Originality and appreciation of the ancient poem "Song of the Near Lu"

Introduction of works

The author of "Near the Luge Pavilion" is Li Bai, who was selected as the No.1 166 # 13 # of the whole Tang poetry. The title may be a mistake in The Last Song. This poem should be regarded as the last work when Li Bai was exhausted after his illness.

original text

Lu Lin footballer ge

Author: Tang Libai

Dapeng spreads its wings and flies in all directions. This kind of transit and destruction is not powerful.

The extra wind can inspire me forever, and I can swim in the east, hanging on my left sleeve.

Who shed tears when Zhong Ni died?

To annotate ...

[1] Pro-Lu Ge: The mistake in Dying Song. Li Bai's last words

[2] Eight people: a wasteland in all directions.

[3] Zhongtian: half empty.

[4] destruction: destruction.

[5] Afterwind: Legacy.

[6] agitation: agitation.

[7] Forever: Forever.

[8] Fusang: The sacred tree in ancient mythology is where the sun comes out. In ancient times, the sun was regarded as a symbol of the monarch. Here, the trip to Fusang is a metaphor for the emperor.

[9] Hanging: refers to the obstruction of decadent forces.

[10] Stone sleeve: regarded as left sleeve.

[1 1] Germany: Know Dapeng died in the air.

[12] sentence: refers to the allusions of Confucius' mourning for the forest. Legend has it that Kirin is an auspicious animal. For fourteen years, Lu hunted a unicorn. Confucius thought that Kirin caught the wrong time and was very uncomfortable.

translate

Big Pengfei, shaking octupole, the sky were to fall, and his strength was not good. Although destroyed, the lingering wind can still inspire the world, swim in Fusang and hang on the left wing; Although the strength is not good, future generations can inherit this story with this afterwind, but there is no Confucius in the world, who can cry for my destruction.

Make an appreciative comment

The word "road" in the title of this poem may be wrong. According to the content of the poem, Li Hua in the Tang Dynasty said in Preface to the Tomb of Li Jun, a Bachelor of Hanlin: "At the age of 60, there were two strange couples who died with a song." Then the word "Lu" in "Lu Ge" should be mistaken for the word "final", and "Lu Ge" is the "last song".

"Big Pengfei shakes eight generations, and Zhongtian is weak." Open the Complete Works of Li Taibai. The first article is Fu Dapeng. The first draft of this poem was written at a young age. Perhaps inspired by the image of Dapeng depicted in Zhuangzi Xiaoyao Tour, Li Bai compared himself with Dapeng in Fu, expressing his great wish of "turning the bucket into the sky, shaking the mountains and dumping the sea". Later, although Li Bai suffered political setbacks in Chang 'an and was rewarded by Emperor Xuanzong of the Tang Dynasty, his ambition was not depressed. The image of Dapeng still inspires him to fly hard. He said in the poem "On Li Yong": "Dapeng rises with the wind one day and soars in Wan Li. If the wind weakens, it can still lift away the turbulent current. ..... "Is also compared with Dapeng. Dapeng is a romantic and extraordinary hero image in Li Bai's eyes. Li Bai often regards it as the embodiment of his own spirit. Sometimes he even feels like a Dapeng who is flying or preparing to fly. But now, he feels that such a Dapeng has flown to the point where he can no longer fly. He wants to sing a tragic "last song" for Dapeng.

The first two sentences of the song are: Dapeng spreads its wings, holds it high and vibrates in all directions; Flying into the air, my wings are broken and I can't fly. Two poems sum up Li Bai's life. "Peng Fei Xi Town Bazi" may imply that Li Bai was called to Beijing. "Midheaven destroys Xi" means that he suffered setbacks in Chang 'an, which is equivalent to flying in mid-air and hurting his wings. Combined with the poet's actual experience, these two sentences are both vivid and verve, and they are unambiguous. It feels a bit like the beginning of Xiang Yu's Song of Xia's, which says, "Rise from the mountain and be angry at the world, but when it is unfavorable, it will not die." The meaning of infinite desolation and passionate emotion are really shocking.

"The afterwind is exciting for generations, and you can swim mulberries and hang stones." "Excitement" means agitation and encouragement, which means that although Dapeng has collapsed in the sky, its legacy can still reverberate from generation to generation. This essence means that although the ideal is disillusioned, I am confident that his personality and spirit still have a great influence on generations of people. The legendary tree Fusang was born in the place where the sun rises. In ancient times, the sun was regarded as a symbol of the monarch. Here, "You Fusang" refers to the emperor. The word "stone" in Hanging Stone should be regarded as a "left" mistake. During Yan Ji's funeral, there was a saying that "the left arm (sleeve) hung with a hibiscus", and Li Bai's statement was probably inspired by Yan Ji. But it is impossible for ordinary people to swim to Fusang, and it is impossible to hang their sleeves on the towering tree of Fusang. Dapeng should only be left-wing, not "left". Who is insisting? In Li Bai's mind, Dapeng and himself are sometimes confused, which is why there is such a strange sentence.

