Looking at the same scene from the perspective of poetry appreciation 1: With the combination of far and near, the visual image of the observer will change in different directions and angles. Describing from different angles will make readers have a more comprehensive understanding of the scenery described and get a more perfect feeling.
For example, Du Mu's Mountain Walk? As far away as Hanshan, the stone path is oblique, and people are in Bai Yunsheng. Stop and sit in the maple forest late, and the frost leaves are red in February flowers? The first two sentences describe the prospect of Akiyama. The first sentence describes the majestic scenery of the autumn mountain and shows the poet's courage to climb it. The second sentence describes a specific scene in the autumn mountain, and several families can be seen faintly under the white clouds fluttering sky. The last two sentences depict a close-up of Akiyama. ? Frost leaves are redder than February flowers? In a word, it is full of vitality, bright and dazzling, fresh and vigorous, vivid, giving people a sense of beauty that Qiu Guang is better than spring.
The second part: the combination of front and side scenery description can start from the front and directly describe the characteristics of the scenery, so that people can see at a glance; We can also start with the side scenery related to it, not the front scenery, so as to reveal the characteristics of things and provide readers with rich imagination space. The combination of the two methods can make the features of the scene more distinct and prominent.
For example, Bai Juyi's Yang Liuzhi Ci? In the spring breeze, a tree has thousands of branches, softer than gold and softer than silk. Always in the west corner of Fengfang, never a day, whose willow is this? The first sentence and the second sentence describe the beautiful form of willow in spring by means of positive description.
Wang Changling's Join the Army? The desert is foggy, and the red flag is half rolled out of Yuanmen. The former army fought in Taohe River at night and was reported to have been captured alive. The second sentence is a profile description of the war situation. By writing that the wind is strong and the red flag is rolled up to facilitate the urgent March, the tragic war is written.
Another example is Liu Yuxi's "Stone City"? The mountains are still the same, surrounded by abandoned ancient capitals, and the tide is beating against the lonely empty city as in the past. In the old days, Huai Shuidong, did you come to the female wall at night? , entitled? Stone city? , obviously writing? Stone city? But poetry does not start from the stone city, but from the scenery around the stone city? Mountain, tide, moon? At the beginning, write stone city? Old country? Decline and desolation.
Poetry Appreciation and Scenery Writing Part III: Combination of Reality and Fiction? Virtual? With what? Real? They are two great concepts, specifically, intangible and tangible, abstract and concrete, imaginary memory and reality. Like what? Worried? Is virtual, because it is intangible and abstract. A spring river? 、? A boat? 、? Spring grass? Wind and waning moon in Yang Liuan? It's true. Ancient poems often express some feelings with the help of tangible things, or write realistic situations and interests with the help of imagination or memory. When students appreciate this poem, they should pay attention to what is true and what is empty. And whether the poet intends to express truth or emptiness. Only by understanding these points can we accurately grasp their relationship. The real scene is a realistic and objective scene described by the poet, while the virtual scene is a virtual scene created by the poet through association or imagination. The combination of reality and reality can better express an overflowing emotion.
Such as Gao Shi's "Listen to the flute"? Snow-clean horses graze in the daytime, and Qiangdi guards the building in the moonlight. Excuse me, where do plum blossoms fall, and the wind blows all over Tianshan Mountain overnight? One or two sentences in the poem actually describe the scenery, describing the lakes and fields in the north, the ice and snow melt, and the season of herding horses has arrived. In the evening, the soldiers came back with horses, and the sky shed the brilliance of the bright moon. In such a vast and clear night scene, I don't know which garrison building played the Qiang flute, which is the familiar tune of plum blossom falling! Three or four sentences of imaginary scenery, will it? Did the plum blossom fall? Looking apart, it seems that the wind is not blowing the flute, but the fallen plum flowers. They are scattered everywhere, and the color and fragrance spread all over Tianshan Mountain overnight. This poem expresses the soldiers' deep homesickness by listening to music and thinking of plum blossoms in their hometown (there are no plum blossoms in Alakazam) and the autumn of plum blossoms.
Poetic Appreciation of Landscape Angle Chapter IV: Line drawing technique is one of the traditional techniques of Chinese painting, which is roughly close to the sketch or sketch in western painting. Its characteristic is to outline the picture with simple ink lines, freehand brushwork, no contrast and no color. This painting method is introduced into poetry creation, that is, without adjectives and modifiers, it is carefully carved and rendered layer by layer, not to mention melody or foil, but by grasping the object of description, using accurate and powerful brushstrokes, simple and concise language and plain words, it neatly outlines the shape, light and shade (sound) of things and shows the author's feelings about things.
