Li Qingzhao's excellent family inheritance and good family education make her outstanding; Diligence and strength make her want to compete with a man. But her world can only be in the boudoir after all. Facing the insensitivity of the "confined person", her soul trembled and asked, "Do you know? Do you know that?/You know what? It should be green, fat and thin. " From the subtle changes of flowers, sensitive and clear photos have realized their own living conditions. Will time and youth disappear in the "sudden storm"? Sorrow naturally occupied the poet's mind. Her husband's trip abroad took away the joy of comforting herself in her life. "Flowing water. One kind of lovesickness, two places of leisure. There is no way to eliminate this situation. You can only frown and take it to heart. " Who in the world is a smart and affectionate woman who hasn't had a similar emotional experience? I just can't say it. "The newcomers are thin, not dry wine, not sad autumn gazing, and they have added new worries since then." There must be other sadness in the sadness of missing her husband.
In her early works, she was often immersed in the worries in the boudoir and the parting feelings of Sifu, which was deep and delicate. In the thinness and haggard of People Thinner than Yellow Flowers, there is a clear rhyme of a wrinkled beauty. Her "worry" comes from the following aspects: Li Qingzhao, who grew up under the nourishment of a long history of China culture, is inevitably influenced by the ubiquitous "worry consciousness"; The conflict between the family's intact protection of her personality and talent and the society's suppression of women made her deeply feel the tragedy of women; Sensitive female psychology makes her easily feel the soft character of sentimental and melancholy words and accept the aesthetic criterion of expressing sadness in words; Parting with her husband not only touched the heartstrings of Acacia, but also aroused her yearning for the outside world that was destined to have nothing to do with her, and her sadness became stronger and stronger. However, to some extent, these troubles have been gently resolved by a happy marriage and love life. Compared with the "worry" in her later poems, the "worry" in the early stage is deep and lingering, but in the bored sadness, the bitterness of acacia is also mixed with the sweetness of love.
After the Southern Crossing in Song Dynasty, Qingzhao's life has undergone earth-shaking changes. First, more than ten house stone paintings and calligraphy that the couple worked so hard to collect were burned to ashes by Jin people, and then they were frightened in panic. In a few years, my husband, who had been like-minded for decades, died of illness. The country broke and the family died. Once upon a time, there was a husband who shared sorrow and pain in chaos; Now that her husband has passed away, Qingzhao, who has no children or daughters, must bear this disaster alone. Inner loneliness and sadness squeeze the wandering photos and turn them into "sorrow" in the words;
It is no longer the inexplicable leisure worries of women in boudoir, nor the sweet thoughts in bitterness. It is a drop of blood and tears from the bottom of my heart after experiencing great suffering and great sadness. Wind and rain are everywhere, the ground is yellow and the flowers are falling, and the geese are still singing, but the old garden is beautiful and relatives are hard to find. This is the most painful worry in life, one that never ends and can never be let go.
Learn from a painful experience, what is pain! I have experienced too much pain and suffered too much hardships. I want to bury all this deeply in my heart, so I won't say it. But all this has already turned into blood and merged into the poet's life: the sunset melts gold, and the twilight clouds meet the wall. Where are people? Dye willow smoke and play plum flute. What do you know about spring? Is there no wind and rain when the weather is harmonious during the Lantern Festival? Come and greet BMW and thank his drinking buddies and poems.
Zhongzhou is in its prime, and the boudoir is full of leisure. Remember points three to five. Pave a green crown, draw golden snow willows, and compete with them. Now haggard, windy and foggy, afraid to go out at night. It's better to listen to people laughing under the curtain.
I want to cry, but I have no tears. The desire for joy is too heavy. The past "the heyday of Zhongzhou" has long passed. Nowadays, the old woman under the curtain chews too much suffering. The thought of the old country, the pain of bereavement and the feeling of wandering all make Hua Song feel a kind of life situation, which is heavy and heavy, but long, ubiquitous, lingering, indelible and unforgettable.
(A unique perspective, so that Li Ci has a unique expressive force.
The lyric hero in her works, that is, herself, even if what she sings, what she sings often bears the traces of the poet himself. In her poems, she expressed her state of mind from many angles and directions: the faint disappointment in adolescence, the sensitivity and melancholy to the change of natural order, the thoughts and worries about her husband, the refraction of the cold world, the pain of broken mountains and rivers, the destruction of family, the bitterness of suffering, the disappointment in the real society and the frustration in pursuing the ideal realm, which showed us the great representation of feudal society.
(2) The use of rich images is an important reason for the artistic charm of Li Ci.
Image is the combination of emotion and image, that is, to express feelings with images, to turn emotions into perceptible image symbols, to find an objective counterpart for emotions, and to make emotions into "images" for easy observation and thinking. Li Qingzhao's worries are often not directly expressed, but made concrete, sensible, meaningful and intriguing through images.
"Yellow Flower" is a classic image in Li Ci. "People are thinner than yellow flowers", and yellow flowers have become people's reference. Noble, aloof and cold yellow flowers have been gaunt by wind and frost, while people who live alone in Chongyang are thinner than yellow flowers. The poet's troubles and worries are attached to this "yellow flower". "Yellow flowers are piled on the ground, haggard and damaged", and yellow flowers are far more than sparse. Sudden wind and cold rain have withered her everywhere. The poet's sad, sad and sad feelings also floated down with the yellow flowers and piled up all over the place.
According to the needs of emotional expression, the author often uses some special images to make the words have unique expressive power. For example, "I'm afraid the boat won't move, and I'll worry." "worry" has become heavier. The stern boat can't move, with a lot of thoughts and a heavy sense of oppression; (feel like an outsider) is not a smell.
Under the assumption of "nothing but fear", it can be imagined that the poet's loneliness is accumulated and he has no intention to go boating in spring. The pain of national subjugation, the sorrow of widowhood and the pain of the fall are all in it.
(3) In addition to the specific emotional expression, Li Ci has a wide coverage and strong penetration.