Nanshan to send a song to a hermit"), "Oh, go and ask this river flowing eastward, whether it can go further than the love of friends!" ("Parting Nanjing Restaurant"), "Xi Hui drives by the water, blue waves are rippling" ("Swimming in Nanyang Qingling Spring") and so on. Li Bai's thoughts and sentiments of freedom and liberation and his personality with the tendency of popularization also enabled him to explore all kinds of human beauty in social life more deeply. There is a yearning for a quiet life here, such as the third part of Midnight Wu Ge: a new moon hangs over the capital, and ten thousand laundry hammers are beating. The autumn wind blew Yi Dao's voice, and every household remembered the people guarding the border. When will the border war be settled and when will my husband end his expedition? There are praises for working life, such as "Song of Autumn Pu" XIV: "Fire shines on the heavens and the earth, and red stars are everywhere. On a moonlit night, the song moves the cold Sichuan. "All these poems, without exception, use the ideal nimbus to make the theme of daily life glow with poetic elegance. Li Bai is indeed an outstanding poet in China. The great wanderer enriched the scenery of the Tang Dynasty with his feet and poetic pen. He swept away sturm und drang, and then, the smoke in Dongting, the wind and cloud in Chibi, the apes in Shudao and the mighty river suddenly flew. In poetry, the poet is smart and heroic, like a cloud in the sky; He wandered between the eight poles, galloping freely, like a fine horse galloping on the Yuan Ye. In the poem, the poet sweeps away the worldly dust and completely restores his immortal posture: above, he looks for the green void, below, the yellow spring. His romance, madness, love and hate, loneliness and pain, dreams and awakening, heroism and vagrancy all reached the extreme. His poetry creation has a strong subjective color, which is mainly manifested in his emphasis on expressing heroism and passionate feelings, and rarely describing objective things and specific time in detail. Free and easy temperament, independent personality, and strong emotions that are easy to touch and erupt form the distinctive features of Li Bai's lyric style. He often erupts, and once his feelings are aroused, he rushes out without restraint, just like a hurricane in the sky and an overflowing volcano. His imagination is very strange, often has unusual connections, and changes with the flow of emotions.
[Edit this paragraph] Famous sentences of works
1, one day I will ride the wind and waves, sail straight up and cross the deep sea. "it' s hard to go to the sky", but since the water is still flowing, although we use swords to cut it, it' s even more worrying to raise a glass to dispel our worries. "Xuanzhou Xie Tiao Villa Farewell to Secretary Shu Yun" 3. Snowflakes in Yanshan Mountain are as big as seats, and pieces of them blow off Xuanyuantai. "Popular in the North", "Li Bai, Lai Cheng Wine" Dou Zhongliang 4. Since God has given talents, let them find jobs! , spin one thousand silver, all back! . Yuefu will enter the wine 5. You can't see how the water of the Yellow River flows out of the sky and into the ocean, never to return; Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night? Jin Jiu in Yuefu River: Oh, let a courageous man take risks where he likes, and never point his golden cup at the moon! . "Yuefu will enter the wine" 7. The green hills on both sides of the strait are opposite, and the sails come alone. Looking at Tianmen Mountain 8. Lonely sail overlooking the blue sky, I saw the Yangtze River flowing in the sky. "The Yellow Crane Tower Farewell Meng Haoran to Yangzhou" and "Lushan Mountain and Taibai Poetry" Dou Zhongliang 9. Flying straight down to thousands of feet, it is suspected that the Milky Way has fallen for nine days. Looking at Lushan Waterfall 10, three mountains and a half fall out of the sky, and Bailuzhou is full of water. (Also known as "The Island Where the Egret Divides the River") On climbing to the terrace of Phoenix 1 1 in Nanjing and laughing at the sky, are we Artemisia people? Children from Nanling entered Beijing 12. The highest cliff was less than a foot from heaven, and dry pine trees hung down from the surface of the cliff. A cloud rises between the light of heaven and me, hiding his city from my melancholy heart. When I boarded the Phoenix Terrace 14 in Nanjing, I would think of you in the clouds, so I would think of me in the sunset. Send a friend 15, here is the end of the mountain, the beginning of the plain, and the river winds through the wilderness. "Seeing Friends Off at Jingmen Ferry" 16, the forest is vast, the haze is vast, and the area around Hanshan is sad and melancholy. "Bodhisattva Man" 17, I was worried about the bright moon and went with the wind until Yelangxi. (Another work is "Follow the King to Yelangxi") "I heard that Wang Changling moved to Longbiao Kiln to send this news" 18, Peach Blossom Lake is deeper in thousands of feet than in Wang Lun. To Wang Lun 19, with white hair and three thousands of feet, looks like a long sorrow. Song of Autumn Pu 20. Oh, when will the Tatar army be conquered? My husband will come back from a long battle! . Midnight Wu Ge 2 1, until, holding up my cup, I asked the bright moon to bring me my shadow and make the three of us. Drinking the bright moon alone 22. Apes on both sides of the Taiwan Strait can't stop crying. The canoe has passed Chung Shan Man. Early Baidu City 23. Ladies-in-waiting are like spring palace, but only partridges are flying today. Visit to Ancient Vietnam 24. Today, people can't see the ancient moon. This month, they have taken photos of the ancients. 25. Oh, how can I bow and scrape to those high-ranking people? They will never tolerate others showing them a sincere face. Climbing Mount Tianmu in the Dream 26. The foot of the bed is so bright. Will it have frosted? . Quiet night thinking 27, when you, my love, ride a bamboo horse, run in circles and throw your childhood. We live together in an alley in Qiantang, both young and happy. On the 28th of the Long March, halfway through the sunny ocean, the sacred space crowed. "Climbing Mount Tianmu in a Dream" 29. The birds are high and the lonely clouds are alone. Sitting alone in Jingting Mountain 30. Those who dislike me can't stay yesterday, and those who disturb my heart are more worried about today. Say goodbye to the secretary at Xuanzhou Villa 3 1. The bones of great writers are your brushes. In Tianyuan, I grew up beside you. "Xuanzhou Xie Tiao Villa Don't Shu Yun Secretary" Thirty-two or three cups of vomit, five mountains are light! "Chivalry" 33, Jin Baiyu bought songs and laughed, drunk and tired. Recalling the past, I went to the county to join the army. At first glance, Geng Jie died on the grass, not asking for a golden cage. Set up geisha to ward off evil spirits and advocate pheasant-spotted songs. Dapeng rises with the wind and soars in Wan Li. Li Shangyong 36. Is life awkward? Climb upstairs drinking wine. Liang, 37. The previous hibiscus flowers have all become rootless grass. When is it good to serve others with color? "I'm unlucky" 38, but I can make my master drunk. I don't know where my hometown is. Guest work 39. If I had known it was so embarrassing, why didn't I know it? Autumn wind ci