The first rule of rhythm is that two couplets (bottom couplet and neck couplet) are right because of difficulties. Then it was easy. You only need couplets, but you'd better be able to type and have better literary talent. Opposition can be divided into strict opposition and loose opposition. Strictly speaking, not only the sound level and tone are relative, but also the words and parts of speech must correspond completely. Broadly speaking, they are relatively flexible. Opposition can be divided into "side by side" and "side by side". Side by side not only has relative parts of speech, but also has a completely corresponding meaning. There are relative parts of speech by the water. In a sense, it is the connection between downhill mountains, such as downhill mountains, which is flexible and changeable. If the neckline can be matched with water, it will play a decisive role in activating the whole rhyme.
The bottom couplet "Jinjiang spring comes to heaven and earth, jade and clouds change from ancient times to modern times" and the neck couplet "Arctic court remains unchanged, and bandits in the western hills do not invade each other" are all antitheses, which conforms to the law of antithesis in poetry. There's no need to talk about it. The last word of mandibular joint and cervical joint must rhyme. The second couplet doesn't rhyme, because the tone is too high, and both couplets are the same.
We can see the first couplet, "Flowers near high-rise buildings hurt guests, and it is difficult to find a stairway of 1,000 square meters", and then the leading couplet will write down the scenery we saw at the stairway: "Jinjiang came to the world in spring, and Lei Yu's floating clouds changed the past and the present", while the necklaces will change from the scenery to the current political statement: "The Imperial Palace in the Arctic Ocean remains unchanged, and the western bandits will not invade", and from the scenery to worrying about the country and the people. At the end of the poor queen's return to the palace, the couplet "Liang" bears the significance of worrying about the country and the people, and then returns to the tower at dusk to sing "Liang" to express her desire to make a difference for the country.
Jinshi's second couplet enriches the expressive force of the work through layout, description and transformation. In fact, the vision of poetry is generally focused on the first and last couplets. Of course, this can be done in strict accordance with the writing rhythm of "transition from beginning to end"