On the Features of Graceful Songs in Expression and Words and Confucianism and Meng Ling

This word shows the author's love for flowers and spring scenery, as well as the unique concern and sensitivity of women. He expressed his true feelings of cherishing spring and flowers in the form of dialogue with the maid. Wake up from a hangover and anxiously ask about the begonia flowers in front of the window after a night of wind and rain. The people in confinement couldn't help being careless and comforted them, saying that it was okay. With a sensitive heart, she has felt that it must be green after the rain, the leaves are rich and the safflower is gaunt. There are only thirty-three words in the whole word, but the question and answer with the shutter man are skillfully set up; The questioner was deeply moved, but the respondent was indifferent, so he forced out the sentence "Do you know?" and wrote it flexibly and passionately. Skillful use of words, "rain sparse", "sudden wind", "sound sleep" and "residual wine" are all correct sentences; In the sentence of "green is fat and red is thin", leaves are replaced by green, and flowers are replaced by red, which is common in previous poems (such as Tang Yan's poem "Red is residual and green is full of begonia branches"), but the combination of "red" and "thin" makes begonia appear sad, refined and innovative in rhetoric. Li Qingzhao's ci may be dead in Korean poetry, but the conclusion is dialogue, which is better than Korean. Therefore, "Selected Poems in the Dream Garden" said that the word "in a short picture, there are countless twists and turns hidden, which is naturally more sacred than this word". In addition, people in the Song Dynasty loved Haitang, and Lu You once said, "I am crazy about famous flowers" and "Haitang can't live in spring" ("Traveling around in Flowers"). It is no accident that Li Qingzhao took Haitang as his word, and he was extremely concerned about it.