For example, Wen's "Doing Good and Walking Early"? I began to recruit priests in the morning and felt sorry for my hometown. When a chicken crows at the Maodian Moon, people walk on the Banqiao Frost. Mistletoe leaves fall on the mountain road, and orange flowers are on the wall of the post. Thinking of Ling Du's dream, the geese returned to the pond full of joy? . The second couplet of the two poems is a combination of six nouns (that is, six scenes) without any modifiers. It can be seen that it is hard to go early. When the cock crows and his eyes are still alive, it is obviously difficult to leave early, braving the frost on the road.
Chapter five: the combination of dynamic and static in ancient Chinese poetry, poets pay special attention to dynamic description in order to create artistic conception, and the combination of dynamic and static is a common method of scenery description. In the application of this technique, poets are often unique. Every word? , and make? The realm has come out? . For example, Jia Dao's "Li Ning's Seclusion"? Birds stay in the trees by the pool, and monks knock at the door under the moon? what's up Push? Knock? Choose, Wang Anshi's "Dengguazhou"? Spring Breeze and Green Jiang Nanan? what's up Green? Chinese adjectives as causative verbs are a model of dynamic description, and there are many articles about verb usage. However, as a combination of dynamic and static scenery, it often depicts dynamic and static with a kind of artistic conception, and often focuses on static, and forms a harmonious unity of artistic conception and image in a way that dynamic sets off static. Therefore, the combination of static and dynamic scenery writing techniques is often inseparable from foil.
For example, Wang Wei's "Autumn Night in the Mountain"? The empty mountains are bathed in a new rain, and feel the early autumn at night. The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. My friend's prince, what does it matter if spring is over and you are still here? ? The poet Wang Wei deserves to be an expert in landscape description, and the combination of dynamic and static is one of his main techniques in describing landscapes. In the scenery described by the poet, there is movement in stillness, stillness in stillness, and the combination of movement and stillness constitutes a moving artistic conception. Second link? Moonlight in the pine forest? It's a quiet scene, what you see, and it's written that moonlight shines all over the earth through pine branches; And then what? Crystal in the stream? It is the dynamic scenery, the smell and the combination of dynamic and static, which constitutes a beautiful and lovely landscape painting. Are triplets used by poets? Bamboo noise? Is it for smell and use to set off the tranquility of the mountain? Li Andong? Against the quiet water, what you see is intertwined with what you see. Noisy Quiet? Contrast with each other, quite artistic appeal.
Chapter 6: Combination of Point and Surface Everything is interrelated, not isolated, and the scenery described is the same. They are always inextricably linked with the surrounding scenery. Therefore, when poets write landscapes, they don't write the subject in isolation, but also the related images around the subject, combining point and surface to make the subject image fuller and more distinctive.
Like Jiang Xue of Liu Zongyuan? There are no birds flying over those mountains, and there are no traces of people in those paths. A boat, a bamboo cloak, an old man fishing on the cold river-snow? In the middle school stage, the combination of point and surface is adopted. ? Li Weng? It is very small in the picture, but it is the center of the whole poem in a very conspicuous position. A boat, a bamboo cloak? Depiction of points; The first two sentences? Hundreds of mountains have no birds, thousands of paths have no footprints? Belonging to the surface, where does poetry come from? The bird flew away? , to? People are missing? Write the bitter cold and loneliness of the characters' situation, but in? Mountain? Diameter? Is the former crown a quantifier? A thousand? Wan? , to highlight perseverance and outstanding personality. It can be called point-surface combination. Point out that it is comprehensive.
Chapter 7: the combination of melody and sound The scenery in ancient poetry often involves melody and sound. This is the poet's use of senses to write landscapes from multiple angles, which makes the readers immersive and receives high artistic effects.
Like Du Fu's quatrains? The window of "Two orioles singing on the top of a green willow and egrets flying into the sky" contains autumn snow in Xiling, and Wan Li is moored at the door. The first part is a set of opposing sentences. There are many willows around the thatched cottage, and there are a pair of orioles singing on the new green willow branches, which is a cheerful scene and colorful, forming a fresh and beautiful artistic conception. ? Cui? Is it new green? Liu Cui? It's early spring phenology, and willow branches have just sprouted. ? Two orioles singing green willows? Pairs of birds are full of vitality and have a festive meaning. Egrets in the blue sky are flying freely. This long-legged bird flies gracefully and naturally. Wan Li is clear and blue. Is the egret there? Blue sky? Against the background, the colors are extremely bright. Two sentences in a row? Yellow? 、? Cui? 、? White? 、? Green? Four bright colors are woven into a beautiful picture; The first sentence also describes the sound, conveying extremely cheerful feelings.