"Later generations spread this, who will cry when Zhong Ni dies?" The previous sentence said that later generations got the news that Dapeng died in mid-air and passed it on. The last sentence uses the allusion of Confucius' mourning for the forest. Legend has it that Kirin is a symbol of auspicious animals. In 48 1 year BC (14th year), a unicorn was hunted in the state of Lu, and Confucius thought that it was uncomfortable for the unicorn to be caught accidentally. But now that Confucius is dead, no one will shed tears for Dapeng's untimely death as he did for Kirin. On the one hand, these two sentences are convinced that future generations will regret it infinitely, on the other hand, they lament that there is no confidant in the world today, and their meaning is the same as what Du Fu said when summing up Li Bai's life, "fame for a thousand years, fame for ten thousand years, what's good, when you die, it's gone" (Li Bai's Dream).

The dying song is Long song when Li Bai is crying; The form is in words, which can be regarded as the epitaph written by Li Bai himself. Li Bai not only has lofty ideals in his life, but also is very persistent, pursuing his life for realizing his own ideals. This song of dying shows readers that when he reviews and summarizes his life, he shows great nostalgia for life and deep regret that he failed to make good use of it. After reading this poem, I feel that the poet seems to have really become a nine-day Dapeng flying. After all, you can't catch a tiny branch. It will soar in the eternal sky and be admired by future generations.

Li Baiyan commented on the book and pointed out that people approved: "What kind of language is this?" Almost no one knows. "Zhu Benyun:" The meaning of this chapter is hard to understand, so you will know. "

Said, "It's Cao. Suitable for Zhao and Wen Jianzi to kill calves, and sigh "Song of Songs" when they are not good at it. The mistake of this road or river word. "

Lu said: "Gai himself sighed. There is no doubt that he will draw up Cao."

Guo Moruo's "Li Bai and Du Fu" said: "The dying song is concentrated today, and the printed version was mistakenly written as" Song of the Near Lu ",which is 42 words short, so it is better than Dapeng, and its conceit will remain unchanged until death. However, lamenting' I am not strong enough' is the same as the first song' Who is old when I am old'. In 59 ancient styles. There is a common clue. In that song "Antique", he remembered Ni Weilin's crying words: "If you want to be a saint, you can't get it"; In this song "The Last Song", he thought of Ginny's crying. On the one hand, he compared himself to Zhong Ni. On the other hand, he lamented that there was no Zhong Ni, but he pinned his hopes on "future generations". In fact, if Zhong Ni is still here, he may not be willing to "cry" for him; And' descendants' did not live up to him. "

Pei Fei's analysis of Li Bai's coming to Luge: "There are six sentences in the whole poem, which can be divided into three solutions. One or two words: Peng Ganfei shook eight generations, and his destructive power was not good enough. Eight people, eight poles and eight wastes are extremely far-reaching. Three or four tight sentences, although the power of speech is not enough, if you get Ryan's help, you can still inspire the world to swim in Fusang. Residual wind is relative to the cyclone from bottom to top; ..... Li Bai's songs express Peng's ambition, and the left posture means left chin and left sleeve. Stimulating the world, swimming in mulberries and hanging on the left are all empty words. If his ambition is still there, Yu Yong can be a good teacher. Five, six also said a few words, saying that Dapeng was destroyed in the middle of the sky, which was obtained by future generations-in fact, it refers to today's world-there is no Confucius in the world, so no one is pitiful. According to Confucius, he cried because he was hunting in the west, he was hurt, "unless he saw this kind of injury from time to time." For details, see Biography of the Ram, Fourteen Years' Mourning for the Public and Confucius' Family Words to distinguish things; According to Li Bai's Fu Dapeng, I don't particularly admire Dapeng's boldness, but also his "neither arrogance nor rashness", which can be mentioned with Lin's benevolence. Zhong Ni's death, don't all the disciples of Confucius in the world die? Who cries for it? No one cries for it! The conclusion is sad, and generosity is still seen in sadness. What I said above is between the lines. This also means, ... "(Li Bai's large-scale picture album, International Outlook Publishing House)

Brief introduction of the author

Li Bai (70 1 Feb. 28-762), a poet of the Tang Dynasty, is known as the "Poet Fairy" and the greatest romantic poet. Han nationality, born in Broken Leaf City in the Western Regions (now tokmak, Kyrgyzstan), moved to Changlong County, Mianzhou (Brazil County), Jiannan Province at the age of 5 (renamed Changming County in 7 12, now Qinglian Township, jiangyou city, Mianyang, Sichuan), and his ancestral home is Ji Cheng County, Longxi County (now south of Jingning County, Pingliang City, Gansu Province). His father, Li Ke, has two sons (Boqin, natural) and one daughter (Pingyang). There are more than 0/000 poems in the world, with masterpieces such as Difficult Road to Shu, it is hard to go, Climbing Mount Tianmu in a Dream, Jiang and Li Taibai Ji. He died in Dangtu, Anhui Province in 762 at the age of 6 1.

Li Bai's poetic creation has a strong subjective color, which is mainly manifested in his emphasis on expressing heroism and passionate feelings, and rarely describing objective things and specific time in detail. Free and easy temperament, independent personality, and strong emotions that are easy to touch and erupt form the distinctive features of Li Bai's lyric style. He often erupts, and once his feelings are aroused, he rushes out without restraint, just like a hurricane in the sky and an overflowing volcano. His imagination is very strange, often has unusual connections, and changes with the flow of emotions.

Traditional control

Full Tang poetry volume 167_ 13 near Lu Ge Li Bai.

Dapeng spreads its wings and flies in all directions. This kind of transit and destruction is not powerful.

The extra wind can inspire me forever, and I can swim in the east, hanging on my left sleeve.

Later generations have to say, Zhong Ni is dead, who can cry for my death.